The Sinhalese Kastane: Its Development, Decoration and Symbolism

[napoleon]

salaams ibrahiim,firstly im not intent on telling people how they should research,not at all ,what i was trying to establish,was known provenanced items,if enough examples can be gathered,might begin to show a broad frame work,starting for the sake of arguement with known portugese examples of the period,already been said i know,but does anyone have any? also yes point taken jim regarding debate/discusion stand corrected thank you,ibrahiim you refer to the examples plucked at random not at all just the only two examples i could find that stood a chance, speaking demonstrably,but as jim pointed out could be earlier(although not later) so could still be used in a broader framework, ibrahiim i do see a gap in the study its called typological chronology ,however bear in mind i am a relative novice in the subject of these beautifull swords,but one thought i had was the gemstones used,certain cultures favour different gems,a possible pointer?although i still feel more examples are needed,and in order for any of us to learn more more images,another thought has anyone explored the archeological record of sri lanka for swords,battle site finds? regards for now

[Jim McDougall]

Hi Napoleon,
Nicely stated, and I would like to note that my intention was not as much correction as clarification, and understand your notes toward research were more to your placement in coming into the discussion. While you have noted you are relatively new to the research on these weapons, I commend you for your enthusiastic participation and would point out that here we are all students on arms study in varying levels and degrees, but all working toward the same goals, learning together.

You are asking well placed questions, some which have indeed been somewhat travelled in other discussions, and some which have not. Your note on gems is interesting, though I am not certain that this complex aspect of decoration and often talismanic properties would be pertinent to our objectives here on the kasthane.

Good question on the archaeological aspects, and indeed there are numerous studies on Sri Lankan sites as well as the iconographic sources.
Deraniyagala , 1942, p.111) notes, "...the earliest swords appear to have been straight, leaf shaped and double edged, resembling bronze age weapons. Their shape suggests they were mainly offensive. A subsequent development was the wavy blade, and ultimately the curved scimitar type which increased enormously the power of a slashing cut, but sacrificed efficiency in thrusting or parrying (footnote: the scimitar type is probably of Arab origin). "
It is further noted that the early swords depicted on the Tivunka Patimaghara (misnamed Demala Malia Sigiriya) at Polonnaruva are of the leaf pattern and that others from Sigiyira in the Columbo Museum and of the 5th century are single edged and long, straight and double edged. Other excavations of 12th century site at Polonnoruva revealed long straight single edged blades with obliquely truncate point.

It is noted that these are some of the types depicted on frescoes and paintings up to the 18th century "..when the curved, scimitar shape with the lions head comes into fashion".

These interesting entries indicate of course that the early swords of Sri Lanka over a very long time were functional and decoratively austere until relatively recent times. Clearly the 18th century date for the lion head hilts is not quite correct as we are already aware of earlier examples, however I believe the author is referring to the ceremonial sword of rank rather than likely earlier forms bearing some degree of traditional iconography.

Typological chronology is of course an ideal goal, but one which is particularly elusive in the study of most histories of ethnographic forms as reliably provenanced examples are rarely available. Even iconographic sources are sometimes unreliable as artists often tended to be anachronistic in their work as they depicted events of earlier times. As you engage further in this and other studies of these types of weapons it is interesting to see how these kinds of discussions do benefit comprehensive knowledge by compiling data . In these cases, seen throughout the archives here many impressive results have been accomplished.

While you may be a newcomer Napoleon, you ask great questions and follow the course, and its great to have you with us on the adventure!

All the best,
Jim

[Ibrahiim al Balooshi]

Originally Posted by napoleon

salaams ibrahiim,firstly im not intent on telling people how they should research,not at all ,what i was trying to establish,was known provenanced items,if enough examples can be gathered,might begin to show a broad frame work,starting for the sake of arguement with known portugese examples of the period,already been said i know,but does anyone have any? also yes point taken jim regarding debate/discusion stand corrected thank you,ibrahiim you refer to the examples plucked at random not at all just the only two examples i could find that stood a chance, speaking demonstrably,but as jim pointed out could be earlier(although not later) so could still be used in a broader framework, ibrahiim i do see a gap in the study its called typological chronology ,however bear in mind i am a relative novice in the subject of these beautifull swords,but one thought i had was the gemstones used,certain cultures favour different gems,a possible pointer?although i still feel more examples are needed,and in order for any of us to learn more more images,another thought has anyone explored the archeological record of sri lanka for swords,battle site finds? regards for now

Salaams napoleon. As you rightly point out we have very little to go on... Early examples are few 'n far between and this is illustrated by the need to look at even the most extreme cases such as artwork on the Popham Armour (to my mind the only artwork showing the Kastane on European armour) and a vague but fascinating early weapon now in the Sendai Museum in Japan.

