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#1 |
Member
Join Date: Jan 2005
Posts: 478
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Thanks for the input. Upon further consultations and research I am going with a date of 1800 give or take a decade.
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#2 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,209
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#3 | |
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Join Date: Apr 2005
Posts: 3,255
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Hello Mike,
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![]() Regards, Kai |
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#4 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
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You wrote: It [h]as more in common with my archaic pieces then it has differences. Well, that is probably true of any Moro kris, but let's look and what the differences are which lead me to believe the dating of your kris is not so close to these "archaic" styles. Most of these "archaic" keris (certainly there are exceptions) have rather slow and wide luks or waves. They have a tendency to have 5-7 luks as in the example below and often the blade straightens out as it nears the tip. Yours has quite a lot of waves (i think i count 19) and they are very quick and shallow that run right to the very tip of the blade. As you can also see (and know if you have examples of these in your collection), these older keris tend to have a rather full set of carved features on the blade. We have what would be called sogokan on a Javanese keris as well as another flame shaped carving around the sogokan. The lines that run down the blade again peaking in a flame shaped motif is also a common element of "archaic" blades. Often the area inside these lines display a twisted core when etched. Your blade displays none of this. Archaic kris also don't tend to have a center ridge, what would be called ada-ada in Java, but if i am not mistaken yours does. Your blade also seems to have darkened just around the edges when lightly etched in a manner that i have seen time and time again on late 19th century kris. Kai has already mentioned the position of the angled slant on the gangya. In these older kris that slant takes place further to the back of the gangya and is therefore shorter or they sometimes run straight across with not slant up. Yours looks more like it is on later kris. Kai also mentioned the hilt and kakatu pommel, which seem to be a later style. Though we can't count too much on that since this hilt could very well be replacement, factored in with the other points it does carry some weight. Yes, i do realize that you weren't saying your kris was as old as these archaic kris, but i am afraid i am not seeing the similarities of which you speak and think what we are seeing here is pretty much in line with what we would expect from the second half of the 19th century. Like Kai i would also be interested in what you were told in your further consultations. Change our minds. Better, more detailed photos might help. It's a nice kris, but i don't see it as a transitional blade from the archaic style. ![]() |
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#5 |
Member
Join Date: Jan 2005
Posts: 478
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This is the best pics I can do at the moment. My phone is old and the camera not the best. But it shows what I want. The size of the kris under discussion and one of my archaics is spot on. Length, width are the same. As David and others pointed out thee are differences. Interestingly the differences you mentioned are exactly why i think it is a intermediate style between the different styles. I stopped using transition piece as that termis used by Cato to describe going from the smaller Malay keris to the battle kris. No point in trying to redefine terms. It does nor show up in the photo but in hand the steels seem to be very similar as well. The Jungyangan handle is not as large as it seems and is very close or would be very close to the one on the archaic if the archaic one was not broken. I do think it may be a later replacement. With it, the balance on the blade is awful. Definitely no twist core on the kris in question, the archaic one shown does indeed have one, though it took me awhile to see it. That's another story. Another thing I considered though in a different way then the previous discussion is size matters. Or more importantly is has meaning both as a status symbol which kris where and as a weapon. If this kris in question came up against a later part of the 19th century battle blade it would be at a major disadvantage both in reach and strength. I do not disagree at all with the differences pointed out, as I said they are the reasons i think it is a intermediate style. As to who I consulted with I can and will not name names as it was a private discussion. However I value his opinion quite a bit as he has seen an held many more than I can ever hope to.
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#6 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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Mike, what I notice about one of the details of your new/old kris is that the 'elephant's trunk' feature is quite different from most. Instead of looking like an elephant's trunk the feature on your blade looks quite like a rooster head in profile.
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#7 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,209
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Mike, there are many examples of late 19th century kris that have similar length blades. Here is an example that i let go of a couple of years ago that is also about 18 inches. Also not the similar manner in which the blade has etched to your example. This kris has many of the features of archaic keris (sogokan surrounded by flame design, etched lines down the blade that terminate in another flame-like motif, 5-luk blade that is half wavy, half straight). But it does not have the same level of craft put into these features that we tend to see on the archaic blades. In many ways when it comes to features it has far more in common with your archaic blade than your new kris does. But it is not an intermediate form, it is most certainly not any older than late 19th century.
I don't believe we were asking you to reveal the name of your consultant. What i was interested in was the actual information you consultant revealed that convinced you of the earlier age of your kris. ![]() |
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#8 | |
Member
Join Date: Jan 2005
Posts: 478
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David, I have a similar one in my collection. Now I have to pull it out and see if it is the same one! There seem to be a very small degree of separation amongst us collectors. That type I believe is an attempt to copy the style of carving and construction of the archaic ones. The carving is not up to the standard of the older ones and almost seems like it was mechanically milled in as opposed to carved, it may or may not have a twist core usually not. I can see the rooster. If you know how to read the carvings you can get a good idea of the origins of the blade. That is on my to do list as I cannot do it. There are some on this forum who can and the guy I talked to definitely can. One thing I would really like to see is a catalog of blades that have been grouped together by area and school of craftsman. Think Japanese Bizen school etc. To my knowledge no such reference for Philippine blades exist. As usual don't be afraid to offend me as I do not offend in scholarly discussion with legit disagreements. It helps us all learn. |
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#9 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
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