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#1 |
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Join Date: Jun 2021
Posts: 52
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Hey guys, sorry to resurrect a long-dead thread, but I have recently acquired a Hungarian "Madonna saber" which from what I can find was made somewhere between 1760-1811. It is a beautiful example as pictured.
There is scarce information on these swords. There are a few similarities as mention above in Wagner which I identified on page 407. I also own "Ungarischer Sabel und Husaren-Pallasch" which solidifies it as a Hungarian saber. Goes on to say that these were almost all foreign-made, mine being a Pottenstein example. I wanted to know what other resources are available for further research on these swords and specifically on Pottenstein as a maker. I've not been able to find anything on Pottenstein specifically and very limited information on Madonna sabers as a whole. The sword handles beautifully, far more impressive in construction than my 1796. Le Marchant obviously derived his sabers from these. Its stats are as follows: Sword in scabbard weight: 3 lb 10.5 oz/1660g Sword weight: 1 lb 12 oz/ 794g 37 3/4'" long 33" blade 8" POB from the hilt I only own a 1796LC officers which is obviously a well-constructed light blade, but it seems to be somewhere between that sword and my 1811 Blucher which is a beast. Thanks for the look! |
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#2 |
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Join Date: Apr 2017
Location: Sweden
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This is Pottenstein in lower Austria. See: https://www.biographien.ac.at/oebl/o..._1762_1837.xml
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#3 | |
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Join Date: Jun 2021
Posts: 52
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#4 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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I am curious about the reference to Wagner.
My copy "Cut & Thrust Weapons" (Prague, 1967) shows virtually this exact saber among Austrian swords as Hungarian mid 18th c. and with Pottenstein as place of manufacture. Here I would note that Pottenstein seems to be a judicial district, and electoral region in Bavaria. It is often confusing as swords often, if not typically have the arms of Hungary, but clearly this was Austro-Hungary, the Holy Roman Empire. While it seems possible there were blade makers at Pottenstein, it seems more likely this was where the saber was 'outfitted'. It is interesting that this example is silver metal, the book example is brass. The use of the Madonna falls into place with many of the religious and neo-classic themes popular in Hungary and East European regions. What is most curious in the Madonna depiction is that the figure is standing on the face of the 'man in the moon' which is a common depiction in the cosmology of many European blades. The image of this moon also shows the line along the back of the head which represents a rostrum, as depicted in the moons used in Spain for espaderos del rey. In references on Hungarian arms I have read it is noted that there was a predeliction for symbolic representation on arms in this period. In Poland there was a use of representations of important rulers, and those particular swords were termed in accord with the figure on the blade. For example 'zygmuntowka' (King Sigismund); 'batorowka' (King Stephen Bathory). |
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#5 |
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Join Date: Jun 2021
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There is scarce information on Pottenstein, I notice a wide difference in the signatures I've found. It does seem to be a district in Austria that exported a variety of swords to Vienna.
I can post the single page of information from the book I posted, it is not all that different than what is in Wagner. |
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#6 |
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Location: Sweden
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In the 18thC Austria manufactured sword blades mainly in Pottenstein and Weiz. Melchior Steiner started production of sword blades in Pottenstein (lower Austria) in 1765. He successfully competed with foreign imports on price and quality. On his death in 1786, his nephew Melchior Ritter von Steiner took over the arms factory which did well and became the market leader in Austria. The factory was converted into a metal and machinery goods manufacturer in 1828.
I read somewhere that gild/brass decorations on uniforms and arms in Austria-Hungary was reserved for the Crown. Silver plated hussar sabres were used by private palace and castle guards (including ceremonial duties). The Austro-Hungarian empire contained some large estates. Below text is from Das industrielle Erbe Niederösterreichs: Geschichte, Technik, Architektur (2006) by Gerhard A Stadler. |
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#7 |
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Join Date: Jun 2021
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Great info Victrix! Clearly have done your research since your first post. My only question would be the Pottenstein blades marked prior to 1760, such as the one on the first page.
Do you know where you read about the reservation of the gilding for palace guard/royalty? Cheers |
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#8 |
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Join Date: Dec 2014
Location: Black Forest, Germany
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A production start at Pottenstein in 1765 is IMHO impossible because Melchior Steiner was baptised not before novembre 21. 1762. But as there are sabres with the Pottenstein signature of the year 1749, the information given with 1765 must be wrong.
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