Where we can... I think broad logic is allowed e.g. an eye to the European influence and since it is a weapon just slightly removed from the Arabian sphere...a clue as to how it may have arrived in basic form with the Moors...and of course their Arabian and African (and other regional) contacts. Knowing a lot more about the Royal workshops and the religious structure and the way people lived in the early days allows some balanced supposition...Where these nebulous ideas are not carved in stone it can be interesting to see where these ideas lead...though, a good detective will only have these penciled in the margin until proof positive can be made.

I was pleased to see you wheel out the big guns: Typological Chronology but that depends on examinig the early items, simply not available... The subject of digs is interesting ... but as you may be aware there are certain sensitivities in this regard and anyway you will be aware of cultural problems where Buddhist/ Hindu countries are very much not obliged to excavate and for religious reasons etc...The archeological ministry in Tibet for example is a very small organism... in fact it doesn't exist! and though I am not saying archeology is non existant in Sri Lanka I make the point from the cultural understanding generally... and of course you will be aware of the delicate nature of digs not unrelated to recent internal strife in that country but which is politically ringfenced.

What you have outlined is in fact very true... that unless a researcher is in country how difficult it is (but not impossible) to unearth the facts. When we started we had so little to go on... Now the library contains masses of detail never before viewed.

I think the study of gemstones is an excellent idea for you to undertake regarding Kastane ... another which I disguarded was the detail contained in ancient poetry which could yeild results.

One other field that looked promising was ancient martial arts weapons but I was unable to get sufficient detail as persuing that back 500 years and beyond proved impossible .. We know that the national martial art system was made illegal by colonial English powers punishable by being shot in the knees..Permanently crippling the individuals...The martial arts weaponry pre Portuguese (Pre 1505) may well have contained Kastane but absolute proof would be needed. Naturally that would be more or less game set and match regarding the time frame but I couldn't get much further back than about 1800 in this regard.

The VOC system is being viewed very successfully in another thread effectively setting down a thorough compendium of details on the entire Dutch period ...

Overall I think the rolling result... (because it never stops)... is excellent, though, we should never expect to fully hit the check-mate button... Total understanding may never be complete but I mean why should it?...since this is such a non worldly item drenched in mythology, religions, sliced with foreign powers interference and tainted in not a little majic ... not least in it's name "Kastane"...


Thank you for your post...Typological Chronology ! Bring it on !!

Regards,
Ibrahiim al Balooshi.

[David]

Originally Posted by Ibrahiim al Balooshi

What you have outlined is in fact very true... that unless a researcher is in country how difficult it is (but not impossible) to unearth the facts. When we started we had so little to go on... Now the library contains masses of detail never before viewed.

Interesting that you should say this Ibrahiim, because when we actually had a native Sri Lankan that was steeped in the culture and history of ancient Sri Lankan weaponry and actually had his feet on the ground in that country you did nothing but argue his very informative posts until he threw up his hands and left the conversation. Fortunately, the "Library" still contains those very informative posts.

[fernando]

Originally Posted by David

...because when we actually had a native Sri Lankan that was steeped in the culture and history of ancient Sri Lankan weaponry and actually had his feet on the ground in that country you did nothing but argue his very informative posts until he threw up his hands and left the conversation. Fortunately, the "Library" still contains those very informative posts....Fortunately, the "Library" still contains those very informative posts. :)

... Which certainly have a value ratio far greater than countless perorations which, although containing some peripheral (but not intrinsic) info, make us ponder on their immense space occupied in the archives versus their juice, after squeezing them.
It is obvious that despite Jim’s industrious initiative to transfer this theme to a new thread under a multiple (triple) range of attributions, the nuclear point remains the same: the origin, date and outer influences in the Kastane. However it is not the hammering on the same nail head, time and time without count, that will bring light to the subject. No one forgets that certain approaches were repeated a zillion times … sometimes with the very same wording.
Resuming that, taking in consideration the recurrent (massacred) pre and post Portuguese ‘key’ to the matter ...
It can not be questioned that the Kastane was born in Ceylon … and not result of a ‘joint venture’.
The probabilities that it had western influences along time, namely Portuguese, it could only be in the hilt, namely the lower recurved quillons... the ricasso a giveaway.
The blade in itself would never be Portuguese, simply because they were not blade makers. Actually the Kastane blades seen out there are so varied that i have already seen one made in brass.
Assuming that Portuguese sword designs were common to other Peoples … Spanish, Venetians and so, we may view these probable influences, for the matter, as being Portuguese, because they were indeed the first to actually reside and mix cultures with the locals.
But obviously the admissible influence of Portuguese, for one, is a hypothesis that would be easily knocked down by evidential appearance of the missing link: example/s of Kastane prior to this period ... no matter how different or of how many different forms they timely were.
Based on this eternal fait divers and talking about (Portuguese) influences, i feel entitled to upload here a hybrid that i have pictured in one of my library books, which belongs in the collection of its author, titled HOMENS ESPADAS E TOMATES, by Rainer Daehnhardt, whom owns one of the largest collections of weapons and documentation covering, among other, the Portuguese discoveries period.

