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#1 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Apparently morions are often called cabassets, a more generic name.
Morions do indeed have a comb, while the cabasset has a little appendix on the top, called pear. Both versions were used by Spaniards and Portuguese. This example has all looks to be original and therefore dated from the beg. XVI century. There are a couple members with a lot of knowledge on these things. |
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#2 |
Member
Join Date: Feb 2014
Posts: 86
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What a find!
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#3 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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![]() And if you don't mind Dana, i will show here the so called "Gold cabasset of Goa", a master piece of Indo-Portuguese art, probably ordered by a Vice-Roy, a recurrent luxury practiced by period nobility, the type of those exuberant excesses then forbidden by the King. It is indeed a repousse work in copper, covered with a thick layer of gold. The motifs depicted are various, namely hunting scenes on horse and foot, with Europeans wearing "baloon" trousers, and a number of flowers, birds and animals, including monkeys with human faces. It was located in the Azores, for no explained reason, and it was covered with black pitch, in a way to hide its real value. . |
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#4 |
Member
Join Date: Nov 2012
Location: Southeast Florida, USA
Posts: 436
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VERY nice!
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#5 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,281
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Dana, thank you so much for the response and additional colonial information. That really puts a nice context around this outstanding cabasset!
St. Augustine is a fascinating place, and I visited there once several years ago, not spending nearly enough time there and always longing to go back. Your father, Jack Williams, was indeed a connoisseur of fascinating antiquities and it is great that you carry forth his astute and discerning passions. Keep 'em coming OK!!! All best regards Jim |
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#6 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,281
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Fernando , the item on the Gold Cabasset of Goa was a great discussion we had back in 2011, and was part of one of my forays into art history and Rembrandt's use of exotic arms and armor in his works. I was trying to find out just what kind of helmet was depicted in "Man With the Golden Helmet" which once thought by the master himself but turned out to be by one of his school.
I discovered this was actually a 'pear stalk cabasset', and in your entry you noted the example of the Portuguese viceroy was of the same 'school' of highly decorated helmets of this otherwise ordinary form worn by 16th-17th century infantry and pikemen. The artist of the "Man with the Golden Helmet" seems to have used some license by adding ear flaps, probably mindful of those seen on contemporary lobster tail helmets. We can only wonder what the original helmet used for the basis for that worn in the "Man with the Golden Helmet" (c.1650) might have looked like, but perhaps very much like this interesting example shared here by Dana. These cabassets were of course widely used in Europe and Spain in her colonies and provinces (including Netherlands), and clearly with Portuguese connections in their many colonial holdings. |
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#7 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Good memory Jim.
Worthy of note is that, while we ignore how much artistic liberty, as from its model, is used in the decoration of such magnificent cabasset depicted in "Man With the Golden Helmet", that executed in the Portuguese Vice-Roy example is pure reality ... indeed an exorbitant demonstration of Indo-Portuguese artistry. |
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