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#1 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Yes, you did.
My point is that we should either have facts regarding authenticity or non-authenticity of an object or refrain of expressing definitive opinions (often based on photographs) and go with our gut feeling, i.e. voting with out wallets. Sounds simple. |
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#2 | |
Member
Join Date: Sep 2019
Posts: 14
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Hey ARIEL, you are telling me that engraving on my shashka looks childish... So check out this pic... Does this look any better than first grader's drawing or what is on my sword? Last edited by erikmarko; 16th September 2019 at 07:13 AM. |
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#3 | |
Member
Join Date: Dec 2014
Location: Black Forest, Germany
Posts: 1,231
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For me the sword of the foto in post #30 comes from the same source as yours. Sorry, I take even this one for a bad fake. And if you have a Russian collector who wants to have it, sell it immediately. corrado26 |
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#4 | |
Member
Join Date: Sep 2019
Posts: 14
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Go have a read and educate yourself. And there are no pictures of my sword on that site. |
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#5 | |
Member
Join Date: Jun 2011
Location: Russia, Moscow
Posts: 379
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#6 | |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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And, just as Sfenoid13, I am also interested how much the Russian collector will offer. |
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#7 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,219
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I realize this is a layman's question, this type of sword being completely out of my spheres of collection, but would a light etch reveal anything here?
I am a little skeptical of what appears to be the appearance of some kind of twisted core. I would think such a etch might answer some questions about whether it is pattern welded or not. ![]() |
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#8 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,295
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The style of this blade and that character as well as the Nicholas II device in the hilt to me offers a bit more integrity to this shashka. |
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#9 |
Member
Join Date: Oct 2010
Posts: 415
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The blade scratchings shown in #6 as well as #30 attributed to c. 1550 Solingen are remindful to the somewhat tacky marks of Sudanese kaskara intended to invoke German quality or Islamic spiritual essence. IMHO I would think that a Nicholas II signature grip would be paired with a higher class blade without crude marks.
REgards, Ed |
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#10 |
Member
Join Date: Jan 2005
Posts: 478
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There is definitely some kind of pattern visible in the pics. From the pics though it is difficult to impossible to tell what kind. It does not look like wootz, or twist core. It could be a pattern welded blade or it could be etched. A light polish and etching would help determine the pattern. Please note; I am saying this from a pattern identification standpoint, as I am unfamiliar with these blades I do not know if a polish/etch is appropriate or blasphemy.
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#11 |
Member
Join Date: Sep 2019
Posts: 14
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Hey guys, I have some good news for you, well bad for some of you...
I have sent bunch of hi res pictures of my shashka to a real Russian collector and researcher in these weapons and this is what he said... Hi Erik! The sword is authentic 1890’s shashka with a blade of Caucasian origin. N2 cypher was added after 1910 year. Silver - work of daghestanian craftman. Blade - bit earlier, daghestanian or Georgian (most probably). All the best I'm not sure what he means by N2 Cypher but everything else sounds good to me. ![]() Last edited by erikmarko; 19th September 2019 at 05:05 AM. |
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#12 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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The last person to make wootz blades was Elizarov, and that was long before NII:-) Virtually all shashka blades are plain steel ( too expensive to make mechanical damascus, as per local masters). There are very few mechanical damascus kindjals, and the pattern is easily visible. Gurian kindjals of high quality had beautiful "Tiflis damascus" exclusively within the fullers.
Etching was widespead. All in all, the likelihood of finding anything but plain steel in that blade is close to zero. |
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#13 |
Member
Join Date: Jun 2011
Location: Russia, Moscow
Posts: 379
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Perhaps I didn’t quite correctly understand your idea. But we are at an international forum, even a global one. And forum participants only in rare cases have the opportunity to see objects with their own eyes and hold in their hands before discussing them. In the vast majority of cases, the opinion of the participants is based on a photo and confidence in their own right.
In addition, I have come across many times that people stubbornly and shamelessly defend their erroneous opinion for one single reason - they had the misfortune to vote for this opinion with their own wallet ![]() I think that you are aware of such cases more than one. |
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#14 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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All of us here are called to express their opinion based on photographic images. This is a big limitation, no doubt.
And you are correct: the urge to defend their choice is inherent in human psychology. That’s why many people stick to their abusive or drug-addicted spouses. |
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#15 | |
Member
Join Date: Jun 2011
Location: Russia, Moscow
Posts: 379
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#16 |
Member
Join Date: Apr 2015
Location: Sweden
Posts: 181
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Greetings Eric,
I am no expert in russian swords so I can not tell you if its real or a reproduction. I do hovever think that the provenance of the sword might help in determining if it its the real deal. There is a big difference between finding it in in the attic of someone who was an officer in the imperial russian army and buying it on E-bay from India. I must say if its a reproduction it looks very authentic. I have however seen a large italian auction house sell several reproduction shashka (described as second half of the 20th century) that looked pretty old and authentic to my untrained eye ![]() Last edited by Drabant1701; 16th September 2019 at 09:03 AM. |
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#17 |
Member
Join Date: Sep 2019
Posts: 14
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Hi Drabant, the sword was bought at some small flea market on the west coast of Canada. We do have a quite a few Russian immigrants. The interesting thing about the sword is that the entire blade was covered in thick gunky substances I guess to protect it from rusting. So we did not really knew what the blade looked like all we saw was the hilt that got our attention. I'm thinking that if the sword was fake and someone wanted it to look old they would not cover it in the gunky stuff to protect it from rusting.
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#18 | |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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By the way, my son just came back from Georgia ( he climbed Mount Kazbek) and sent me pics of unending street stalls in Tbilisi with dozens of kindjals and shashkas for sale. |
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#19 |
Member
Join Date: Sep 2014
Location: Austria
Posts: 1,911
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Genuine, traditional Katanas are made as we speak, and they are neither fakes, nor reproductions. Moreover, most of them cost more than 90% of the antique katanas on the market.
High quality Omani Khanjars are made as we speak and sold in the souk of Muscat. And they are neither fake, nor reproductions. Stuning Indonesian krisses are made as we speak and many of them are much more expensive that the vast majority of antique kerises, and they are neither fake, nor reproductions. So let us set things straight: if a blade is of modern manufacture, that doesn't make it neither fake, nor a reproduction! A "fake" is something made with the intention to deceive, and isn't necessarily of modern manufacture. There are many "fake" 16th century katanas made by more or less obscure swordsmiths but signed with famous names of the period. However, such a sword is considered a "fake" ONLY if it is sold as a genuine masterpiece of the famous swordsmith. If the very same sword is sold openly as "gimei" (with fake signatue), it can fetch good money and would not be considered "fake" (but just the signature). One can sell a magnificent 19th century rapier without being considered a fake, but a piece of the "historicism". Yet, if the same rapier is sold as a genuine 16th century piece, instantly it becomes a fake. Now with regards to reproductions, the term may be equally ambiguous but I consider a reproduction, an object which looks like the original but cannot function (or will function improperly) like the original. So you can have a Chinese made katana, of stainless steel with no cutting edge, that looks great to be hanged on the wall but cannot cut a sheet of paper. That would be a reproduction. But if you have a razor sharp Chinese katana, made of high quality steel that can cut like an 16th century original (albeit they quite often cut much better), then I wouldn't call it a reproduction. Just a few thoughts... ![]() |
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