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#1 | |
Member
Join Date: Jun 2015
Posts: 584
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Regards Miguel |
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,278
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Hi Miguel,
It is most heartening as I read on your clearly impassioned approaches toward properly understanding the extremely complex field of the arms and armour of India and Central Asia. Again, I do deeply apologize for not better directing my comments to Jens, which I had not realized would become such a faux pas. As I explained, I have had the opportunity to work alongside him in many cases in the study of these very weapons over many years. What I should have emphasized is how delighted myself, and I am sure Jens and others who have most seriously studied these weapons, are to have others join in this quest. Having new eyes and new ideas as well as more perspective in recalling what have become well travelled roads of years ago is outstanding. The image Jens posted in his last post for example, brought to mind the term 'maustika'. While I recall the frieze, and the term, I could not immediately recall more on the word nor the image, but of course remember where it was from. Searching the term 'maustika' on Google, it was amazing to see a discussion on this very subject between Jens, myself and B.I. who is a brilliant scholar on these weapons who used to write here. It was from these pages Apr 28, 2006, and we had all been years into the search already. Apparantly I had found reference to this 'maustika' listed as a 'fist sword/dagger' in Richard Burton ("Book of the Sword" 1885, p214-215). Burton had in turn referenced this from Professor Gustav Oppert ("Weapons of the Ancient Hindus", 1880). Again, in turn, Oppert cited his reference from the 'Nitiprakashika' Book III. This entry was resultant of a the study Jens had been doing on the origins of the katar, in particular of a small triangular blade with a transverse bar for a grip, as if the entire weapon was cast in one piece. This was from a line drawing and the actual weapon if I recall was from the Moser Collection (Bern, and the image from Holstein, 1931). Returning to the frieze Jens just posted, I believe (again if memory serves) this represented the Goddess Mahisasuramardini, Durga, slaying the buffalo demon (Orissa temple frieze?, 13th c.). This clear example of a transversely held dagger seems compellingly to be a katar, and the weapon from Holstein, an even earlier and simpler 'proto katar' (?). In that particular discussion from 2006, the shield with blade or spike was also mentioned as I noted earlier here. I wanted to share these notes from those earlier studies and discussions only to present them as perhaps benchmarks or ideas to further pursue various avenues toward the more conclusive resolutions we all clearly hope to achieve. Best regards Jim |
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#3 | |
Member
Join Date: Jun 2015
Posts: 584
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![]() Quote:
Regards Miguel |
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#4 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,278
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We all do Miguel!!! Ive been at this most of my life (a more considerable span than I care to remember ![]() |
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#5 |
Member
Join Date: Nov 2009
Location: Russia
Posts: 1,042
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In the context of the discussion I recommend those who are really interested to understand the issue, examine the article: On the Use of Indian Terms for Identification of Weapon Types
http://historical-weapons.com/the-us...n-weapons-abs/ It is on the website in full version. |
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#6 | |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Abstract: This article examines the emergence in weapons complex of the Mughals one of the most emblematic Indian weapon – Jamdhar dagger and offers new, different from the preceding, interpretation of its use. The appearance of the original Indian phenomenon in the culture of the conquerors is based on written sources, as well as in the context of understanding the atmospheric interactions of the cultures of conquerors and the vanquished. In analysis the author relies on the translation of the original teхts and illustrative sources. The article explains that one of the main assignments of the dagger “jamdhar” was its use in the hunting of large predators, primarily, in self-defense from a wounded beast. As an elite attribute that emphasizes the owner’s status as a hunter of tigers and lions, the struggle with the beast, theriomachia, was anciently part of the Royal rituals, a kind of test of the applicant for authority and, at the same time, the procedure of confirming the right to exercise this power, the jamdhar dagger took the place of the status thing of the Indian aristocracy. By the time of the third Emperor of the Mughal Empire Akbar some elements of Indian culture were accepted by the conquerors, though, as a rule, a culture of the defeated a priori has a lower status and as a rule remains unexploited by the new elites. And only in case some prestigious forms of the local culture do not face with competitors in the culture introduced by the conquerors, they will have a chance of being accepted by the elite. In case of the jamdhar dagger, this form of the local culture became hunting for tigers and lions, which before the conquest of India was not a Mongol or Turkic tradition. Author also proves that in the decorative elements of decoration of jamdhar daggers in the depiction of predator attacks on prey, these scenes differ in their composition from the well-known “scenes of anguish” in Scythian and Iranian traditions. In Indian tradition there was an allusion that a warrior who had defeated a tiger, became tiger-like himself, and his enemies were similar to victim and prey. The scenes of such kind were analogues to battle scenes, which explain the lack of battle scenes in the ornament of jamdhar daggers. The tight connection to prestigious hunting was one of the reasons jamdhar dagger was established in the role of power insignia and was ensured an honorable place in the Mughal`s weapons complex. |
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#7 |
Member
Join Date: Nov 2009
Location: Russia
Posts: 1,042
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