.

[Jim McDougall]

Fernando, thank you so much for adding this most pertinent example which reflects the kind of diffusion seen with these clearly Sinhalese influenced hilts, and most important showing the Portuguese perspective.
Thank you as well for adding your perspective on the 'origins of the kasthane dilemma', which seems of course to correspond pretty much with the views expressed already.

Actually the reason I started this thread was because of the outcry on the other thread concerning the emphasis on the kasthane in a thread whose title indicated Sinhalese swords, including the kasthane. There it was claimed that the thread was being derailed by emphasis on the kasthane, remarkable since it followed the topic in the title. Just the same, I thought a more deliberately titled thread would allow focused discussion on the kastane without such consternation.

Now we have a derailment toward the perils and worth of the Wikipedia online source! It seems to me that any source of material used in research is useful but with the caveat that the material must be considered along with corroborating material as well.
It seems that here the issue has become that the source material cited by Ibrahiim from Wikipedia is considered questionably because he has contributed to its content. I will say here that I often use Wikipedia to augment and add to data I use to write along with my own notes and other resources. In most cases it has proven quite reliable although in many cases politically charged material is somewhat questionable.

It should probably have been reiterated that he had added to the Wikipedia material he cited, but I honestly thought he had mentioned that before.

Whatever the case, I would like to see this thread return to the subject matter and forego this unnecessary point of contention.

Fernando, again, wonderful example!!!!

[Ibrahiim al Balooshi]

Originally Posted by fernando

It can not be questioned that the Kastane was born in Ceylon … and not result of a ‘joint venture’.
The probabilities that it had western influences along time, namely Portuguese, it could only be in the hilt, namely the lower recurved quillons... the ricasso a giveaway.
The blade in itself would never be Portuguese, simply because they were not blade makers. Actually the Kastane blades seen out there are so varied that i have already seen one made in brass.
Assuming that Portuguese sword designs were common to other Peoples … Spanish, Venetians and so, we may view these probable influences, for the matter, as being Portuguese, because they were indeed the first to actually reside and mix cultures with the locals.
But obviously the admissible influence of Portuguese, for one, is a hypothesis that would be easily knocked down by evidential appearance of the missing link: example/s of Kastane prior to this period ... no matter how different or of how many different forms they timely were.
Based on this eternal fait divers and talking about (Portuguese) influences, i feel entitled to upload here a hybrid that i have pictured in one of my library books, which belongs in the collection of its author, titled HOMENS ESPADAS E TOMATES, by Rainer Daehnhardt, whom owns one of the largest collections of weapons and documentation covering, among other, the Portuguese discoveries period.

.

Salaams Fernando, Thank you for your post which includes the fascinating picture from your library of the Kastane influenced sword. I assume this example to have been a back fed influence as the Portuguese were withdrawing from the Indian Ocean? It is an early example of a Kastane influenced hilt. Very interesting.

Whilst you state that the origin of the hilt cannot be questioned; that is certainly not how it was originally on this or any other thread.. and since the same sort of decoration appeared on gunpowder weapons of the combined workshops of Portuguese and Sri Lankan craftsmen I am amazed at your revelation... and since you supplied the artwork showing the similar decoration ..even more amazing. See http://www.vikingsword.com/vb/showth...8&page=3&pp=30 at #66

Whilst the Portuguese were the first Europeans to "mix cultures" with the Sri Lankans they were not the first culture ... You omit the Moors..Not only were they hundreds of years before the Portuguese but they were the Mercantile Marine... of Sri Lanka. It is to them that the transition of basic blade form may be attributed. Personally I don't think the Quillons are solely attributable (many people do and that is accepted) but viewing the Vajra I see that as being perhaps the dominant influence.

To what period do you place the appearance of a brass blade?... It is known that cheap non Sri Lankan blades appeared in brass as belly dancer items often with a reversed hilt... in the 19th C.

You place Portugal very highly in the definitions concerning the Kastane yet only at post 80 have you entered your input, though, it is well recieved.... but by-the-way in terms of repetition was not your only other post here on the Mudaliers essentially repetition of a previous one ... by myself; see #2. What I mean is that in generating the discussion and in threads that are very long...understandably repetition happens...though they are not designed towards any individual but in bringing the hundreds of other interested members into focus and updated with the subject.

It was partly because of this that we have now this separate thread on Kastane. Hugely successful !!....leaving the older thread to be developed along the lines of other Sri Lankan weapons. The other support thread on VOC is of course another excellent main artery thread concerning Sri Lanka.

