![]() |
|
![]() |
|
Thread Tools | Search this Thread | Display Modes |
|
![]() |
#1 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
|
![]() Quote:
. Last edited by fernando; 5th August 2017 at 07:30 PM. Reason: Picture missing ... |
|
![]() |
![]() |
![]() |
#2 | |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,224
|
![]() Quote:
![]() i suspect that it's to keep the hilt up, as the balance is so close to the front it has a tendency to seesaw down w/o the strap as you move . the german style with it's attachment on the same side of the main buckle as the other makes more sense tho. maybe 'cus i'm germanic myself ![]() ![]() the Tbourida riders as i mentioned above carry their nimchas on a baldric with the hilt down and the pointy end angled UP sticking above their shoulders to suit their way of drawing the sword. different strokes for different folks. with the baldric, dismounted they can adjust that to suit more easily than the european carry methods. Last edited by kronckew; 6th August 2017 at 10:01 AM. |
|
![]() |
![]() |
![]() |
#3 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
|
![]()
What a comprehensive approach, Wayne .
Still a pity my shorter version, much easier to digest ![]() ![]() ... All in all this is a shceme to prevent the sword carrier from foooling around, right ? |
![]() |
![]() |
![]() |
#4 | |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,224
|
![]() Quote:
![]() |
|
![]() |
![]() |
![]() |
#5 |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
|
![]()
Artwork. THE MOROCCAN NIMCHA.
|
![]() |
![]() |
![]() |
#6 |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
|
![]()
What is this? Not to be amazed at what can come out of India ... I thought this has to be recorded ... It is claimed as Indian 17th Century... Photographed at the San Diego Museum of Art in San Diego, California. Comments please?
![]() As an afternote I add that in Diverse arms Orientals plate 32 Butin there are several Horse heads with what could be called ears. In addition there was a sword of Tipu Sultan with similar hilt. See http://www.tessier-sarrou.com/html/f...rdre=&aff=5&r= and below The finial at the end of the knuckleguard on the Indian item ends in a bud whereas on the Zanzibari Ivory piece it is a geometric dragon with RR almost as a monogram with fowers and dots engraved. The Knuckleguard however follows the contours of the horses face in both. The quality of craftsmen in the Indian Ocean basin was excellent as seen by the Ivory carved hilt and by ivory combs executed in exacting detail. Thus the Indian version is viewed perhaps as a hybrid of top class artesanship in the general region. Last edited by Ibrahiim al Balooshi; 31st August 2017 at 05:59 PM. |
![]() |
![]() |
![]() |
#7 |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
|
![]()
Reference;
A. http://nimcha.fr/N-protection.htm The pitones Copied on the Spanish sword guards of the late 15th and early 16th century, the pitones equip the Hispano-Moorish nimchas . This type of device, which never existed in Spain, is found on very rare ancient examples of Moroccan nimchas and never on Arab sayfs. Ref .: Museum Real Arméria of Madrid, Museum of Batha in Fez and work of Charles Buttin. (While I was constructing this frame I was also inspired to do a thread on Quilons on ethnographic since there are widely ranging aspects to that part of the sword and occasionally dagger.) (I add the Tulvar out of interest since this is not only a decorative or functional extension of the hilt forward of the guard but a type of breakwater device to entrap a sliding blade.) Last edited by Ibrahiim al Balooshi; 20th September 2017 at 07:48 PM. |
![]() |
![]() |
![]() |
|
|