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#1 | |
Member
Join Date: Dec 2004
Posts: 1,712
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Any quashing was by me, no one else. I dont find it difficult that people dont agree with me, thats fine, I was just hoping to find more facts about cast figural handles daggers of the 19th century. Spiral Last edited by spiral; 13th January 2007 at 02:53 PM. |
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#2 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,218
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The daggers you are researching are no doubt a very specialized field. I wouldn't image there are too many other "experts" other than Levine. He could not definitively ID your dagger as one of these so-called "satanic" daggers, so i don't know who you think will. Meanwhile the evidence presented here, while not definitive, has at least been academic, relative and deeply interesting and has presented an alternative to your theory through reasoning and critical analysis that is an extremely viable, and IMO likely answer to the origins of you dagger. What it seems you are really hoping for is only information that will verify your claims. |
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#3 |
(deceased)
Join Date: Dec 2004
Location: OKLAHOMA, USA
Posts: 3,138
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I JUST THOUGHT OF A POSSIBLE DIRECTION OF RESEARCH YOU MIGHT TRY ,I SAW QUITE A FEW OF THE HIGHLY DECORATIVE CAST HANDLES IN THE LARGE ARMS MUSEUM NEAR THE EIFEL TOWER IN PARIS. PERHAPS YOU COULD CONTACT THEM AND TAKE SOME PICTURES TO SEND THEM FOR AN OPINION, IF THERE IS A SPECIALIST IN THIS SORT OF WORK THEY SHOULD KNOW WHO IT IS AND HOW TO CONTACT THEM. MANY OF THE EXAMPLES I SAW CONSISTED OF SETS OF SWORD AND DAGGER AND THE MAKERS WERE KNOWN SO A GOOD ONCE OVER WITH A GOOD MAGNIFIENG GLASS LOOKING FOR MARKS OR SIGNATURES MIGHT TURN SOMETHING UP. OFTEN MARKINGS ARE VERY DIFFICULT TO SEE ON HIGHLY DECORATED ARTISTIC WORKS.
THERE HAVE BEEN SO MANY OF THIS TYPE OF DAGGER AT GUN SHOWS IN THE USA OVER THE YEARS I SUSPECT MANY CAME BACK AS WAR SOUVINEERS FROM THE 2 WORLD WARS. THE GERMANS WOULD CERTIANLY HAVE TAKEN THEM AND THE AMERICAN GI. WOULD THEN TAKE THEM FROM THE GERMANS. I WONDER IF MANY OF THESE HAVE TURNED UP IN RUSSIA AS WELL? SOME WOULD ALSO HAVE BEEN SOLD OR TRADED DURING THE HARD TIMES AFTER THE WARS AS WELL. |
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#4 | |
Member
Join Date: Dec 2004
Posts: 1,712
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Thankyou Vandoo that is a great suggestion. Someting solid at last! By any chance do you have the name of the museam? Spiral |
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#5 |
(deceased)
Join Date: Dec 2004
Location: OKLAHOMA, USA
Posts: 3,138
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THE MUSEUM IS CALLED ( LE INVALIDES) MUSEUM LE ARMY, IT IS JUST TO THE RIGHT OF THE EFIL TOWER AND NAPOLEANS TOMB IS IN THE BACK OF IT. IT IS A VERY GOOD MUSEUM AND WELL WORTH A VISIT IF YOU EVER VISIT PARIS. I HAD TO LOOK IT UP IN MY LIST OF MUSEUMS VISITED TO BE SURE THERE ARE 267 LISTED BOY AM I A MUSEUM GEEK
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#6 | |
Member
Join Date: Dec 2004
Posts: 1,712
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Once again thankyou again Vandoo! Your constructive help is most appreciated. I will visit this year indeed. It also gives me the excuse to visit a friend that is overdue. Cheers, Spiral |
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#7 |
Member
Join Date: Jan 2006
Location: Kent
Posts: 2,658
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Hi Spiral,
I have now gained the 'close up' pictures of the Bernard Lavine 'satanic' dagger and am currently researching the symbolism. At first glance the 'extra' designs do look satanic but early 'searches' seem to cast doubt on this. However, I found this hunting sword, which has a figural hilt and ornate scabbard from France and of a similar period to your dagger. The scabbard re-inforces the fact that yours should be viewed as if the church/cathedral is upside down....but I firmly believe...as I stated before...that this symbolism is not 'satanic' but from the underlying theme of Hugo's story. Hunting sword, ca. 1851 French (Paris) Silver, cast, chased, partly gilt; gilt copper; steel; L. (overall, sword in scabbard) 24 3/4 in. (63 cm) hunting sword is a masterpiece of the Gothic Revival style and a virtuoso demonstration of mid-nineteenth-century design and craftsmanship, which were greatly stimulated by the series held of international exhibitions in London and Paris in the 1840s–60s. The grip is fashioned as a deep architectural niche formed of pierced strapwork and foliage, partly gilt, into which is set a figure, cast and chased in the round, of Saint Hubert, patron of the hunt. The cross-shaped guard is inhabited by three dogs, modeled with naturalistic detail, in pursuit of a fox, which cowers at the front of the quillon block; on the end of one quillon an eagle seizes its prey, a crane. From the mid-sixteenth century, the French were unrivaled in the field of highly decorated, deluxe arms. This sword demonstrates that this tradition had not diminished 300 years later. |
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#8 | |
Member
Join Date: Dec 2004
Posts: 1,712
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Of course I would like my Opinion verified! ![]() But I would be happy to have verification of exactly what it is even if it is a suggested by some either 19th century Franklin Mint or indeed A notre Damn tourist dagger! The TRUTH is what matters! But this piece seems to have generated such intrest that I am rather shocked, but this thread has at least prooved the rarity of such pieces. Sure I continue to point that out in the face of some of the comments & oppinions I have read throughout this thread. The general discusian itself has been intresting, as well, & thankyou for your input & rest assured if I ever find Kriss your one of the expierienced peoples opinions I would first seek. Spiral |
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