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#1 | |
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#2 | |
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Also, not from personal experience, but I picked up over the years that lead has a sweet taste and this is why children eating paint chips has been a problem in homes with lead paint. Probably why it was added to cheap wine and why an artist might find themselves dipping their brush in their mouth from time to time. |
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#3 | |
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although Kant tells us one can not dispute 'bout taste,
I think Caravaggio's Judith is not so strong compared to 'the female Caravaggio' ( Artemisia) if you have a look at the first by Michelangelo Merisi AKA Caravaggio and the next 2 by Artemisia Gentileschi Last edited by gp; 4th September 2020 at 09:23 PM. |
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#6 |
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but to make it easier... a few more Judith's from around the same period.
Looks like Judy had more swords than most of you lads....☺☼☺ Paintings are by Botticeli, Jan de Bray, Valentin de Boulogne, Cornelisz Vermeyen, Guido Cagnacci, Bartelomeo Manfredi, David Teniers the Younger and a few more ... Judy remains a very popular theme till today Last edited by gp; 4th September 2020 at 09:25 PM. |
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#7 | |
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#8 |
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Thanks gp for mentioning Artemisia. She is a fascinating figure, and one that the patriarchy of art history doesn't give fair credit. There is a great study there about how the Saints and Biblical characters would resonate with the general public in ways we cannot fully appreciate from our modern perspective. How many young women identified directly with the story of Judith, and saw her as a kind of hero. Few, however, could express the scene as vividly as Artemisia. Thanks again for mentioning her so I could research her biography and catalogue of works.
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#9 | |
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presently in the Rijksmuseum in Amsterdam NL |
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