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#1 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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#2 |
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Hi all,
I found another one, described as a 17th century schiavona. Jim , Iain , any thoughts on the blade ? Altough the crescent moons are not that visible in the picture, the shape of the blade and the fullers resembles the kaskara. kind regards Ulfberth Last edited by ulfberth; 16th April 2015 at 11:57 AM. |
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#3 | |
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#4 |
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#5 |
Arms Historian
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Ulfberth, thank you so much for your ongoing support in this discussion and for adding such valuable examples. These are excellent in our look into the similarities/differences in the use of crescent moons in Solingen, followed in other cultural spheres.
It would seem that in North Africa, the talismanic and magical imbuements of these faced crescent moons was well integrated into the symbolisms of tribal folk religions. That coupled with the special attention given by traders to these marks as indicators of high quality blades seem rather a 'shoe in' for incorporating them into subsequent native versions of the blades. In this outstanding schiavona example, the blade is indeed central triple fuller and the moons in the familiar positions below the outside fullers. It has long been clear that blades for schiavona were often supplied to North Italian makers in instances from Solingen. While the competition between major centers in Italy, Germany and Styria was well established, in my opinion, it seems unlikely that Solingen blades would have been required in Italy as early as the date of this hilt. Naturally if the sword was in use outside its original sphere, and subsequently refurbished during its working life (often considerably long), then the use of a Solingen blade as replacement seems understandable. This seems further support for these types of blades being produced by various smiths in Solingen in the 18th century, probably earlier as well, to provide blades to fulfill these kinds of requirements.....obviously in Scotland and other centers including Italian oriented domiciles. As I have found in reviewing many old notes, these moons, like other often used devices, were not necessarily confined to a particular maker, especially the most prominent families of them. These were probably adopted by producers outside those within Solingen perimeters and provided as a kind of 'after market' type commodity, with such marks alluding to the quality of more renowned blades without the obvious copy of established makers marks. |
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#6 |
Arms Historian
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I wanted to note that the excellent example of court sword posted by Norman in #14 on its blade has the blade motif, using these kinds of magic/occult motif in what is often termed the 'Caissignard' style, which originated or was typical in Nantes, France.
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#7 | |
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this type of blade with triple fullers, with the middle fuller longer and sometimes extending to the point, occurs frequently from 1500 onwards in Europe, both on German and Italian swords! often without moons. best, jasper |
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#8 |
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form follows function.
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#9 | |
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#10 |
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you do not see them often, but I know several European blades with a double moon in the middle of the blade with multiple Fullers.
but also blades with only Fullers without any marks. I believe that the double moon has its origins in Europe, Toledo or Solingen somewhere in the 16th century best, jasper |
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#11 | |
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Apparantly the Espaderos del Rey in Spain used variations of the faced moon (Briggs, 1965; Mann, 1962, others) however they were singular and often with other devices usually. I would agree that the 16th century in the centers noted by Jasper would probably have been where these paired moons began. It is my opinion that the use of 'multiples' such as the konigskopf (kings head) at the forte in Solingen, may have influenced or been associated with same with the moons on the swords Ulfberth posted using said configuration. The purpose of these duplicated images is unclear, just as the use of the paired moons on the blade center near fullers remains......but however rare, it seems that Europe was the source of origin. The unfortunate fear of incorporating 'ethnographic' medium into a discussion on European blades was the cause for unnecessary concern in the 'basket hilt' thread, and the inclusion of the kaskara instances were pertinent in recognition of the origin and period of the moons in Europe in rather a symbiotic sense. I think Briggs in his key 1965 article on the use of European blades in Tuareg edged weapons is a most dynamic illustration of that situation. |
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#12 |
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There are a Shasha of my family. I think the solingen it is. far as I know in my family 200 years. What do you think about this?
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#13 |
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Welcome to the forum, peserey
![]() Very nice old shashka with suggestive marks. It will be interesting to know what the members say about them. |
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#14 | |
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Thank you . yes I am also very curious. ![]() |
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