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#1 |
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From all I know, the main role of the side bars of the Katars is to ensure the stability of the grip by maintaining the alignment between the blade and the forearm and not for parrying blows, albeit they could be used for parry.
If their main purpose would have been parrying, they would have been designed wider, longer and of course thicker, because the way they are, they are simply to short and narrow to effectively block a blow from a Tulwar for example. Any blow from a Tulwar that wouldn't be perfectly perpendicular to the side bar would simply be deflected along the unprotected portion of the arm and cause severe wounding. Moreover, the Katar was never meant to be a main fighting weapon but a side arm. No Indian soldier would have gone to battle armed with a Katar but with a Tulwar and a shield. The Katar would have stayed sheathed in the sash and pulled out only as a last resort when the wielder has lost his Tulwar, or to deliver a final blow to an incapacitated enemy. Katars were also used for hunting, exactly the same way the European hunting daggers were used, namely to deliver the final blow to the dying beast. I know there are many stories about Rajas killing charging tigers and fighting single-handed entire armies armed only with a Katar, but how much truth is in them?! Last edited by mariusgmioc; 12th November 2017 at 05:25 PM. |
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#2 |
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Yes Marius, the sideguards were meant for making stability of the cross bars, but if it was only that, the side bars could have been quite short, as you now and again see them.On other, more fighting style katars, you see the side guards being qiute a bit longer.
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#3 | |
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But I agree that there are some Katars more suitable for combat than others, however, this doesn't mean they were deliberately designed for combat. Last edited by mariusgmioc; 12th November 2017 at 05:41 PM. |
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Checking back through library I note the detail regarding decoration and style on~
http://www.vikingsword.com/vb/showthread.php?t=20514 That thread addresses many of the factors concerning highly ornate Katar although I cannot see from paintings of the time any solid evidence of long or short arm bar protectors as a trend in fighting versus court arms....and some may well have been older weapons ornately refabricated or blinged up as court weapons...others perhaps made to order. In the picture below of the armed warriors in battle order one carrying the head of an opponent it would seem logical that the katar on his belt was a fighting weapon...but it has not particularly long arm guards..neither have many seemingly worn at court (akhbars court is seen in the other two pictures) though these are paintings thus artistic licence may not be relied upon as absolute...it remains a guide. May it not simply be personal preference why the longer/shorter arm guards appear on some weapons but not all? It would seem obvious that if a weapon was decorated in very ornate style that it would be a court adornment. Last edited by Ibrahiim al Balooshi; 12th November 2017 at 06:30 PM. |
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#5 |
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One can experiment easily with different Katars and I am pretty sure the conclusion would be that a Katar with longer and stronger arms like the one in Jen's posting no. 7 is much more stable in the hand than one with shorter side arms like the one in Jen's posting no. 20.
Longer arms would ensure better alignment of the blade with the forearm (notice how the longer arms slightly converge opposite to the blade in order to give a firmer prop against the bearer's arm - the same reason why some Katars have the side arms slightly bent inwards, not as a result of a blow, but to ensure better contact with the arm) and through their weight will also serve as a counterbalance to the blade improving the handling of the Katar. The wide four transverse bars will also contribute to the stability of the grip and prevent the rotation in the hand. The same thing cannot be said for the second Katar that would be rather difficult to use as the very short and rather widely spread side arms would offer no alignment and balance to the blade. At the same time the two transverse bars would ensure a rather narrow grip prone to rotate in the hand. So, the first Katar would definitely be a functional weapon, while the second one would be more like a dress Katar. And here I contradict my own statement above (second part of it) when I said that "there are some Katars more suitable for combat than others, however, this doesn't mean they were deliberately designed for combat." ![]() As with regards with the illustrations, they are extremely important for general assessment of the presence and use of the Katar on the battlefield, but I believe they are of less value for making an accurate assessment of the proportions of the weapons used, as the artist's focus was certainly not on illustrating the precise proportions of the sidearms. Last edited by mariusgmioc; 12th November 2017 at 07:16 PM. |
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#6 |
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A most interesting discussion, and in the end, there is of course a great deal of assumption involved as we have to rely on the dynamics of the designs, and just how much the katar was used and how.
We can only presume how much license is at hand in paintings, and artists are known to have adjusted size and perspective to favor composition. It renders reasonable plausibility, but not necessarily specific accuracy. The case for stability in the use of the katar relying on the side guards is of course quite debatable. Obviously these are key in the structure supporting the transverse grips, but I wonder on just how much length is required being based on method of use. While many consider the katar as only a 'punch dagger', for the thrust, the much larger manner of use was in slashing cuts. In the thrust, a great deal of stability is required with the impact of the blade with the target. I do not fully understand martial dynamics, but would longer side bars impede the arc of slashing swing? I think it makes sense that the side guards would he heavier in less ornate fighting examples. However, is it feasible that some side guards were larger, longer to serve as a more accommodating palette for decorative motif? The long 'gauntlet' sword, pata, evolved from the largely covered hand style katars of Tanjore if I understand correctly, though there are sword katars or pata which are open hilt in the true manner. The gauntlet or enclosure which had a bar supporting the forearm, would have been the support needed for slashing. I am not certain, but I have always understood that Mahrattas, those who were primary users as the katar (later pata) evolved, disfavored the thrust. The pata in my view, simply offered longer reach from horseback. I think the katar would have been a secondary weapon to the sword, and used mostly in close quarters combat, not in the shock action preceding a melee. The shield was for the parry. A blow to the fighting hand with a mace or battle axe would be deadly regardless of what the weapon held was I would think. |
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#7 |
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Hello Jim,
While quite specifically designed for stabbing/punching blows, the Katar in skilled hands can also deliver strong slashing blows. However, the technique is quite specific to the Katar and involves movement of the whole arm, keeping the wrist rigid to maintain the alignment of the blade with the forearm. If during one blow the Katar is taken out of alignment, its use is severely compromised. You can experiment yourself with a Katar (provinding you can find one that fits your hand as Indians have much smaller hands than Europeans) and after a few moves, you will understand what I mean. Regards, Marius |
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#8 |
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It may be remembered that the katar developed from an earlier form which had an almost gauntlet form hand cover. I suggest it changed into the shorter arm bar version so that it could be pulled faster.lt may have been down to fashion..the long bar style for older statesmen and the short bar type for the young blades at court. I still suspect the short bar form was quicker to deploy.
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