![]() |
|
![]() |
#1 | |
Member
Join Date: Mar 2009
Posts: 1,060
|
![]()
[QUOTE=Roland_M]
Quote:
sorry for my sharp text, it was not my intention to offend you, it is nothing personal. However if you claim something like you did, it is appropriate that you come with support for this, otherwise it remains an unsubstantiated one-liner without further meaning. This can be an article from the Arms-Armour literature or measurements taken in museums and private collections etc. And I'm also curious how you come to information like this, personal judgment ? Internet ? by hearsay? please do not worry about my study of different swords, I'm on schedule. best, Jasper Last edited by cornelistromp; 4th November 2014 at 07:23 AM. |
|
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Mar 2009
Posts: 1,060
|
![]()
back to business
|
![]() |
![]() |
![]() |
#3 |
Member
Join Date: Mar 2009
Posts: 1,060
|
![]()
the sword of St Paul in a painting by Pier Francesco Sacchi 1520.
National gallery in London No 1523 it's a two-hand sword with side-rings mounted at the center. the side-rings are in the form of a Katzbalger 8 shaped guard and are not closed. closed ring guards you do not you see before 1515 at sword hilts, my theory is that those closed side-ring guards are originally developed from the Katzbalger hilts. The sword of St Paul's beautiful example of a transitional type. Also there were around 1520 parry hooks and a Velvet grip clothing with decoration. best, jasper |
![]() |
![]() |
![]() |
|
|