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#1 | |
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The origin and dating of the small Afghan dagger currently called "choora" is rather murky, Here is George Stone's discription and image. The bottom photo seems to show a choora being worn, it is from around 1920, from an album of 65 photographs compiled by Major General W M Kirke, Waziristan, North West Frontier (1920-1937). National Army Museum, Study collection.
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Last edited by estcrh; 4th March 2016 at 07:07 AM. |
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#2 | |
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#3 |
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Harry,
Chooras are very much a " redneck" weapon, and I have never seen any gold on one of them. A slab of ivory for a hilt was the highest they aspired to. Brass, on the other hand, was rampant both in the 19 as well as 20 centuries. They used it widely both for certain parts as well as for decoration. Dating chooras is difficult, don't kick yourself. There are very few inscribed ones, and we largely go by the condition of the example. I showed here two with worn out and beetle-eaten wooden scabbards with glued-on paper labels showing dates ( of collection?)around 1850. The veracity of dated labels was confirmed by a world-class professional in restoring/preserving old islamic manuscripts and their covers. That's likely the best we can do...... The only unquestionably old example I know is pictured by Egerton in his book, and this only because of the year the book was published. I would also date yours to the mid-20 century the earliest, but strictly on the basis of its condition. Don't despair: they haven't changed one iota over almost 200 years. Enjoy! |
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#4 | |
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#5 |
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While looking further into these interesting and unique daggers we now term 'choora',as explained in earlier posts, I would like to express some thoughts on the possible origins of this apparent variant form of 'karud'.
It seems it has been suggested that in many cases karud blades have been remounted in these uniquely charactered hilts. In looking at the map earlier posted, the Mahsud territories are directly adjacent to Bannu, and Egerton I believe did note Bannu provenance to one of these. Some will recall discussions we have had regarding the small 'crow beak' type pickaxes which have been termed (in these collectors parlances), the 'lohar'. Stone claims they are attributed to the 'Banochie' (Bannuchi) tribes of Khyber regions (pp. 418-19). While this attribution may have some merit, the term for these, 'lohar' is believed to derive from itinerant blacksmiths of Rajasthani ancestry known as the Gadia Lohars (the term lohar may be Hindi for iron). In some of the later (1920s+) versions of these they are folding (as attached) and the general themes of motif seem to correspond to these 'choora' in cases. The pickaxe lohars are actually quite small, and suggest being covert weapons during British occupations in these areas where obviously arms were prohibited so easily concealed. Possibly these small daggers (often seeming to be small cousins of the larger Khyber knives) might have been produced by these 'Lohars' also, and became a locally favored form. As seen by Egerton, his sketch seems to approximate the hooked style of the pommel of these (see also the lohar of 20th c. carrying similar style) but he termed it simply pesh kabz as the collective term for some of these forms . It seems I was once told these 'choora' are typically without wootz blades. Possibly those which are actually have remounted karud blades which of course have the same basic profile? Gav, thank you for the kind words on my earlier post. Mahratt, I hope you might consider my suggestions here as you I know have done quite a bit of research on these daggers, and I wonder if you think this perspective might be viable. Harry, as Ariel has noted, though it is very difficult to date these, it must be remembered that these weapons from those regions in the early 20t into the 1930s were in every bit as much drama, combat and intrigue as through the previous century. These are the regions of the "Great Game" and I would recommend getting that book by Peter Hopkirk which would add tremendous dimension to this wonderful dagger. Last edited by Jim McDougall; 4th March 2016 at 09:31 PM. |
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#6 | |
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#7 | |
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Both "Choora" and " Karud" are essentially the same pattern. Their blades are identical in form and dimensions. In contrast, their handles vary enormously. The only explanation of the difference is likely to be a place of manufacture ( or, if one wishes, ethnicity of the manufacturers) We know of the so-called "Karuds" that they were made and used in Afghanistan, Central Asia and India, In contrast, "Choora" was always ascribed to the Khyber Pass area, and there are no known examples from other parts of Afghanistan or Central Asian Khanates. IMXO, most likely explanation is the tribal belonging of the owner/ maker. Trade blades traveled far and wide, but were mounted according to the ethnic/tribal identity of the end owner. The same Persian saber blade could become an Indian Tulwar, Afghani Pulwar, Syrian or South Arabian Saif, Georgian Khmali, Moroccan or Omani Nimcha, Sumatran Piso Podang or just Persian Shamshir. Trade yataghan blades were fitted with small silver Cretan handles or with massive ivory ones from the Balkans. Yemeni jambiyas can be attributed to a particular tribe/ social stratum only by the form and decoration of their hilts and scabbards. Egerton specifically mentioned that "Choora" blades were made in Kandahar ( likely plain) and Khorasan ( likely wootz).In Afghanistan, rich people could afford ivory handles and wootz blades. I suspect that wootz blades were remounted time and again when the organic parts of the hilt broke down, because of their value and mystique. |
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#8 |
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Congratulations Harry for initiating such an interesting and informative thread as this one is proving to be. I think that I have gleaned more from this thread than all the reference books. I like your Choora and it looks a good example of this weapon with the typical decoration found on them. I have a small collection of them and all but one have similar decoration to yours, their scabbards are of various materials and one is a pretty plain, a bit knocked about, brass one like yours. I hope you don't mind me using your thread to post a couple of photos of the Choora with different decoration as I would value comments on the hilt which I think has had its original pommel replaced with an aluminium one also I have not seen one where the bolster extends down the blade and is riveted like this one.
Jim in one of his informative replies mentioned that Stone used the name, Ch`hura, for a type of Afghan knife, I have come across this name before but as a general name, used in India , for a dagger ( Tirri plate 214in his book) He also uses the name Chhuri for a small dagger and Stone also uses this name. I have in my collection the two types of knives that Tirri uses to illustrate the above general names and I would like to know if this design of knife has a particular nam. The smaller of the two is the Chhuri. Regards Miguel |
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#9 | |
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Ariel, sorry I missed responding to this after you were kind enough to respond to me personally. Very well noted on the karud and their blades being much wider spread in their use with the distinct deeply radiused blade and acute point. Also you have well delineated the distribution of these other forms with these 'choora' being confined to Khyber Agency regions. As I suggested earlier, it seems quite possible these were products of the Gandi Lohar groups in these regions using quite similar design and motifs found in the so called 'lohar' pick axes usually attributed to the Bannuchis (Stone). While the form itself seems to have been around since mid 19th c. the term 'choora' seems to have been a more collective term used locally for knives or daggers in general, but after 1930s applied specifically to them . Here, as often if not nearly always, collectors have created their own glossary of terms for various weapons, creating what we regard as the 'name game' in struggles to accurately discuss weapon forms. Basically , collectors wish to classify weapons categorically in order to organize their groupings, while those studying the development and history of forms desperately seek links and cross references to track the forms in contemporary references and narratives. All part of the excitement, adventure and frustration as we look into these conundrums! |
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