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#1 |
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Join Date: May 2006
Posts: 7,015
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I feel, that to a degree you are correct Milandro, I have noted that long before the presence of covid there was a tendency for people to jump in, ask a few questions, pass a comment or two, and then more or less disappear.
I have thought about this over time, and I believe that there are several factors involved. I feel that one of those factors could be the nature of the keris itself:- it can be quite difficult to come to an understanding of the nature of the keris, and of the multitude of aspects that it presents. Several very well known & prolific contributors to other divisions of this Forum have commented to me in private correspondence that as they began to come to a slightly better understanding of the keris, they discovered that there were elements involved in a serious study of the keris that did not appeal to them, and so they lost interest. I would be the first to admit that study of the keris does require a great deal of dedication over an extended period of time, and in the present day & age this sort of lengthy road needed to reach an objective seems to be not particularly popular. Many people are simply collectors of objects, they have no desire at all to put forward the time & effort that is required to even accumulate and classify the keris. I can see nothing negative in this rather simple approach, but it does seem to militate against somebody who wants quick results and instant satisfaction being able to satisfy his needs. We could probably put together a whole list of reasons why we do not see as much action in this Keris Forum as we might like, but I do not wish to do that myself, perhaps some other people might like to offer a comment or three ? |
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#2 | |
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Join Date: Jun 2009
Posts: 1,740
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. The Covid pandemic has deeply affected the keris trade (people had other priorities), especially the commercial relationship between the Western collectors and the Indonesian dealers & collectors. It is now more difficult & costly to ship a keris to Indonesia for maintenance, or to receive one. . The market for old krisses is largely depleted after years of strong interest due to the Unesco nomination of the keris in 2005. Since 2020 I could see only few attractive keris offers in European auctions such as Czerny's in Italy, and the reached prices for good pieces were discouraging for the average collectors. . The keris collectors are ageing and no longer collecting or selling their collections, and the young generations are not much interested. . The more stringent ivory ban has deeply affected the trade of ivory hilts. . There is not much new knowledge emerging from the forum as most of the contributors have exhausted their resources. Regards |
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#3 | |
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Join Date: Jan 2022
Location: Netherlands
Posts: 492
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Being a newcomer and a new “ adept” (for lack of a better wordt) in the world of the kris I have to say that while I enormously appreciate the advise and guidance of the more experienced people here, I too have felt that the forum has a very tight structure and ways to relate to one another which may be felt more than passingly intimidating and at times positively feel not welcome. I am very active on a completely different forum and there I am, by now, one of the longest serving and more prolific members. I have seen there how newcomers may feel hushed by the longstanding members and I know all too well what that means. I don’t believe that covid has much if anything to do with the shrinking of interest, in my opinion, forgive me, this is a red herring. There is no shortage of krises where I live , being old or new, and I promise you that, in fact, in the Netherlands if anything the marketplace is growing because many collectors have reached the end of their lives and the collections are all sold at auction with no shortage of buyers. Some even relatively young and I know of some collectors or people washing krises that are in their late ’40. Most Dutch people are proficient in English and there would certainly be more people spending time here if there would be a somewhat "lighter “ atmosphere. Again, one can blame it on external factors and they certainly play a role, but a certain amount of introspective criticism may also serve the purpose to change in attitude which may appeal to more people. Of course the people on the forum may conclude that having a dozen members active on the forum is what the forum wants and if that is so, so be it but I think that a lanrger number of people will bring fresh ideas and ways. |
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#4 |
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Join Date: Aug 2006
Location: Italy
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as for my case, initially (many years ago) I found this forum really very stimulating, but then slowly and slowly it became more and more boring. Furthermore, there is here an iron discipline and being me of Italian nationality, that is undisciplined and careless by nature, I do not like that if I make a mistake I am immediately blocked.
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#5 | |
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Join Date: Jan 2022
Location: Netherlands
Posts: 492
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....And this is precisely what I am talking about Marco. I am not sure that it is a matter of nationality ( ![]() ![]() |
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#6 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,339
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Milandro, you've hijacked a thread to make your complaints without making any suggestions on improvements to be made.
