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Old 2nd November 2013, 07:57 PM   #1
Battara
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Thank you so much folks. Your support after what happened to me this summer moves me. I thank you all.

Kino, that is a good question. I too think it is talismanic, but the meaning escapes me.

Spunger, I agree that the same craftsman who did this kris did Datu Piang's too. Another reason I am excited about this piece and the connection to Piang.

Just to be clear, the gold band that you circled is in fact both solid, chased, and filigreed - all the above. Also the section circled is also made of 2 parts, both solid. The large section of yellow gold is cast and chased, welded to the swassa. The other part is a band of yellow gold that is cast, chased, and filigreed, not welded but held in place with by wrapped silver wire.

Now as far as the sarimanok is concerned, I will study this further.
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Old 3rd November 2013, 02:44 PM   #2
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now moving on to the part i mentioned yesterday. clearly we're talking two different things. first of all you mentioned that you have not seen this type of kris before, hence me posting those pictures just above this post to show a handle that is similar type. now granted the example for comparison i've given is not gold, filigreed, chased, solid etc. but rather it's made out of ivory, but the point is, the overall design is similar: blunt front and blunt back

Quote:
Originally Posted by Battara

Just to be clear, the gold band that you circled is in fact both solid, chased, and filigreed - all the above. Also the section circled is also made of 2 parts, both solid. The large section of yellow gold is cast and chased, welded to the swassa. The other part is a band of yellow gold that is cast, chased, and filigreed, not welded but held in place with by wrapped silver wire.

Now as far as the sarimanok is concerned, I will study this further.
now, going back to the part i encircled yesterday...
i can clearly see how your piece is made out of, jose. it's excellently ornated, but that's not what i'm saying. what i've done on the pictures provided is draw a line around the part i'm trying to describe. notice on both ivory pieces, the wing-like appendage is solid, not stylized. on your piece it's rather stylized, in ukkil fashion i might add, to the point they're feather like.

your piece solved the mystery of Datu Piang's kris, my friend. i've always wondered what's up with all those lines and wiggles. now we know it's a very blinged out pommel!!!
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Old 3rd November 2013, 03:11 PM   #3
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Spunjer,

Interesting comments all around. I think normally we look at blunted ivory pommels as potentially damaged. Perhaps we should be more careful in our examination.

Had I seen the one with a silver sleeve with no further explanation, I would instantly have assumed the hilt was more Malay than from the Philippines. That silver sleeve looks Malay through and though to me. Of course the blade would have to have something to do with it and it appears to have a Moro style cloth tassel. Is the okir work there exclusively Moro?
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Old 3rd November 2013, 04:04 PM   #4
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Quote:
Originally Posted by CharlesS
Spunjer,


Had I seen the one with a silver sleeve with no further explanation, I would instantly have assumed the hilt was more Malay than from the Philippines. That silver sleeve looks Malay through and though to me. Of course the blade would have to have something to do with it and it appears to have a Moro style cloth tassel. Is the okir work there exclusively Moro?
charles, the kris in question is moro. here's a link to a full body shot:
http://www.vikingsword.com/vb/showth...miniature+kris
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Old 3rd November 2013, 05:24 PM   #5
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Quote:
Originally Posted by Spunjer
charles, the kris in question is moro. here's a link to a full body shot:
http://www.vikingsword.com/vb/showth...miniature+kris

No doubt Spunjer, it's definitely Moro. Once I saw the whole thing I remember we have looked at that one together.

Sorry to have temporarily strayed from the initial thread topic.
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Old 3rd November 2013, 07:23 PM   #6
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Thanks Spunger, now I understand to what you are referring.

Also like you I finally understand the decor on Datu Piang's kris.

On the sarimanok, I finally see how you are seeing it last night.





Maurice, although they are 2 different sets of cultures, they are cousins and may share similar symbolic traits.
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Old 3rd November 2013, 10:36 PM   #7
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Not as ornate as yours but here's another style.
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Old 4th November 2013, 11:43 AM   #8
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Quote:
Originally Posted by Battara
Thanks Spunger, now I understand to what you are referring.

Also like you I finally understand the decor on Datu Piang's kris.

On the sarimanok, I finally see how you are seeing it last night.




no, thank YOU, for posting this wonderful kris jose. it really help us solved the mystery of Datu Piang's kris. it's just too cool that you got the twin piece. can't wait to see this in real life, bro! not to mention how this particular piece really strengthened the sarimanok connection
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Old 3rd November 2013, 11:20 PM   #9
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and another.
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Old 5th November 2013, 12:57 AM   #10
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photos for comparison. Piang's top ring spacing between those ukil is a bit shorter and missing a few details compare to Jose's.

If I am not mistaken, your kris has an internal asang-asang stirrup which was probably coiled in the tang of your kris? Datu Piang has an external clamp stirrup, you can clearly see the stirrup's ins and outs from those handle rings.
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Old 7th November 2013, 02:06 AM   #11
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Unbelievable piece!!!
Selos.
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Old 7th November 2013, 04:47 AM   #12
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Robert, thank you for the type of comparison you made in pictures. It helps - yes uncanny similarity.

Dimasalang, I understand......
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Old 7th November 2013, 05:12 AM   #13
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some more photoshopping...
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