Those few members who were so vociferous in condemning the Kastanes virtually solo appearance on the old thread will no doubt be building up that thread at http://www.vikingsword.com/vb/showth...&page=10&pp=30, no?

Regards,
Ibrahiim al Balooshi.

[Prasanna Weerakkody]

I must say that I had decided to stay away from the thread; not due to being unable to stand argument as some might suggest-but as it no longer seems objective about the study that for me is one of profound personal interest. same things repeat over and over with minor contortions while (sadly) quickly forgetting all the information that has been Included in the previous thread where this discussion initiated. I did feel quite sad as among the noise there was also some very important material being shared and raised and I must say I did learn a lot being part of it.

The reason I am writing this note is to at least provide a re-cap of points that were presented in the other thread that seem to be getting forgotten and to at least try in some way to counter some of the mis-information that seem to be taking root within the thread. being from the country of origin of the Kasthana - It is sometimes difficult not to be amused by some of the things that continue being said (despite errors being pointed out). Many theories about Sinhala arts, crafts, culture and history portrayed seem alien and quite new to me having been a student of Sinhala Art history all my life. - it’s quite an eye opener how much mis-information; just starts as a wild guesses becomes realities and can take root through the internet. (may be it is my disadvantage to be from Sri Lanka - otherwise may be I would have enjoyed the fantasies more freely.)

As David already very correctly pointed out- In Sri Lanka neither Lion, Makara nor Serapendiya are ever considered deities or gods in any form; they are depicted as no more than mere decorative “BEAST” forms (though auspicious- like the lotus or conch-shell). They are used as Icons; Lion representing Sinhala race, Makara as a symbol of protection and regeneration. etc. etc.

The only goddess or deities represented on Kasthana seem to be images that may be Sri-Devi/Luxmi, or Patthini devi depicted sometimes on the outer side of the hand guard and/or on the langet. These on occasion may be only figures of “Nari-latha” or tree nymphs. It is a significant area of study to identify the mostly female deities present on a weapon instead of a warrior gods such as karthikeiya or Kali.

Forum still does not seem to recognize the sources I provided that in a Sri Lankan/ Sinhala historic context clearly establish the Kasthana Sword to mid 16th century. which at least in a local context is backed by examples that have good provenance and supported by strong literary evidence. There is solid local evidence to prove that the Kasthane sword in its proper form and name existed at least in mid 16th century if not earlier. . (please check earlier thread for reference) I do understand that the forum members are at a loss when it comes to reading original historic sources written in Sinhala. but the reality is that they do exist. the post 14th century era saw the emergence of a long series of books written as “Hatan Kavya” (war poems) which give significant details of battles and warriors and arms used.

If the sword (and the name Kasthana) was in existence in the early to mid 16th century and associated well with King Rajasinhe I. it is clear that the origin of the weapon clearly and significantly pre-date the Kandyan kingdom and its workshops; and would have its origin more in the Sithawaka and/or Kotte kingdoms- post the transfer of the capital to Kandy the workshops there would have continued production of the swords. but it would not have originated in “Kandyan workshops” which is a misnomer. The design trends associated with the early (more refined) form of Kasthana can be associated with art trends of even the Dambadeni or Gampola Kingdoms which predate even the Kotte Sithawaka era.

The Sinhala crafts and technology was influenced by more than the 3 European invaders and the moors, The country was visited 3 times by the Navy of Cheng ho (Zheng He) shortly before the arrival of the Portuguese; and there was prolific trade, diplomatic, religious and cultural ties to Thailand to Burma and most of East Asia and even up to China. Mainland India both Northern and Southern continued to be in strong contact throughout time. large Sinhala trade ships are documented sailing to Chinese ports and even to Roman courts more than a millennia before. the concept that the moors were the “mercantile marine” of the sinhales is in error though they did carry out trade in Sinhala ports during the 15th century and supported the Sinhales in some battles as the Portuguese was a direct threat to their trade. The Sinhales craftsmen were good at adapting foreign technology encountered often giving them a local twist. The location of the country at the southernmost tip of the Indian sub-continent necessitated any ships plying the coasts of South Asia would use it as a trade hub. The 14th century text “Kandauru siritha” list many types of foreign swords used by the kings army including swords listed as Pandi, Wadiga, Jaina, Malaya, Madura, Thelangu, Java, Vanga, Ayodhya swords. A total of 32 types of swords are listed including “Wak kadu” or curved swords which may have been the predecessor of the Kasthana type blade- which if true would date the type of blades significantly before the Portuguese encounter.

The craft based “cast” system was in existence in Sri Lanka till the end of the Kandyan Kingdom in 1815. The system was broken down only under the British rule.