Please be more thoughtful in the future. If you guys have any constructive suggestions, please contact the moderators and be specific. We'd love to hear from you. |
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#7 | ||||
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Join Date: Jan 2022
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for your reference see the posts, If nothing else I simply responded to 3 posts before of mine, I didn’t start it . Quote:
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Last edited by milandro; 6th June 2022 at 07:20 PM. |
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#8 | |
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Join Date: Mar 2018
Posts: 470
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Personally I like this forum and visited it almost daily. This is a place where I can obtain conservative 2nd opinions rather than modern made up stories. Some collectors just collect keris and they see it as a hobby rather than it is a serious thing that deserve study. And not many are willing to spend time and good efforts reading books about keris etc. I still felt that this forum will still serves it's purposes in years to come until senior knowledgeable members pass on to the other side. I suppose to each of his own. I always told myself that rather than waiting for others to make the first step/move, why don't I make that first move instead and starting probing questions etc............... |
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#9 |
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Join Date: May 2006
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Anthony, I think Rick & David would like to put this discussion to sleep, and bearing in mind the history of dispute that keris discussion has generated in the past, I think I can understand their reasons, but that said, I do believe that you have hit on a major reason for the paucity of activity in this keris discussion forum, and that is a lack of questions.
Questions are generated by curiosity, and in my opinion curiosity about the keris is generated not by books about keris, but rather by thoughts that can be aroused by books and other sources of information about the social & historical background that the keris carries as baggage. Without questions there can be no answers, and perhaps many people do not have questions simply because they lack the knowledge to generate those questions. I do not believe that there is anything faulty in even the slightest degree with the format & conduct of this discussion group, it is not broken, so really there is nothing for our moderators to fix. To my mind if there is a problem, it is just that perhaps all of the easy questions have already been answered and nobody has yet gathered sufficient understanding to permit them to ask the hard questions. I doubt that there is much that can be done about that except to encourage an ongoing learning process amongst our participants. Somebody commented I believe, that:- "there is no new information coming from this forum because most contributors have exhausted their resources" from my own perspective I would most gently suggest that in at least one case this is very far from true, however, for information to be presented, the questions need to be asked, and to me it seems that the foundation knowledge required to ask serious questions is very, very thinly scattered. It can be very difficult to frame a question in a way that will give you what you want. I have sometimes spent days working on a question --- or maybe even weeks --- answers can be often be spontaneous, but questions need thought & research, especially if one does not know much about the relevant field. There is nothing at all wrong with this Forum in my opinion, the lack of questions might be because of a lack of interest from participants, or it might be because of a lack of adequate knowledge to permit the framing of questions. |
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#10 | |
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Join Date: Dec 2019
Location: Eastern Sierra
Posts: 497
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Amen Alan. I have had my basic questions answered or have been given the tools to answer many of my own inquires. I would like to thank everyone who has contributed to this process. I believe there is a certain due diligence required to ask a question. I would not want to waste anyone's valuable time. I.e. is there already an answer on file if one spends the time to find it. There is so much in the archives. I believe most of what is left for me to find in the English language on keris culture is here on file. Minus the elusive Groneman of course ![]() For me the next step is to improve my Bahasa Indonesia reading comprehension so to explore more obscure nooks and crannies. Then one day I hope to travel. My big fear would be in the 10 years it would take for me to ask a mature question will there be a loss of knowledge that makes it unanswerable? Today's question for me before I read this thread was the difference in iconography and meaning between a kala mask and a kirtmuktha. Both ideas reinforcing the value of the moments given us and personal growth, but sometimes slow, steady change makes for dull reading. My apologies to Paul for continuing the hi-jack of the thread instead of focusing on the ferric metals and abstract elephants, birds, and snakes. |
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#11 |
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Location: Eastern Sierra
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As a means of reparations to Paul I thought I would post this blade I had not intended to post before. The question is how does this blade relate to the original one? Jean said: "IMO this blade does not originate from Sulawesi nor Sumatra/ Malaysia but rather from Sumbawa or Lombok because of the following features:
. Lines on the front side of the ganja. . Twin lambe gajah . Protruding kembang kacang (not recessed) . Long, straight, and thin sogokan . Peculiar greneng style on the wadidang" How does this one compare? The overall profile is similar, but it is different in almost all the smaller details Jean mentioned. Last edited by Interested Party; 8th June 2022 at 03:08 PM. Reason: not done, then to take Kai's advice |
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#12 |
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Sorry, all. Those were not entirely the pictures I meant to post. Here is one that shows the whole blade on the screen at once. I did not show the pesi because it is wrapped and has locked the selut on and I find that distracting for our topic.
