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#1 | |
Member
Join Date: Sep 2014
Posts: 13
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The scabbard locket, the suspension ring and the spherical scabbard ending are similar. There are major diferences too. The scabbard shape is different and there is no use on niello. Furthermore the pattern of the scabbard ending looks very turkish to me. |
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#2 | |
Member
Join Date: Oct 2015
Posts: 147
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![]() There is some eclecticism in the design of the scabbard, but I find it difficult to determine the pattern at the ending of the scabbard. Turkish I see only the composition of the ornament on the side where this pattern is. But such a composition seems to me to be common and characteristic of Ottoman objects from different regions. The curly ornament on this side looks typically Greek for me, the same ornamental motif is also on the handle of your bichaq, it can also be found on the scabbard from Boka Kotorska. The Anatolian version of this ornament is more abstract and more saturated, as in the example below. |
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#3 |
Member
Join Date: Oct 2015
Posts: 147
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The opposite side of the scabbard is also decorated in the Greek tradition: repeating sectors with plant elements. As on the scabbard of the yataghan from Ioannina shown in Robert Elgood book "The Arms of Greece..." on page 140. And on the bichaq scabbard in the photo below. In general, I still think that you have a very interesting bichaq originally from the Western Balkans. I only doubt that its handle is made of mother-of-pearl. Can it be a specially treated horn?
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#4 |
Member
Join Date: Feb 2014
Posts: 435
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The hilt is brittle, as seen by the crack; mother of pearl is notorious for this sort of fragility. I don't think you could achieve the iridescent luster of the surface on horn.
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#5 |
Member
Join Date: Oct 2015
Posts: 147
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The scales on the handle seem to me too large to be mother of pearl.
I do not know a clam whose shell has such a thick layer of mother of pearl. |
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