The Early Kasthana was possibly designed with a lot of thought and reason for each of its components. The traditional systems carry rather firm disciplines in proportions and use of its elements. The texts like the “Vaijayantha-thanthra” are examples. which set guidelines for the length and breadth of blades and the types of decoration and iconographies to be followed. most of the sword lore and smiting techniques became extinct under the extreme repression of the British raj. The Brits took over the country using intrigue not the force of arms in which they repeatedly failed as long as the Sinhala crown lasted. so the Brits knew the need to suppress anything that was even connected to martial traditions in the Sinhales. Orders were given to shoot at anyone practicing “Angam” and all arms and armor related crafts perished in the post 1815 era.

Recently I was rather saddened to see a small “ola leaf” technical manual on ancient sword making being dismantled and sold piecemeal page by page to gullible tourists in an antique shop the South of the country purporting to be “Lord Buddha’s own handwriting”. But the bit that I saw remaining indicate firm guidelines set in construction of the blades.

Though I would not feel confident in identifying the inspiration for the Kasthana design- Based on the way a TRADITIONAL kasthana is constructed and put together I believe that the use of the quillons and the langet is used mainly to strengthen the base of the sword, provide a good seat on the scabbards and also to deflect a sliding cut away from the hand. not for the purpose of holding and locking enemy blades. The association of tibetan vajra with kasthana is purely artificial in a Sinhala context- as I pointed out before the Mahayana/Vajrayana buddhist traditions to which vajra symbolism belonged was extinct or only vestigially present in Sri Lanka the time in question. The predominant Theravada Buddhist traditions give no significance to it. the quillon shape is quite regular within the framework of Sinhala motifs without a need to associate it with the Vajra

Ibrahim I think your classification of Kasthana to include characters of all degenerate deviant sub-species counters the identification of proper kasthana swords- the true Kasthana carries a single edged blade that is curved, The quillons are always 4 and the primary animal heads on quillons, guard and hilt is 6 (or more- never less). There is a firm order and tradition of composition of animal head types and accessory figures and iconography on hilt and quillons. but I shall refrain on commenting further on this as I have given sufficient level of my comments on that topic elsewhere in the earlier thread but the issue within this forum stays stubbornly muddled.

Ibrahim I am not sure how these modern illustrations of Hindu gods become useful in the purpose of the thread. if needed look for period specific reference that may have more value here.

Napoleon- it is best to visit the earlier thread which carried some good illustrations of Kasthana, There are a modest amount of direct historic evidence available within a Sri Lankan archaeological/ historic records. If you would look at my posts I have included some references to heirloom swords still remaining with the original families they were gifted to by Kings which give good provenance as some still even carry gift deeds, flags and other items presented along with the kasthana to the chieftains who excelled in battle. I am also very interested in the typological chronology of the kasthana which seem quite clear path of evolution from the earliest (most refined) to late (of more valuable material but weak craftsmanship and design). a lot of modern poor quality replica’s also float around including brass bladed items. previously I made a possible reference to a source that could well stand as an earlier example of a Kasthana timeline based on the evolution of design elements.

I just hope the forum stay objective and selective in acceptance of the material provided- unless the thread may do more harm to the study of the Kasthana than good.

p.s. Ibrahim thank you for the private message to me. I was any way thinking of posting this.

Regards prasanna

[David]

Originally Posted by Prasanna Weerakkody

I just hope the forum stay objective and selective in acceptance of the material provided- unless the thread may do more harm to the study of the Kasthana than good.

Thanks you so much for returning to this subject once more Prasanna to impart your insights.
Jim seems to think that i am trying to derail this discussion and that i have brought up "unnecessary point(s) of contention". Nothing could be further from the truth. I am simply trying to re-track the train and correct its course as there has been so much misdirection, half-truths and straight out incorrect info somehow portrayed as being correct knowledge reached by some imaginary "consensus" of the members participating here. To be clear, writing the most amount of words on a subject does not create a "consensus". Even if it did, a consensus of this group on any particular idea is useless if in fact it is historically incorrect.
Prasanna, i do hope you stick around this conversation just a little bit longer. I realize that it might feel like you are beating your head against a stone wall at times, but do understand that some of us value the direct cultural input you provide into these questions and are not swayed by the seeming endless flow white noise that attempts to obscure it.

[Ibrahiim al Balooshi]

Originally Posted by Prasanna Weerakkody

I must say that I had decided to stay away from the thread; not due to being unable to stand argument as some might suggest-but as it no longer seems objective about the study that for me is one of profound personal interest. same things repeat over and over with minor contortions while (sadly) quickly forgetting all the information that has been Included in the previous thread where this discussion initiated. I did feel quite sad as among the noise there was also some very important material being shared and raised and I must say I did learn a lot being part of it.

