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#1 |
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You may find examples in:
India: Art and Culture, 1300-1900. by Stuart Cary Welch It is available on Amazon, I just checked. It includes the famous one with the head of his son, Shah Jahan. |
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#2 |
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You should to learn other styles of Mughal daggers decoration. There was very beautiful Animal style and others.
After that you will be able to understand that Mughals could not to present each other only "floral style" which you think was phul-katara )) |
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#3 |
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They did have a lot of figural styles
![]() Those with flowers and large plant motifs would be termed "floral", and those with animals would be "zoomorphic" I think. Also a lot defying any such simple classification. |
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#4 |
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I spoke with native Hindi and Farsi speakers. It seems that Mercenary's theory in defining wootz as something like " floral ( or flowery) steel" is indeed mistaken.
In Hindi flower is Ful, steel is Loha. In Farsi flower is Gol, and steel is Fulad. Thus, Fulad and Ful define two totally different things, and the only thing that "unites" them is partial homophony. It is indeed a confusing area, especially when two languages are compared or intermixed. Even in the same language there are confusing pairs: complement and compliment, for example. Or, even worse, horse and whores:-) People may make such mistakes very easily, especially when the language in question is not their native. So, Mercenary, no cigar, but nice try:-) |
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#5 |
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Just to add some notes amidst the phulishness
![]() It seems that many of the examples shown and described are heavily jeweled, so that might lend to the idea of that kind of decoration, however with many examples of 'phul katara' it seems they are sans jewels but highly decorated florally in theme. In a number of references from the Turk I Jahangir an account noted an offering to an ambassador to Bijapur in 1613 as a jeweled dagger, and then a phul katara along with other items. Another instance in the same account notes a 'jeweled phul katara' among items. These suggest some disparity in the idea of 'jewelled' being the case for the term 'phul' as applied on these daggers, and perhaps stronger for the floral theme. Interesting though is that the article " The Use of Flora and Fauna Imagery in Mughal Decorative Arts" by Stephen Markel (Marg magazine , Vo.50 #3, pp.25-35) throughout the remarkably thorough descriptions and images concerning material culture and arms does not mention the term 'phul' anywhere. Possibly as it was a broader coverage of the decorative theme than just arms. Possibly then the phul-katara designator was more arms oriented? As far as the term phul being rooted (no pun intended) in the concept of pulad (=watered steel) as a flowered pattern seems to me tenuous at best, and particularly in the idea that phul katara must have all had wootz blades. I think this has been well resolved however already but wanted to add these notes. It seems clear that the debates and discourse pertaining to these kinds of disparity in terminology and classifications especially with ethnographic arms often becomes heated out of pure frustration . Altogether too many times it is misconstrued that debate or difference in opinion has to be contentious or dynamic. For me I learn more from solidly supported and presented ideas and positions. Aside from the occasional barbs, this has been a pretty good discussion. |
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#6 | |
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Many thanks Jim.
But whole quotation is "the katara was a long, narrow dagger. But the word phul (flower) is obscure...". So "phul" is inextricably linked with blade. That is why: Quote:
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#7 |
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#8 | ||
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![]() Quote:
Taking into account that the above assertion comes from Pant who was citing Chardin, and who prefaced this statement with words " obscure" and "perhaps", the confidence of the above author seems a bit excessive:-))))) Quote:
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#9 |
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It is very nice that in the end you always agree with me in any subject. If still in the middle of the debate you (and not only you) would be more patient we could all learn more. In any case I found out a lot of interesting things from the time of Jahangir and Shah-Jahan so it will be very good article I hope.
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#10 |
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We seem to have heard multiple brilliant, conclusive and mutually-exclusive theories of the origin of "Phul kattara".
Among them a homophony of Hindi "Ful" and Persian " Phulad", allusion to the dried leaves/flowers added to the crucible for wootz manufacture, pommels with flowery figures, gem- studded katars, strings of brilliants attached to daggers etc, etc. Perhaps, the truth is much simpler than that. Flower(y) in a sense of flamboyant? Lavishly decorated? ( My free contribution to your future article) |
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#11 | |
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Last edited by Mercenary; 29th April 2016 at 01:51 AM. |
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#12 | |
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#13 |
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"Loha" verified with several native speakers, both from the North and the South. "Stila" sounds like "indianized" English.
In any case, it is the homophony of "Ful" in Hindi and Farsi that is the point. But the relation of Sukhela (var. Sakhela) to the current discussion is puzzling. The kind of steel used for its production is only one possiblilty, but Sukhela or Dhup as a specific name for a straight-bladed sword was recorded by Tarassuk & Blair in their Encyclopedia and by E. Jaiwant Paul in his book on Indian weapons. This "controversy" is nothing new. That was even discussed here in passing years ago.. http://www.vikingsword.com/vb/showthread.php?t=10071 Last edited by ariel; 13th January 2016 at 09:27 PM. |
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#14 |
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As far as I can see, the discussion is not running as it should.
Whatever blade you show, or whatever steel type you mention will be called something else in other parts of India. If you really want to discuss this, you should specify which part of India you want to discuss. Something else. Did you know that there is a place called Qandahar in Deccan? Or did you know that there is a Hyderabad in Sind? We cant know it all. - can we? |
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