Thanks for your patience. IP PS On a side note is there a way to edit photos after you accidently hit submit rather than preview? |
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#13 |
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IP:- "Today's question for me before I read this thread was the difference in iconography and meaning between a kala mask and a kirtmuktha. Both ideas reinforcing the value of the moments given us and personal growth, but sometimes slow, steady change makes for dull reading."
"mukha" means "face", even in Bahasa Indonesia the word "muka" means "face", in Javanese literary form "mukha" means face "kirti" means "glorious" in Sanscrit, and in Modern Balinese it means "religious merit" "Kirtimukha" is a demon follower of Siwa "kala" means "time" in Sanscrit and in BI & Jav., it is also the name of the son of Siwa & Uma; Kala was a ravenous demon, who tried to eat his younger brother Kumara (Ie, Dewa Kumara, Rare Kumara). Kalamukha can be understood as Kirtimukha Kumara hid and escaped being eaten by his older brother, the demonic Kala, thus Kumara became the God Protector of children. "Bhoma" in Bali, is the son of Wisnu & Dewi Basundari (Hyang Pertiwi), and is the Son of the Earth, in Bali he equates to the Javanese "Kala". As the son of Water and Earth he can be understood as growth and abundance, but if understood as Kala then he becomes time and time equates to Death, "Yama" is judge of the dead, Kala's other name is "Yama". When we add the word 'mukha' we are really talking about an artistic motif that in form of Kirtimukha spread across all of Indianised Maritime SE Asia. It usually surmounts doorways and the entry that it surmounts can provide the prompt to how the motif needs to be understood. So, if we look at Kirtimukha - Kalamukha - Bhoma we are looking at similar artistic motifs that are related but not exactly the same, and their placement and geographic location can result in varying understandings. All of the above has precious little to do with keris, all this curiosity about what one motif or form might represent is simply curiosity for a name to hang on something, a classification, part of the "Name Game" UNLESS we go to the trouble of trying to understand how the people who own the culture of these motifs & forms understand them. For somebody who just wants to collect exotic weapons, the whole thing just becomes too hard & too confusing, and in my opinion it is one of the major reasons why interest in the keris is often so very superficial. The photos are of a gateway and a close-up of the motif above it, with what most people with a slight knowledge of Indonesian art would call a "Kala Mask". The gateway is in Bali, in the grounds of the Den Pasar Museum. How do we understand this motif above a doorway that leads to nowhere and that is purely artistic expression? We sometimes see this same motif used as the closure of the Javanese, Balinese and Madura topengan pendok. How should we understand it in this application? In short, if we are members of an entirely foreign society & culture to the one that owns this motif, we cannot understand it, indeed, investigation will reveal that within the cultures that do own this motif it can be understood in varying ways and only a limited number of people will be in possession of the knowledge needed to understand the motif. For example, this Kirtimukha we have been talking about eventually turned into the Garuda, and the wandering foliage of ancient Indian art eventually was represented as serpents, thus when we see a combination of Garuda with foliage or Garuda with serpents, we see an expression of the Good together with the Bad and by extension Positive elements overcoming Negative. As I just wrote, the whole thing becomes too difficult, unless we expand our study from just one blossom, ie, the Keris, to the entire garden, ie, the culture & society. Not many people with a primary interest in edged weaponry are prepared to do that. Last edited by A. G. Maisey; 8th June 2022 at 01:45 AM. Reason: spelling |
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#14 | |
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Posts: 3,255
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See, not all easy questions have been raised!
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2. Hit the "Manage attachment" button 3. Edit/delete attachments at whim 4. Save edited post |
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