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#1 |
Member
Join Date: Dec 2004
Location: What is still UK
Posts: 5,854
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Could your short sword be along these lines, picture from the book I mentioned earlier. I could post a picture a sword from roughly the same geographic area with the same construction of wrapped brass wire but as the general shape and decoration is different, maybe it is better to stick to examples where there is some similarity in form and decoration.
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#2 | |
Member
Join Date: Jan 2007
Posts: 181
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![]() Quote:
Aside from the checkerboard pattern, which no one has identified yet, the greatest similarity I've seen as far as overall execution has been the Bou-Saadi knives; a slot cut for the tang half the length of the hilt, pinned and bound with wire. |
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#3 |
Member
Join Date: Jan 2007
Posts: 181
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As promised:
![]() The overall patina is a dark grey, with a few worn patches. The way the inlaid squares are worn into the surrounding wood makes me feel that it's not a recent construction, sometime in the mid to late 1800s perhaps? |
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#4 |
Member
Join Date: Dec 2004
Location: Bay Area
Posts: 1,664
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I am with Tim on this one. SEA appears more likely, just the hilt with its brass (not silver) wire feels that way. I will add more reasons why I am leaning towards SEA soon.
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#5 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,281
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It seems that many times when identifying ethnographic weapons, especially with variations and hybrids, it is often the inclination to head toward ones predominate field of study and to rationalize classification in that category.
While my inclination initially was toward a North African, specifically Spanish Saharan attribution on this weapon, I had not considered the suggestions of SEA possibility as this was largely outside my field of study. In reconsidering, especially after review of the reference used by Tim ("Traditional Weapons of the Indonesian Archipelago", A.Van Zonneveld, Leiden, 2001), I must revise my views on this piece to agree that this does not appear to be North African. The key to the likely attribution of this weapon should be focused primarily on the hilt shape, rather than superficial decorative motif, and in reviewing the Van Zonneveld reference, there are numerous hilts throughout Indonesia which reflect distinct similarities to this one. In addition to referencing this book, Tim brought up some good points in the importance of considering materials and construction in examining this weapon, as well as the fact that in Timor, the nail motif occurred and foreign blades were often used. While viewing various hilts in this book, although there were many extremely similar forms shown, one of the closest profiles I could see was a 'kabeala' from Sumba (p.59, fig.171). The wire wrap, agreeably a superficial element, especially in the case of refurbished weapons which could be applied in virtually any regional instance, can be seen illustrated in Sumatran examples (p.53). As mentioned, the nail motif as well as the geometric application seen in the Timor weapons present compelling interest when considering the checkerboard motif, despite the lack of examples with which to compare. It is worthy of note that another of these 'checkerboard' motif hilts has been discovered, with the hilt remarkably similar aside from two notches at the top. Hopefully we can get photos of that one as well, and continue research for other comparisons with emphasis on the Indonesian sphere. All best regards, Jim |
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#6 |
(deceased)
Join Date: Dec 2004
Location: OKLAHOMA, USA
Posts: 3,138
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THE CHECKERBOARD PATTERN IS PART OF THE KERIS CULTURE I FORGET WHAT THE SYMBOLISM IS BUT CLOTH WITH BLACK AND WHITE CHECKERED PATTERN IS USED AND DOES HAVE SOME MEANING. PERHAPS SOMEONE WHO IS MORE KNOWLEGABLE ON THE KERIS WILL BE ABLE TO COMMENT. A NICE LOOKING INTERESTING SWORD.
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#7 |
Member
Join Date: Jan 2006
Location: Kent
Posts: 2,658
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Are the red 'squares' inlay ? It seems that (if they are) they are secured by the nails ??
Very nice, interesting sword.....I especially like the blade ![]() |
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