The reason I am writing this note is to at least provide a re-cap of points that were presented in the other thread that seem to be getting forgotten and to at least try in some way to counter some of the mis-information that seem to be taking root within the thread. being from the country of origin of the Kasthana - It is sometimes difficult not to be amused by some of the things that continue being said (despite errors being pointed out). Many theories about Sinhala arts, crafts, culture and history portrayed seem alien and quite new to me having been a student of Sinhala Art history all my life. - it’s quite an eye opener how much mis-information; just starts as a wild guesses becomes realities and can take root through the internet. (may be it is my disadvantage to be from Sri Lanka - otherwise may be I would have enjoyed the fantasies more freely.)

As David already very correctly pointed out- In Sri Lanka neither Lion, Makara nor Serapendiya are ever considered deities or gods in any form; they are depicted as no more than mere decorative “BEAST” forms (though auspicious- like the lotus or conch-shell). They are used as Icons; Lion representing Sinhala race, Makara as a symbol of protection and regeneration. etc. etc.

The only goddess or deities represented on Kasthana seem to be images that may be Sri-Devi/Luxmi, or Patthini devi depicted sometimes on the outer side of the hand guard and/or on the langet. These on occasion may be only figures of “Nari-latha” or tree nymphs. It is a significant area of study to identify the mostly female deities present on a weapon instead of a warrior gods such as karthikeiya or Kali.

Forum still does not seem to recognize the sources I provided that in a Sri Lankan/ Sinhala historic context clearly establish the Kasthana Sword to mid 16th century. which at least in a local context is backed by examples that have good provenance and supported by strong literary evidence. There is solid local evidence to prove that the Kasthane sword in its proper form and name existed at least in mid 16th century if not earlier. . (please check earlier thread for reference) I do understand that the forum members are at a loss when it comes to reading original historic sources written in Sinhala. but the reality is that they do exist. the post 14th century era saw the emergence of a long series of books written as “Hatan Kavya” (war poems) which give significant details of battles and warriors and arms used.

If the sword (and the name Kasthana) was in existence in the early to mid 16th century and associated well with King Rajasinhe I. it is clear that the origin of the weapon clearly and significantly pre-date the Kandyan kingdom and its workshops; and would have its origin more in the Sithawaka and/or Kotte kingdoms- post the transfer of the capital to Kandy the workshops there would have continued production of the swords. but it would not have originated in “Kandyan workshops” which is a misnomer. The design trends associated with the early (more refined) form of Kasthana can be associated with art trends of even the Dambadeni or Gampola Kingdoms which predate even the Kotte Sithawaka era.

The Sinhala crafts and technology was influenced by more than the 3 European invaders and the moors, The country was visited 3 times by the Navy of Cheng ho (Zheng He) shortly before the arrival of the Portuguese; and there was prolific trade, diplomatic, religious and cultural ties to Thailand to Burma and most of East Asia and even up to China. Mainland India both Northern and Southern continued to be in strong contact throughout time. large Sinhala trade ships are documented sailing to Chinese ports and even to Roman courts more than a millennia before. the concept that the moors were the “mercantile marine” of the sinhales is in error though they did carry out trade in Sinhala ports during the 15th century and supported the Sinhales in some battles as the Portuguese was a direct threat to their trade. The Sinhales craftsmen were good at adapting foreign technology encountered often giving them a local twist. The location of the country at the southernmost tip of the Indian sub-continent necessitated any ships plying the coasts of South Asia would use it as a trade hub. The 14th century text “Kandauru siritha” list many types of foreign swords used by the kings army including swords listed as Pandi, Wadiga, Jaina, Malaya, Madura, Thelangu, Java, Vanga, Ayodhya swords. A total of 32 types of swords are listed including “Wak kadu” or curved swords which may have been the predecessor of the Kasthana type blade- which if true would date the type of blades significantly before the Portuguese encounter.

The craft based “cast” system was in existence in Sri Lanka till the end of the Kandyan Kingdom in 1815. The system was broken down only under the British rule.

The Early Kasthana was possibly designed with a lot of thought and reason for each of its components. The traditional systems carry rather firm disciplines in proportions and use of its elements. The texts like the “Vaijayantha-thanthra” are examples. which set guidelines for the length and breadth of blades and the types of decoration and iconographies to be followed. most of the sword lore and smiting techniques became extinct under the extreme repression of the British raj. The Brits took over the country using intrigue not the force of arms in which they repeatedly failed as long as the Sinhala crown lasted. so the Brits knew the need to suppress anything that was even connected to martial traditions in the Sinhales. Orders were given to shoot at anyone practicing “Angam” and all arms and armor related crafts perished in the post 1815 era.

Recently I was rather saddened to see a small “ola leaf” technical manual on ancient sword making being dismantled and sold piecemeal page by page to gullible tourists in an antique shop the South of the country purporting to be “Lord Buddha’s own handwriting”. But the bit that I saw remaining indicate firm guidelines set in construction of the blades.

