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#1 |
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Nice indeed. Is it damascus blade, or have you tried to test-etch it?
Also, I just finished restoring two tulwars. Both have pattern-weld blades. I'll post the pictures soon. |
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#2 |
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No, I have not tried to etch it yet, but I will try it, when I feel I have the time being on pension can be rather time consuming
![]() It will be nice to see your tulwars ![]() Here is what most Kishangarh armoury marks look like. I really wonder why they made the marks so sloppy. It would have been easier/faster to remove the wax where the letters/numbers were to be and start etching, but they removed the wax around the letters/numbers, and in a rather careless way at that, unless the army just had come home with 25.000 new swords and daggers to be marked, before they entered the armoury. Even a stamp would have been a lot faster and easier although the number would fail so why etching? Last edited by Jens Nordlunde; 2nd May 2007 at 04:47 PM. |
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#3 |
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Sorry - here is the mark.
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#4 |
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why carve it of wax use a wax pencil or crayon write out what you want. mix the acid with inate product to make a slurry or put it straight on and use the wax pencil to put a quick dam around it. quick and dirty. I suspect a slurry would be the easiest. there is a product on the market called peel away main ingediant as I remember is methal chloride. It comes in a putty and would do the job. Sure there was something similar in the areas
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#5 |
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Ward,
Your suggestion is, no doubt, good if you want to make the armoury marks to day but these marks were made a couple of hundred years ago. |
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#6 |
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a wax pencil is just poured wax and was available easily in this period also a acid slurry solution I beleive was easily possible. I will check my references when i get time
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#7 |
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Join Date: Jan 2005
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Wonderful piece Jens!
....and congratulations to the photographer!! In the image I have of the armoury, there is a table with a series of hilts, seen from the top (pommel). These hilts are of the same style as yours, and am sure your sword was either in the photo (hard to see) or maybe just outside the shot. |
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#8 | |
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![]() Quote:
Here are the pictures. The top one is very thick with heavy, chiseled on both sides, blade. Note the eyelashes mark in the carved part of the blade. The second is thin, light and very well balanced. Both exhibit pattern weld Damascus (after restoration. The blade of the second tulwar was in very bad condition, and seems quite old). I also notice a slightly razed yelmen on both blades. I'd appreciate any observations/comments on these tulwars. |
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#9 |
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Alex
Nice pair of tulwars you have, with nice Indian blades as well. Have you had the text on the blade translated? What does the top of the disc look like? Where are the eye lashes? |
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#10 | |
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Please look at the last image above... closely. The eyelashes stamp is right in the middle of the blade, see it? Also, below are closeups of the pommels and the text. I tried to translate it, but apparently it is very difficult verse, even my Arabic-speaking friend is struggling to translate it. |
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#11 |
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Hi Alex,
I found these two pictures on my computer, they are from a book called Damascening on Steel or Iron, as practised in India. The flowers on top of the disc looks very much like yours. I remember having read, that all the weapons shown in the book belonged to Maharaja Madho Singh of Jaipur. One could say it is likely that the swords in the armoury came from the same area, but it is no guarantee, as many weapons changed armoury due to the many wars, - often more than once, and there was also a considerable trade. Last edited by Jens Nordlunde; 13th May 2007 at 03:01 PM. |
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#12 |
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Thanks for a nice reference Jens.
I think the example you showed is superior to what I have (especially the top picture). I recently saw a similar hilt, but made using different, non-koftgari, technique. The gold appears to be applied like a paste, or thick ink, without any visible cross-stiching of the metal, in very intricate small floral pattern. I have similar hilt in silver (but mine is again inferior to that:-) |
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