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#29 | |
Member
Join Date: Oct 2007
Posts: 2,818
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![]() Quote:
Maybe a little was lost in both our translations. No one at this stage has said anyone is wrong, I am however tenacious in understanding the differing points of comparisons and comments and consistancy of statements and will vigorously follow these up when time does permit as I plainly cannot understand these somewhat obvious points, more to follow in up coming postings with these and other unanswered questions, maybe my questions are beyond the realm of probable questioning without the item in their hands??? With regards to what other dealers and collectors/enthusiasts have said about this piece, I will add too that this piece was shown around a few more dealers on Saturday at the Brisbane arms and Militaria fair with good reception but no further concrete evidence other than what is below. About half a dozen people including the Jeweller and previous enthusiast have passed comment with some interesting points, I also rang the previous owner today an asked if he had any more information in his weapons register. Some of the points that have been mentioned are First and formost the superb quality workmanship has been mentioned and that it is distinctly Georgian and is a very lovely piece without a doubt made by a master craftsman for someone of wealth or importance, it too was offered up that the rubbed inscription panel will most likely hold the key to understanding it's history and who it was for. It was also mentioned that the blade has a good deal of age to it and does show despite what some fool at some stage has done with it and that is run the blade over a belt sander at some stage of it's life, "they should have been drawn and quartered" was the remark of one dealer about what it has suffered. I have had good points bought to my attention on the best way to fix it and out of the cupboard comes my ole faithful Lanskey honing stones or varying degrees and the long task of oiling and rubbing with the stones starts. It has also been advised that the acorn final and the acorn patterns that I hadn't previously noticed in the neillo design and in the chiseling may also real more about the time period if research can be done on these points. Also said that it carries a good deal of honest wear to the reverse side and has beeen well cared for and other than the state of the blade, well respected. It too has been stated in relation to other Kindjals that have been through the hands of these dealers, that an unsightly seam is often seen in the manufacture of the scabbard, someone has gone to great trouble to join this scabbard in an very unobvious spot and short of pulling the old timber from the scabbard it remains undetectable to the naked eye. When probed about hallmarks it was said that it is not uncommon at all to find Silver unhallmarked. The design of the rivet heads was noted too as it gives a very positive feel about where the hilt is in the hand in all range of movements. the shape too may reveal more about it's origins. That's about all I can recall for tonight David, a long day is now at an end for me. Lots more food for thought has been offered up by others, I'll spend a bit of time digesting it all and write again soon. regards Gav |
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