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Old 24th March 2005, 02:02 AM   #1
Ian
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Ann:

Thank you for your second major contribution today. Excellent.

Could I suggest to you and our Moderators that what you have written above, supplemented by a few well chosen illustrations and perhaps a short glossary of terms, would make an outstanding essay for our archives section.

Ian.
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Old 24th March 2005, 12:19 PM   #2
Mare Rosu
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Ian
Good suggestion, how about it moderators?

I am also waiting for her book and and the movie that is sure to follow the book.
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Old 24th March 2005, 05:49 PM   #3
Gt Obach
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Hi Ann

in regards to the sham pattern.. which by my definition is a pattern of straight and course waterings can be produced in hypereutectoid steel.... the way i've done this is through the technique of hammering the steel....

generally when you hammer steel, the face of the hammer has a crown or curvature..... and this dimples the steel causing it to flow outward...
- the hammer face has an effect on pattern
-- if you hammer with a flat faced french hammer... you distort the pattern very little...... and the waterings will be straighter

-- but if you use a small narrow face hammer with a curved crown...it'll give a very busy watering (this is all excluding cutting or drilling grooves for pattern effects)

i aggree with the waterings getting finer the more forge cycles.... since I hand hammer all my ingots by myself..... the few times I was lucky enough to have an apprentice, the pattern was coarse
- at the moment it takes 2days of forging with a 8 or 12lbs hammer to get the ingot to barstock
- as you can see on the net.... most other smiths use powerhammers and presses to make wootz.... so their patterns are usually coarse

- i suspect that in ancient times ...to produce a coarse pattern the master smith would have two apprenti, sledging down the ingot...... reducing the forge cycles dramatically

this is just my opinion

thank you for your post... it is wonderful !!!

Greg

here is a pic of a straight waterings... with the matrix oxide buffed out
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Old 25th March 2005, 02:42 PM   #4
Ann Feuerbach
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Thanks Greg for the info on forging. It is something very important but I have no practical experience at, and need imput from those who do. I would like to know how many man hours it takes to forge a knife or sword from ingot to finished product, using traditional forging methods, also how long it takes to sharpen and clean. For ethno-archaeometallurgical studies this is significant.
A standardized nomeclature for patterns does need to be further developed, but is tricky. I have more details on this and only included a bit here. The characteristion of Sham as hypoeutectic is not my "opinion". It was based on previous peoples characterisation (I think Verhoeven, Sashe, and others) together with metallurgical analysis.
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Old 25th March 2005, 05:09 PM   #5
Mare Rosu
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Old 25th March 2005, 10:02 PM   #6
Gt Obach
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Hi
i'm not sure my methods can be directly compared to the ancient smiths... cause I could find nothing about how they forged their ingots...

however with that in mind... a basic ingot starts out to be 6lbs and is cut in half before roasting (however I do make some ingots 3lbs also).... then after the roast it is forged down to 1/4 " by 13 or 16" long
- this can take from 1.5 days to 3 days (6-8 hrs a day)
- wootz is crazy in nature...sometimes it is extremely hard to forge/reduce at the beginning....being as hard as strike the surface of the anvil...
- once the steel is down to 1/4 inch size bar..... it works very easily... like a very plain carbon steel ....so it would take me an hour to two hours to forge out a bowie size knife (keep in mind, that I shaped the bar very quickly with an 8lbs hammer)
- now.. I place this in a bucket of wood ash to slow cool overnight
- put the blade into a jar of vinnegar for an hour.... this pickle will loosen the scale and it can now be scrubbed off with steel wool
- now I like to use coarse files and work my way up to fine files to shape the steel blade
- then use coarse stones up to fine.... followed by paper abrasives up to 600grit.... and these all must be done with oil (corn oil is my fav) ... the oil stops the abrasives from loading up and burnishing the steel surface... so it cuts clean
- this stock reduction... usually takes up to a day
- the knife is now heat treated... quenched, tempered for an hour and tempered again, and repolished at 600grit
- now it is degreased... with soap, rubbing alcohol, Tsp..... and let dry.... see if all the streaks are gone... (cause any grease will destroy an even etch!)
- now dip into the appropriate solution (etch) and watch it on the side of the clear vessal..... till the waterings are clear then pull out quick... wash immediately under cool water, then a quick dip in cool water and baking soda, now litely rub with a paper towel soaked in rubbing alcohol.... (be quick with the rinse and neutralize or else your waterings will take on a rusty brown)
-allow to air dry and litely oil it
- the heat treat and etch should also take a day......

now i'm not a speed demon at anything... lol... so I'm not sure how this stack up to other peoples methods

as for the sharpening... this takes me a minute on a 2by72 inch belt grinder.... and you always want to have a sharp edge before the etch

i'm sure I'll think of more later.... this is just a brief summary
- in the summer I will try to gear up and do some swords again... but first I have to get a real shamshir, tulwar, saif, or kilij etc to examine an begin the process of replicating it.. .. it's hard to make something from just pic's... lol

anyhow, gotta hop a flight to halifax....
take care
Greg
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Old 26th March 2005, 12:57 PM   #7
Jens Nordlunde
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Gt Obach,

Thank you for your ‘manual’ on making a blade, it is very interesting. I don’t know about others, but I have always wondered how long time it took to make a blade. Th.H.Hendley would have known, as he lived in India at the end of 1800, the time when many of the weapons we collect were made, but he does not mention it for some reason or other.
In the book ‘Persian Steel’ by James Allan and Brian Gilmour. Oxford University Press, 2000, James Allan writes, in the chapter Arms and Armour/Centres of production that the production of arms and armour, under Timur was centralised, and that he had more than one thousand workmen making arms and armour ‘…and to this business they are kept at work throughout the whole of their time in the service to his Highness’. When I read this, I thought that this would have accumulated at a ‘mountain’ of arms and armour, and it did, but over the years; and one must not forget, that they did not only make the weapons, they also had to repair what had been broken. Due to this relatively show production process, and to avoid the enemies use of the weapons again; looting, when a battle had been won, was very important. Weapons from the south are found in armouries to the north and opposite, just like they ‘travelled’ from east to west, and from west to east.

Jens
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