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#1 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,281
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Thanks guys!
These comparisons found in Dean (1928) offer some clues indeed, but as previously noted, these small sword hilts were artistic creations, often privately commissioned, so any sort of consistency or other like examples is most unlikely. What can be seen are general trends or favored styling in the motif. The only small sword maker I am aware of having 'pattern books' would be the cut steel hilt patterns by Matthew Boulton in London latter 18th c. What seems unique in the example in OP is the vertically gadrooned grip which seems almost 'feathered' as well of course as the most unusual double head eagle. While as noted earlier, these Byzantine style eagles were heraldic in the arms of Russia, Austria and several countries, but more specific use in individual heraldry seems elusive. It does seem that Masonic heraldry does use these in variation for some of the degrees etc. but this version seems more stylized than copied. Perhaps it might be a personal interpretation simply recalling one of these possibilities artistically, or possibly some fraternal group or order ? The hexagonal blade, atypical for small swords as a rule, does seem more weapon like, recalling the 'dragoon' blades of 18th c. The ellipses in that floral pattern are exactly the configuration I was thinking of. Interestingly, the M1796 officers sword had pretty much this shape guard so it seems to have become popular 1770s-90s and been known across Europe. The small sword itself had become pretty much outdated in civilian terms and military officers dress swords followed a heavier version of the style in 1790s. Last edited by Jim McDougall; 11th November 2021 at 09:57 PM. |
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#2 | |
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Join Date: Sep 2021
Location: New Zealand
Posts: 285
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#3 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,281
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The thing about sword forms, structure and features is that they of course materialized over time, and became notable as they became popularized and more familiar. It is always intriguing to know the 'ancestry' of such things, and Mr. Norman was a master at such investigation. |
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#4 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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In both cases (M1796 + Norman) the guard indeed forms a 'broken' heart, but misses the pas d'ane. All in all, a different thing.
I follow Jim in that these these particular small swords are result of clients whims. |
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#5 |
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Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,224
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Another reference on double eagles, which in Russia and Austria, etc were not always crowned: https://en.wikipedia.org/wiki/Double-headed_eagle. Used in quite a few places most people would not think of.
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#6 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Thank you Wayne. This is one of the roads i have hit. Didn't help my case, though.
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#7 |
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Join Date: Mar 2009
Posts: 1,060
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Hello fernando, thanks for the pm.
you have a very beautiful smallsword rococo example from around 1770. The paternoster on the blade is a Dutch sword blade characteristic from the 18th century. Also, in some parts of the Netherlands, the double-headed eagle under a crown was common until the 19th century. But in the Netherlands there was a flourishing export of weapons in the 18thC to many countries, including Russia. The flower design on your hilt is also seen on some of the dutch high quality export firearms for the russian market. My first impression is that this could be a dutch smallsword for the russian market. Are there maybe (very small) marks somewhere on the silver parts that can give us more clarity? best, Last edited by cornelistromp; 15th November 2021 at 09:21 AM. |
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