BLING

Battara · 28th May 2018, 06:36 PM

I LOVE THE BLING! The beauty and artwork...........

Perhaps it is also because I am part Filipino. Like the Balinese, Filipinos and Moros love their bling (and they are cousins to all Indonesians).

A. G. Maisey · 28th May 2018, 10:38 PM

As to personal tastes in respect of the bling factor.

Almost 30 years ago I was fortunate enough to acquire two royal keris that had been the property of the Raja of Badung. They were not quite as exuberant as the the ones that are shown here in my photos, but both had more than enough gold to make them unmistakable for what they are.

Both these keris always had a very unsettling effect on me. I was uncomfortable handling them, and essentially all I ever did was to maintain and store them.

A few years ago I sold one of these keris, I still have the other.

I am a little more comfortable with slightly less prestigious keris also.

A. G. Maisey · 28th May 2018, 10:52 PM

Sajen, I have found that keris literate people in both Bali and Jawa are very well aware of the monetary value of old dress for tosan aji, even down to the value of a single face for a gandar. Even broken wrongko atasans have a value if the material is of very high quality, as most standard Javanese wrongkos can be carved into different forms.

Part of the maintenance process for keris in both Jawa and Bali is that scabbards are periodically cleaned out with a segrek. Over time this results in the scabbard becoming too loose and the mouth of the scabbard needs to be relined to give a close fit to the blade. Dress for keris in particular is regularly changed to reflect the changing circumstances of an owner, or for other reasons. One of the repeated stories I have heard is the dream of the old man asking for new clothes, or a new wife.

One of the advantages of a keris that uses a pendok is that the gandar can be a separate, much lower quality wood. This permits the gandar being changed instead of cleaned, which means the atasan can be cleaned from the bottom instead of the top, and the mouth does not deteriorate so quickly.

A. G. Maisey · 28th May 2018, 10:56 PM

David, I do not recognise any specific entity being represented by the bhuta style hilt.

David · 29th May 2018, 01:19 AM

Quote:

Originally Posted by A. G. Maisey

David, I do not recognise any specific entity being represented by the bhuta style hilt.

Thanks Alan. On closer inspection it seems to have animal features (snout and hair). I wonder if it might be intended as Hauman.
While we have discussed that many newer hilts are carved with no particular intention of deity or persona, i would think that there might be more intention for a keris that is considered to be of royal lineage.

A. G. Maisey · 29th May 2018, 02:03 AM

Anything is possible David, I really do not like to get into conjecture in relation to this sort of thing.

Jean · 29th May 2018, 09:09 AM

Quote:

Originally Posted by David

Thanks Alan. On closer inspection it seems to have animal features (snout and hair). I wonder if it might be intended as Hauman.
While we have discussed that many newer hilts are carved with no particular intention of diety of persona, i would think that there might be more intention for a keris that is considered to be of royal lineage.

I enlarged the pic and David is right. If it depicts Hanuman he should normally have a tail in the back. The style of carving (eyes, eyebrows, beard, ect) looks recent IMO.
Regards

A. G. Maisey · 29th May 2018, 10:27 AM

Hanoman is one of the Vanaras from the Ramayana.

Only one of them, yes, perhaps the best known, but only one Vanara.

Some of the others are:-

Bali (Vali), Angada, Kesari, Nala, Nila, Sugriwa.

There are maybe double this many Vanaras again.

Not every figural keris hilt in the form of a monkey is Hanoman.

Different people can have different reasons for wanting some other monkey figure as their personal keris hilt. How can anybody possibly know what was in the mind of the person who ordered that figural hilt in the first place?

It is very incorrect to assume that just because we see a monkey figure used as a Balinese keris hilt, that figure is automatically Hanoman.

This is the reason I will not put names on most of these figures found on Balinese hilts, be they monkeys or otherwise:- I was not privy to the private thoughts of the first owner of that figure, nor to the private thoughts of the man who carved it.

28th May 2018, 06:36 PM	#1
Battara EAAF Staff Join Date: Dec 2004 Location: Louisville, KY Posts: 7,272	I LOVE THE BLING! The beauty and artwork........... Perhaps it is also because I am part Filipino. Like the Balinese, Filipinos and Moros love their bling (and they are cousins to all Indonesians).

28th May 2018, 10:38 PM	#2
A. G. Maisey Member Join Date: May 2006 Posts: 6,991	As to personal tastes in respect of the bling factor. Almost 30 years ago I was fortunate enough to acquire two royal keris that had been the property of the Raja of Badung. They were not quite as exuberant as the the ones that are shown here in my photos, but both had more than enough gold to make them unmistakable for what they are. Both these keris always had a very unsettling effect on me. I was uncomfortable handling them, and essentially all I ever did was to maintain and store them. A few years ago I sold one of these keris, I still have the other. I am a little more comfortable with slightly less prestigious keris also.

28th May 2018, 10:52 PM	#3
A. G. Maisey Member Join Date: May 2006 Posts: 6,991	Sajen, I have found that keris literate people in both Bali and Jawa are very well aware of the monetary value of old dress for tosan aji, even down to the value of a single face for a gandar. Even broken wrongko atasans have a value if the material is of very high quality, as most standard Javanese wrongkos can be carved into different forms. Part of the maintenance process for keris in both Jawa and Bali is that scabbards are periodically cleaned out with a segrek. Over time this results in the scabbard becoming too loose and the mouth of the scabbard needs to be relined to give a close fit to the blade. Dress for keris in particular is regularly changed to reflect the changing circumstances of an owner, or for other reasons. One of the repeated stories I have heard is the dream of the old man asking for new clothes, or a new wife. One of the advantages of a keris that uses a pendok is that the gandar can be a separate, much lower quality wood. This permits the gandar being changed instead of cleaned, which means the atasan can be cleaned from the bottom instead of the top, and the mouth does not deteriorate so quickly.

28th May 2018, 10:56 PM	#4
A. G. Maisey Member Join Date: May 2006 Posts: 6,991	David, I do not recognise any specific entity being represented by the bhuta style hilt.

29th May 2018, 02:03 AM	#6
A. G. Maisey Member Join Date: May 2006 Posts: 6,991	Anything is possible David, I really do not like to get into conjecture in relation to this sort of thing.

29th May 2018, 10:27 AM	#8
A. G. Maisey Member Join Date: May 2006 Posts: 6,991	Hanoman is one of the Vanaras from the Ramayana. Only one of them, yes, perhaps the best known, but only one Vanara. Some of the others are:- Bali (Vali), Angada, Kesari, Nala, Nila, Sugriwa. There are maybe double this many Vanaras again. Not every figural keris hilt in the form of a monkey is Hanoman. Different people can have different reasons for wanting some other monkey figure as their personal keris hilt. How can anybody possibly know what was in the mind of the person who ordered that figural hilt in the first place? It is very incorrect to assume that just because we see a monkey figure used as a Balinese keris hilt, that figure is automatically Hanoman. This is the reason I will not put names on most of these figures found on Balinese hilts, be they monkeys or otherwise:- I was not privy to the private thoughts of the first owner of that figure, nor to the private thoughts of the man who carved it.