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#1 | |
Member
Join Date: Dec 2004
Location: California
Posts: 1,036
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#2 |
Member
Join Date: Jul 2014
Posts: 412
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Although these type of swords is not my field 16th c is , and this is not 16th C style.
So for the description I would use"13th C style". kind regards Ulfberth |
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#3 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,190
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I am inclined to go along with the suggestions this sword may have certain composite elements, and may have to do with such practices of use of same from Sudanese swords, as per Oakeshott in "Records of the Medieval Sword".
As noted, the shape of the grip does resemble 'two hander' style, but it is not to say could not have been used on a more regular size in the 'bastard' sense. Also, the pommel is with the cross fourchee and heraldic shield on the opposing side, which it seems I have seen in illustrations in Boeheim and other late 19thc. references describing 'crusades' period swords. The blade does seem to be of unusual character as noted, and certainly the cross and orb seems so as well. This device was popularly adopted on many native kaskara blades, and seen by the tribesmen as drum and sticks, a symbol of authority or standing (Briggs, 1965). The unusual script may be psuedo Arabic? unsure on that, but surely atypical for European application with cross and orb. The 'crusades' trophy swords from Alexandria seem to have had somewhat similar 'inscriptions'. The guard being bronze/brass is also something seen on kaskaras, but not always. It seems there may have been apotropaic properties involved, as suggested to me by certain authorities in London. The cross section here seems unusual but not unlikely. Earlier examples may have had this beveled character, but most seemed lozenze rather than hexagonal in section. In Darfur guards often flared at the ends in the Funj fashion of earlier 19th c. so if there is evidence of these being trimmed off..........but cannot see why. I am surely no expert on medieval nor Sudanese swords, but these are things I have noted in my limited experience with them and research on them. |
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#4 |
Member
Join Date: Oct 2009
Location: adelaide south australia
Posts: 284
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Hi Guys
Sorry for not responding sooner, I don't have the sword at home so can only work from the photographs I took when I last visited the owner. The hilt is Iron not bronze, just look brown in the pictures but I think you are on to something with the possibility of a Kaskara blade etc. I actully really dislike this sword, it feels horrible, however it does have an interesting pommel. It has been very difficult for me to catlaogue this one, the best I could say was 16th century STYLE, and we all know what Style means. I have been trying to gently let the owner know he has been sold a dud. He did tell me the sword came from someone by the name of Skollard in the USA I think, has anyone heard of this chap. I know a number of very questionable swords and items of armour came to Australia via his business many years ago. Thanks for the information you have all contributed to date. Cheers Cathey |
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#5 | |
Member
Join Date: Dec 2004
Location: California
Posts: 1,036
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To address your comments: Thanks for the clarification on hilt materials and construction. A picture is worth a thousand words, as they say, but looking at pictures can't compare with looking at the object itself. So... iron all around. If a sword has a lousy balance in your hands, and it's purported to be a fighting weapon as opposed to a bearing-sword or something ceremonial, that pretty much brands it as a dud. Another problem with buying things only via images in a catalog or online auction listing. Regarding the late Wm Scollard (a near-neighbor of mine, living about 20 miles away), let's just say that the assessment in your closing sentence pretty much sums things up. A number of decades ago, he had a very fine collection and inventory of European and Oriental arms and armor; I used to buy from him on occasion, he had a world-class collection of gun locks, a major study resource, spanning the 16th through 19th cent. including some very rare types -- that eventually sold as a lot to a collector in Europe. He was much respected in those days, a few of his pieces were loaned to exhibitions and published in reference books. One of the highlights of any visit was his impressive library, occupying its own small pavilion; marvelous. I wish more collectors and dealers at least made the effort to be as erudite as he was. Later on, his career as a dealer ended up on a different note, as alluded to in your post. Why, I don't really know. By 2007, the date of my last visit, virtually everything was Victorian or later, often much later. The sword which is the subject of this thread is representative of the material he used to trot out to arms fairs in those final years. I find it all rather sad. |
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