Though I would not feel confident in identifying the inspiration for the Kasthana design- Based on the way a TRADITIONAL kasthana is constructed and put together I believe that the use of the quillons and the langet is used mainly to strengthen the base of the sword, provide a good seat on the scabbards and also to deflect a sliding cut away from the hand. not for the purpose of holding and locking enemy blades. The association of tibetan vajra with kasthana is purely artificial in a Sinhala context- as I pointed out before the Mahayana/Vajrayana buddhist traditions to which vajra symbolism belonged was extinct or only vestigially present in Sri Lanka the time in question. The predominant Theravada Buddhist traditions give no significance to it. the quillon shape is quite regular within the framework of Sinhala motifs without a need to associate it with the Vajra

Ibrahim I think your classification of Kasthana to include characters of all degenerate deviant sub-species counters the identification of proper kasthana swords- the true Kasthana carries a single edged blade that is curved, The quillons are always 4 and the primary animal heads on quillons, guard and hilt is 6 (or more- never less). There is a firm order and tradition of composition of animal head types and accessory figures and iconography on hilt and quillons. but I shall refrain on commenting further on this as I have given sufficient level of my comments on that topic elsewhere in the earlier thread but the issue within this forum stays stubbornly muddled.

Ibrahim I am not sure how these modern illustrations of Hindu gods become useful in the purpose of the thread. if needed look for period specific reference that may have more value here.

Napoleon- it is best to visit the earlier thread which carried some good illustrations of Kasthana, There are a modest amount of direct historic evidence available within a Sri Lankan archaeological/ historic records. If you would look at my posts I have included some references to heirloom swords still remaining with the original families they were gifted to by Kings which give good provenance as some still even carry gift deeds, flags and other items presented along with the kasthana to the chieftains who excelled in battle. I am also very interested in the typological chronology of the kasthana which seem quite clear path of evolution from the earliest (most refined) to late (of more valuable material but weak craftsmanship and design). a lot of modern poor quality replica’s also float around including brass bladed items. previously I made a possible reference to a source that could well stand as an earlier example of a Kasthana timeline based on the evolution of design elements.

I just hope the forum stay objective and selective in acceptance of the material provided- unless the thread may do more harm to the study of the Kasthana than good.

p.s. Ibrahim thank you for the private message to me. I was any way thinking of posting this.

Regards prasanna

Salaams Prasanna ~ Thank you for your note about my PM and your early response which is very highly regarded. Not being Srl Lankan in this regard I do apologise for the indelicate descriptions involving the famous and fabulous Icons surrounding the very convoluted story so far on the Kastane. From an outsiders viewpoint the best words to describe the designs seemed to be Deity..This is not simply an arrived at conclusion but appears in many references which we understand may have got it slightly off frequency...when perhaps to satisfy the equation Icon would be a better word, however, to the researcher there was no reason to be concerned since they both mean the same ... to them. I hope no offence has been made in this regard.

I was actually about to reitterate what you had pointed out regarding the Home Grown nature of The Kastane illustrating your post of the earlier thread showing the stone figure "Hanguranketha" with a sword clearly of similar Quillon style at http://www.vikingsword.com/vb/showth...8&page=9&pp=30 and more or less ruling out any foreign influence altogether... though in fact the influence clearly flowed the other way much later than the 16th C. onto European Dogheads and in fact earlier referring to the Benin weapon(Hybrid) and to some extent the Popham Armour(Courtsword) and even the Sendai item ..

I hope you agree that though this has been a huge and difficult task especially as the research is so difficult and in particular from the foreigners viewpoint..and not being versed so well in Buddhism nor Hinduism that what we actually have achieved ...stormy at times ... ....is not a bad effort since now practically all the detail that is currently available rests on these pages. I make no apology for repetition or what some describe as "fat" since it is easy to jab remarks at what has been a difficult struggle to say the least. I believe that those who have fallen by the wayside did so because they couldnt stand the pace...or just were unable to get involved..maybe they can join later. The ink is free ! and they are always welcome.

In your other post in which you state Quote
"I think it is clear that the kasthane origin is Sinhala. but there are many un-answered questions remain and it is also clear that it did draw inspiration from many foreign sources as well. one of the questions that I am intrigued by is that the changeover of the Sinhala fighters from the dominance of double edged long swords of the previous era- that seem quite similar to the arms of the Portuguese roughly at the time of their arrival and shifting to the Kasthana". Unquote. This is a fascinating subject and I hope you can advise us further.

Nice to see your post and thank you for the excellent and constructive content... Great Country, Great People, Great Sword !

Regards,
Ibrahiim al Balooshi.

