28th November 2017, 08:59 PM | #31 |
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I believe that it is pretty well established that the figural hilts serve a protective function, whether demon, ancestor, historic or mythical personage, or deity, they are all there to protect the sacred keris.
The keris itself, that is, the wilah, can be viewed in a similar way to the Meru, or shrine, itself symbolic of Mt. Meru and along with all of the other relationships, so it makes sense to have something to protect the wilah against possible entry by evil elements. Its a similar idea to the protective lions at the entry to temples in other parts of Asia. |
29th November 2017, 01:56 PM | #32 |
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This little fellow showed up in another forum i attend and i note some particular similarities, especially the patterns displayed in the carving on the back side. It was presented as a South Thai keris, which it well may be, but i suspect the hilt might well be from Cirebon.
Last edited by David; 30th November 2017 at 03:56 PM. |
30th November 2017, 09:14 PM | #33 |
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I am curious what you folks think about the origin of the hilt i last posted. The pattern on the back is very similar to Athanase North Coast hilt, but the eyes, head shape seem to indeed reflect some Thai elements. So is this one also North Coast of could it be native to South Thailand?
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1st December 2017, 12:02 AM | #34 |
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David, based upon what I believe I can see in the pic, if I were to be presented with this hilt on an older Javanese keris, I think I'd probably be inclined to accept it as Javanese.
However, having said that, there are elements in both style and execution that I have not seen previously in hilts that I know to be Javanese. I have very little knowledge of old Siamese art motifs, or of art motifs and execution in all the other parts of SE Asia, my knowledge of these areas is only general knowledge, not specialist knowledge. In this sort of situation I prefer not to give an opinion. What you have to go on is somebody else's opinion, so the way I'd describe it would be:- "--- attributed to ---" |
7th December 2017, 08:06 AM | #35 | |
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Quote:
But the front face is indeed thai elements? I will try get some photos of mine as well |
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2nd January 2018, 12:30 AM | #36 |
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Two other kriss of Cirebon of my collection.
The first one, very finely sculptured reminds me, in the posture of the body and the arms, the handle of the South of Sumatra. Last edited by Athanase; 2nd January 2018 at 12:41 AM. |
2nd January 2018, 01:30 AM | #37 |
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Athanese,
Very nice keris you got there. I like the second one a lot! |
2nd January 2018, 10:01 AM | #38 |
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Indeed, the second one has a beautiful blade!
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2nd January 2018, 11:51 AM | #39 |
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Very nice and rare krisses, congratulations!
The first hilt is in Jawa demam style but not typical of Cirebon so possibly from South Sumatra indeed. The second kris looks like a 17th century piece from Banten, not only the blade is nice but also the hilt, and the (broken) scabbard looks original! Regards PS: It would have been better to open a new thread for discussing these krisses? |
2nd January 2018, 12:36 PM | #40 |
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I'm with Jean, these keris deserve separate, dedicated threads!
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2nd January 2018, 02:02 PM | #41 | |
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Hello Séverin,
As you'll have noticed, you certainly lucked out on these 2 keris! Quote:
The second keris is exceptional and shows the classic workmanship. It exhibits a cunning similarity to keris #2886 from the Dresden museum (provenance dating from 1671): only the kruwingan of your piece are shorter; examples with a plain gandik combined with "full" greneng are quite rare, anyway. Keris #2899 from the Dresden museum (provenance dating from 1676) is also similar. BTW, the mendak is also of special interest: I can't remember any close matches but some semblance might be seen here: Jakarta museum E 261 (a gift of the Mataram court) Zeevaartschool (Kweekschool voor de Zeevaart), Amsterdam [stolen] (provenance dating from 1692) Close-ups with high resolution would be great for detailed discussions! Regards, Kai |
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2nd January 2018, 11:39 PM | #42 |
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These comments are relative to the blade only of the second keris.
In my opinion this is not a Banten blade. Typically the Banten wilah has a boto adeg blumbangan, the blumbangan of this keris is square. There are two possibilities:- Mataram or Pajajaran Condition and garap of the blade implies Mataram, but the dress is contrary to this. It is very difficult to consider Pajajaran as possible because I have never seen a blade accepted as Pajajaran in such fine condition as this one:- I have no basis for comparison. However, the slightly concave gandhik is not a feature usually found in a Mataram blade, and a ron dha of this style is not typically associated with Mataram. So, although difficult, my inclination is to give this blade as Pajajaran. In any case, it is old, it is fine, it is a very desireable. Dresden 2886 has a Mataram blumbangan, square but not particulary large; the body cross section is the typical Tuban rotan, it does not have a ron dha that is classifiable, ie, it does have a ron dha but that ron dha cannot be aligned to an accepted form, however, I note that there is a possibility of corrosive damage to the greneng of 2886, which has impacted the ron dha; 2886 lacks kruwingan. However, the pawakan is similar to the pawakan of the keris under discussion. Kai, I can see no similarity at all between Dresden 2899 and the keris under discussion. Dresden 2899 even uses a metuk instead of mendak and is of totally different dhapur and garap. Can you please tell me what the similarities are? Thanks. |
3rd January 2018, 01:31 PM | #43 |
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For those of you who have the Krisdisk from Jensen, the Dresden # 2886 kris is shown on page 28 of the Banten chapter for comparison with Athanase's kris.
Alan, the greneng/ ron dha (and the ganja to a lower extent) of Athanase's kris do not look in line with the drawing which you showed us recently? Regards |
3rd January 2018, 03:06 PM | #44 | |
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Hello Jean & Alan,
Quote:
Of course, the drawing are based on specimens which have been exposed to humid tropical climate and regular cleaning & etching - so we have to allow for quite a bit of erosion when comparing contemporary Jawa features with early collected museum pieces. A ron dha nunut is crafted from relatively thin metal and, thus, more prone to change from erosion and revision. However, the ron dha is usually crafted from fairly substantial metal and I have a hard time to fathom how the base could converge into the typical form unless by the helping hand of someone eager to implement change... (The tips and hooks are much more likely to degrade during routine maintenance, of course.) In the mean time, Séverin posted a separate thread for this keris - maybe we can keep this thread for discussing Cirebon/North coast hilts and move the keris discussion over here? http://www.vikingsword.com/vb/showthread.php?t=23514 Regards, Kai |
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3rd January 2018, 04:33 PM | #45 | |
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