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#1 |
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What style is this Balinese keris? The blade looks crude for an ornate hilt or is the hilt actually not great quality? The stones look to be more than colored glass. Is there anything noteworthy about the sheath? Once again, thank you for any insight!
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#2 |
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Hello Apolaki,
You pretty much guessed it: A recent production of limited quality. The hilt is of lesser quality - there are far worse examples though, especially those pseudo-Bali nightmares produced on Java... The decor on the uwer is certainly glass; the large ones on the base of the hilt will be locally produced paste (basically glass) commonly utilized on genuine Bali hilts. The dark red cabochons on the hilt will in all likelihood be glass, too. Blade is poor as is the recent scabbard. Regards, Kai |
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#3 |
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i like this Balinese hilt
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#4 |
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The Bayu style hilt is of standard quality, not so good but not so bad IMO.
The old blade seems to miss its gonjo, and the recent scabbard is in approximate serengatan style. ![]() Regards |
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#5 | |
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Hi, Is this a Javanese "nightmare" version?
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#6 |
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Looks more like low quality Bali to me (from the single pic).
The Java version tends to be worse - or really much worse... ![]() Regards, Kai |
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#7 | |
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Oh I see. Do you have an example photo of Javanese version of these Balinese hilts?
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#8 |
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no because these Javanese (...not Javanese but, IMO, wooden Madura hilts with Bali patterns) do not deserve to be bought or photographed
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#9 | |
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Hi Jean, how old do you think the blade is and is there a name for the shape and style?
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#10 |
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I wasn't referring to those wooden free-style hilts, Marco.
![]() I meant the "golden/jewelled" brass-clad hilts produced near Yogya. ![]() Regards, Kai |
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#11 | |
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Anyway, the only available moniker would be "out-of-pakem"... ![]() With low quality blades, it does not make sense to try to fathom dhapur or traditional naming conventions since there probably never were any, sorry. Regards, Kai |
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#12 | |
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I agree with Kai about the low quality of the blade but I enlarged the pic of the base of the blade (sorsoran) and it seems that the pejetan (cavity on the gandik side of the blade) extends to the bottom of the blade, which is an indication that the ganja is missing. Apolaki, is it the case? Regards |
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#13 |
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I'm with Jean on this one. I believe that this keris is indeed missing its gonjo.
From these photographs i cannot tell if this is a Balinese blade. It does look a bit short and has no obvious distinguishing features that would mark it as Balinese in origin. I also think that the hilt that is perhaps on the low end of middle quality for this type. Definitely contemporary and not made for a person of any particular standing, but much worse examples of this style exist for sure. Noting that the "stones" are glass or paste is not, as has been pointed out on this forum numerous times, necessarily a mark of poor quality. In Bali pastes and glass "stones" often appear on high quality dress. I would image there is a strong likelihood that this is a dealer special. An old, incomplete blade in poor condition matched with a semi-fancy hilt and placed in a recently carve formal style sarong that is not particularly executed well. |
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#14 | |
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Hi Marco and Kai, is this the wooden style hilts being referred to? Is it a Balinese or Javanese/Madura craft in the style of Balinese?
And Jean, I will get to the other questions about the ganja as soon as possible. I am cleaning the blade. It looks like someone took an electric grinder to it because there are striation marks throughout. It is currently bathing in a less than 5% vinegar & water solution. (Incidently, I really fear I messed up cleaning a moro kris using just straight 5% vinegar, so I am really cautious using vinegar now). Quote:
Last edited by apolaki; 22nd February 2020 at 04:14 PM. |
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#15 | |
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#16 |
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An observation:
Brass is much harder to work versus copper, silver, or gold. Great detail can be made through these other metals. But brass, even when very thin, can be worked in detail, but not the detail or finesse than what I have seen in the other metals. This includes when the hilt is filled with resin and not wood. I also base this on personal experience working with all of these metals, including the very thin sheets for repousse. Thus I am not surprised that the lower work I have seen has been in the cheapest metal of brass (though I have seen some low work in silver as well). |
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#17 | |
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Hi Battara,
So do you think this metal hilt is brass? If so, was it executed finely if brass is harder to work? Quote:
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#18 | |
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#19 |
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BTW, here is my own Bali "Bayu" style hilt. It is also brass with the remnants of an gold wash still evident. I would call it a middle quality example, perhaps a little better than the one you present, but no where near the court level hilts that these emulate. I believe most, if not all the "stones" on this hilt are glass. Again, in Bali this is not a big deal. Yes, high end court pieces will most likely have some real gemstones on them, but they are also likely to have a few glass and paste "stones" right in there with the rest. In Bali it is the over all visual affect that is more important than the value of individual gemstones.
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#20 | |
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Hi Jean. Here are photos of the blade I just cleaned.
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#21 |
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This is a very peculiar looking keris.
I will not speculate on this because there is absolutely nothing available to base speculation on, but this blade is most certainly not like anything I have ever seen, and I have seen one hell of a lot of keris. |
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#22 |
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The squarish pesi is unlike a keris tang should look like.
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#23 |
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Nah, it's Moro - just joking...
![]() I stand by my comments from post #11. Regards, Kai |
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#24 | |
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This blade is quite an enigma. As Alan states, i've never seen anything quite like it. It has obviously been pattern welded and has pamor, but the work at the base is rather poor. You may well be correct that it never had a gonjo, but i wonder if that was the original intent. It seems to be an unfinished project. That or it is a re-worked piece. The tang looks weird beyond being flat like a Moro kris tang. It might just be the photos, but it looks like it might have been welded on rather than formed from the original billet. Anyway, whatever this is i feel fairly confident now saying that i don't think this is a Bali keris. |
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#25 | |
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#26 |
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This is a blade left at an intermediate phase of manufacturing. The pesi has still to be rounded, the lower part of the blade to be formed and the ganja inserted. You may refer to "The world of the javanese keris" by Garrettand Bronwen Solyom, page 8, bottom line, n. 17, 19 and 20. The photos well explain the manufacturing at this stade.
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#27 | |
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#28 |
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GIO, I think you might be half right.
The forging from which we carve a keris blade is left quite thick & heavy, the pesi is cut square and reduced little by little, not necessarily all at the same time. It could be that this blade was a failure:- the original billet was made too small, the forging could not be left at adequate thickness to carve a proper blade from, so rather than waste the money that was already in it, it was turned into something to keep some halfway pretty dress together. It would serve quite OK for a poor man's marriage keris. So not something that was part-way through manufacture and that could eventually end up as an actual keris, but something that was a failure of manufacture. Based upon what I can see in the images, this blade was not shaped with an electric grinder, but with a file. grinders tend to leave uninterrupted curved lines, the lines on this blade are straight and in some places form a hatch-work effect. |
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#29 |
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Alan, I fully agree with you. I didn't take into consideration the small size which could be evaluated in relation with the size of the hilt. Such small size would have made impossible to carve the blade correctly.
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#30 |
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Gio --- It is often somewhat difficult to guess at things that one has not previously seen. Until you mentioned the possibility of part completion, I did not realise what I was probably looking at.
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