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#1 |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
Posts: 937
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My thanks, Dom, for your help with understanding the inscriptions. Does the style of the calligraphy give any suggestion of origin?
Below are the promised pictures of both faces of the axe. I apologize for leaving a scale out of the photographs, from the hammer head to the center edge measures 23.5 cm and from horn to horn in a straight line is 24 cm. The overall mass is 2.6 kg, including a plain wooden haft. The blade of the axe is surprisingly dull and about 1.5 mm thick. Also, I get the impression that the decoration was applied after and around the gash on the socket in the top picture and was similarly applied over a scraped depressed area on the blade face in the bottom picture. Over the socket there is a representation of a live bird which appears to be standing over a dead bird. Do you know what this references? I have e-mailed the department in the museum where I saw a very similar axe requesting any further information they can provide about the provenance of their example and I am awaiting their reply... In the meantime, does anyone want to stick their neck out (no, not over the block) and propose an attribution before I share my museum observations? |
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#2 |
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Join Date: Oct 2005
Location: Paris (FR*) Cairo (EG)
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the calligraphy don't give any information,
as far as is purely religious mentions, it's obligatory in Arabic language, even if the country of origin is not arabic speakers, e.i.; Persia, India due to what is mentionned on above no ideas from where it's could come from ![]() without to take a big risk (I'm ready to put one nail on the block under the blade) it's Indo-Persian ![]() even more Indo than Persan ![]() now I leave the place to my collegues, who could have their appreciations ![]() |
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#3 |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
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Dom, I appreciate your courage in stepping forward! Your conclusion of "Indo-Persian, even more Indo than Persian" is exactly what I had come to think about this axe, and like you, I was not really very comfortable with that attribution.
In due course I had consigned it in my mind as "eccentric Indian Raj-era souvenir." Of course, the considerable weight would be the opposite of what one would expect from this attribution and the decoration might also be a bit too restrained. And, of course, the very plain wooden handle would also not fit this scenario. Dull would be consistent, however. I had also wondered about it being made as an executioner's axe - the mass would be good for that - but then dull becomes a big problem. And, of course, with the help of your translations, such a purpose would appear to be inconsistent with the inscriptions. Needless to say, I suppose, is that the museum's attribution for their very similar axe is "none of those above." I am still waiting to hear back from them as to any information they might have on the provenance of their example and I will use that as an excuse to see if any other forum members develop the courage to put a fingernail forth... |
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#4 |
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Join Date: Dec 2004
Location: Greensboro, NC
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I will "stick my neck" out and say that it is most probably Persian and you might want to have a close look to see if the steel is wootz. The bird imagery looked familiar to me and I was looking through "Persian Steel, The Tanavoli Collection" by James Allen and Brian Gilmour and ran across very similar imagery on a chiseled scabbard mount. On p. 222, they state "The image of a bird of prey attacking a water bird is found on 18th century Iranian saddle-axes. A.S. Melikian-Chirvani suggests that the depiction is of a hawk attacking a heron, and that it is an allegory of royal triumph." I don't know if this particular imagery carried over into India but I have also seen the bird of prey attacking a water bird chiseled at the forte of some khanjar which typically are Persian.
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#5 |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
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Thanks for your courage in extending your neck, Rsword, and for the insight into the images of the birds. Unfortunately, I have been relying on a friend's copy of Persian Steel, so I will suffer a delay before I can follow-up on that, though your suggestion did lead me to find a hawk attacking a heron on a saddle axe in figure 335 / plate 354 of Arms and Armor from Iran with some discussion on this theme on pp 265-266.
I do not see any trace that the steel is wootz. |
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#6 |
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Join Date: Nov 2005
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I agree with RSword on the origin, the style of the carving and the way the chisels were used look very Persian to me – except for the ancillary scrollwork coming off the main cartouche, which has a strong European(?) influence.
Here is a Safavid piece with similar composition & technique, an illustration from the V & A’s “Islamic Metalwork from the Iranian World. 8-18th centuries” |
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#7 |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
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Thanks, Jeff. Below is a snapshot of the example in the museum's case. The inscription is different, but it also shares a lot with the inscription in the upper view in the pictures above. The brass inlay and overall design are most similar, including the 'ancillary scrollwork.' Also, a hawk and heron may be discerned over the socket. Both axes are similarly quite dull. I like the more robust cap over the end of the haft on theirs and the expanding geometry of the hammer-head better on the museum's example.
I promise a wider view of the museum display and their attribution soon... |
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