Newly-made Minangkabau Keris Naga

[Rick]

For what it's worth, and only my point of view:

Garish is a word I might use to describe this end product.
For me his effort begs the question; who designates what is the proper form of a traditional Keris?

Should this be considered a product of the keris culture as is known at present?
If it is:
Where are the parameters?
Where do we go from here?
Have we discarded the Kraton dapurs' guidance for bling?
When this happens are we, in fact, cheapening the end product culturally and spiritually?

I have always equated the form of a Keris with Haiku; there are rules; if you don't meet them in the composition; then it is not Haiku.

I evaluate the keris's I see within the same type of parameters.

I feel that the new improvisations we see too often these days are not really improvements; rather they are distractions from the ideal.

In essence:
What actually constitutes a proper keris?