[Ibrahiim al Balooshi]

Originally Posted by fernando

... Which certainly have a value ratio far greater than countless perorations which, although containing some peripheral (but not intrinsic) info, make us ponder on their immense space occupied in the archives versus their juice, after squeezing them.
It is obvious that despite Jim’s industrious initiative to transfer this theme to a new thread under a multiple (triple) range of attributions, the nuclear point remains the same: the origin, date and outer influences in the Kastane. However it is not the hammering on the same nail head, time and time without count, that will bring light to the subject. No one forgets that certain approaches were repeated a zillion times … sometimes with the very same wording.
Resuming that, taking in consideration the recurrent (massacred) pre and post Portuguese ‘key’ to the matter ...
It can not be questioned that the Kastane was born in Ceylon … and not result of a ‘joint venture’.
The probabilities that it had western influences along time, namely Portuguese, it could only be in the hilt, namely the lower recurved quillons... the ricasso a giveaway.
The blade in itself would never be Portuguese, simply because they were not blade makers. Actually the Kastane blades seen out there are so varied that i have already seen one made in brass.
Assuming that Portuguese sword designs were common to other Peoples … Spanish, Venetians and so, we may view these probable influences, for the matter, as being Portuguese, because they were indeed the first to actually reside and mix cultures with the locals.
But obviously the admissible influence of Portuguese, for one, is a hypothesis that would be easily knocked down by evidential appearance of the missing link: example/s of Kastane prior to this period ... no matter how different or of how many different forms they timely were.
Based on this eternal fait divers and talking about (Portuguese) influences, i feel entitled to upload here a hybrid that i have pictured in one of my library books, which belongs in the collection of its author, titled HOMENS ESPADAS E TOMATES, by Rainer Daehnhardt, whom owns one of the largest collections of weapons and documentation covering, among other, the Portuguese discoveries period.

.

Salaams Fernando, Your post at #80.

I have to point out the nature of this sword which has nothing to do with Sri Lankan weapons since it is the preferred design having a lions head of the kings of such tribes in West Africa ~ Benin and Dahomey regions.

The author of the sword write up and picture(Rainer Daehnhardt) forces the description in such a way as to be Certain that this weapon sailed with the Portuguese to the far flung corners of the Indian Ocean where it is imagined it took on the mantle ...or hilt... of the Kastane...or that it in any way was influenced by that weapon. I would suggest that "It most Certainly did not". See http://www.vikingsword.com/vb/showth...d=1#post220003

I further cast doubt upon the claim that this is a Christian cross. Again the reference above refers. It is more likely to be Voodoo inspired.

[fernando]

Originally Posted by Ibrahiim al Balooshi

Salaams Fernando, Your post at #80.

I have to point out the nature of this sword which has nothing to do with Sri Lankan weapons ...

Boa tarde Senhor Balooshi,
Either my alzheimer level is rather intense or this issue has already been approached and, a consensual perspective was established, for i would not resurrect it unless i had some fresh news to produce. I am afraid that, if i tried to remodel old beaten material, just keep the present thead going, i would be, as we say here, raining on the wet. In the other thread where plausibitiy of writers description was at stake we assumed that often true sounding assumptions miss actual veracity, like the case of this specific sword examle, which was ascertained within the hour, if i well remember
So .. let me keep consistent .

[Ibrahiim al Balooshi]

Salaams Fernando, Thank you very much for your reply. I am so pleased you agree that the offending weapon description has no place in this thread nor in others ... and that since it pollutes the story in several threads with its spurious reference to weapons of West Africa; Benin and Dahomey regions in particular having certainly travelled to the Indian Ocean in Portuguese Battleships...etc etc ..therefor they must be influenced by Kastane (Sinhalese Armoury weapons) that those pages too should be purged of such material. It is nonsense.

I repeat your advice ...Quote"For as much as authors claim their knowledge and state their opinions as if they were facts, lack of substantial evidence often forms their strong adversary".Unquote.

On the subject of raining in the wet... What new evidence have you supported in this thread ? We have here and in the sister thread at http://www.vikingsword.com/vb/showth...000#post220000 massive support of clear inter regional influence from mainly South India but also inter religious mirroring of architecture concerning the Kastane linked to Budhist and Hindu designs which are not affected by Portuguese constructs nor does it appear to have any link at all with the Nimcha... and by the way the other spurious sword from your author, a Nimcha Sword from Zanzibar, I recall is also wrongly written up with the detail of a Moroccan Nimcha... Should we perhaps not be more careful with our referencing material?

I would be pleased to see a proof regarding the Christian Cross in the blade as so far as is understood this is a Voodoo geometry although any light you can throw on it other than the author writing that this is a Christian Cross related to those on Pharaohic Tombs?

Regards,
Ibrahiim al Balooshi.