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#1 | |
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Location: Buraimi Oman, on the border with the UAE
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Salaams Fernando~ Very interesting. Thank you for your clarification on the stick word Castão which I thought just meant "stick" Now with that information it certainly poses the question was the original word from that and not Castas? What we do know is that the Portuguese word Castas was the word applied to the Indian Caste system and that was the line up I applied etc etc... however, looking for the word root is as you well know a hazard worth avoiding...What is important is the fact that no evidence appears pre Portuguese involvement in Sri Lanka of the Kastane. Your second point about Islamic and Buddhist mixed style of hilt is equally evasive of a straight answer since an equally styled type of sword coming down from the Indian style line could also be responsible for the essence of the decorative layout... take for example the Tulvar with quillons and knuckleguard...A clever designer using the Buddhist style could come up with a Kastane design from that...Equally a re-hash of the Zanzibari Nimcha with Buddhist decorated hilt would produce a Kastane just as easily. However, that is not the point. Focus is upon the Portuguese/Sri Lankan form and the time of the Portuguese. It was they who named the weapon and since no Kastane is evidenced prior to their arrival logic points to their involvement and because of the Buddhist influence the inclusion of the Buddhist Iconic hilt is a clear indicator of Sri Lankan cooperation. Naturally there is another supposition that the Sri Lankans designed it with no cooperation with anyone but coincidentally at the same time as the arrival of the Portuguese... and that the word Kastane is in fact a Sri Lankan word or concoction that we have no evidence of... lost in time...or that once it was produced it suddenly adopted a Portuguese name. Hardly a researchable topic. Eyesight also tells us that the hilt and scabbard design are Sri Lankan although the timeline indicates cooperation in weapons design with the Portuguese since they were also making guns together.. Of course you may be quite right about the "Quillon" situation being perhaps totally nothing to do with the Ginetta. In fact, my previous thoughts were that they weren't quillons but simply a reflection of the deities on the Vajra item, therefor, I don't disagree but it alters not my hypothesis neither does the too-and-fro with the "whats in a word conundrum" ~ though it is interesting. Regards, Ibrahiim al Balooshi. ![]() Note~ Reproduced here is my carefully worded Hypothesis for perusal. "The Kastane, named so by the Portuguese, was introduced designed and built with Portuguese collaboration in Royal workshops in Sri Lanka in the late 1500/early1600s... and variously afterwards for many centuries. The Portuguese part of the design may have introduced the basic hilt shape and *cutlass fashion popular in Portuguese/Spanish Jinetta forms whilst the main theme came from the Sri Lankan design taken from Buddhist structures in history encompassing Makara, supporting Deities and Buddhist ritual-item related Quillons" (as at #115). *I will stick with that for now and add that the reason for the inclusion of the words cutlass fashion is to net in the similar curved short Nimcha style (and assuming a cutlass action of a short ships sword). Last edited by Ibrahiim al Balooshi; 12th December 2012 at 04:43 PM. |
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#2 |
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Location: Sri Lanka
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Been pursuing a more sound foundation for the origin of the name Kasthana based on a term used in old Sinhala; that may provide a far more solid basis than any that had been pursued so far and rule out Portuguese origins to the word.
The term “Asthana” has been documented used on many occasions during the 16th and 17th century texts as a “suffix” to refer to princes. (Example: Princes of King Vimaladharmasuriya I- Rajasuriya Asthana, Udumale Asthana, Kumarasinghe Asthana and Vijayapala Asthana in addition it is also used with Dharmapala Asthana, Dev-Rajasinghe Asthana and Jayaweera Asthana etc.) There are two Sinhala weapons with the suffix “Asthana” -the Kasthana and the Patisthana; both of these weapons differ from the mainstream arms in the prolific ornamentation that accompany them. While the Kasthana was a weapon of honor presented and used by chiefs and warriors who excelled in battle, the Patisthana was a spear used primarily as a palace guard arm. The records indicate presentations of both as honorifics to individuals by the King. In Sinhala a sword is referred to as a Asi, Asipath, Kaduwa, Kagga or Kaga. hence a “Princely sword” could become a “Kaga-Asthana” > “Ka-asthana” > “Kasthana”, equally spears known as Ati or Pati could become a “Princely spear” by terming “Pati-Asthana” > “Patisthana” Accordingly I think it is very likely that the Kasthana was so termed with the meaning of “Prince of Swords” or “Royal Sword” This will confirm the origin of the Kasthana as a purely Sinhala arm and with a far more solid basis for the origin of the name than any that had been discussed previously. and also provide a strong counter to any Portuguese origin claims. Attaching an image in celebration- A Kandyan chief with a Kasthana Sword |
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#3 | |
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Your painting is recent and not taken from an historic reference dating before the Portuguese involvement.. Am I correct in assuming this? Without wishing to get into a discussion long and difficult (impossible) about "whats in a word" I would caution that there is little evidence either way. I cannot see much of a tie up with your word association except that it is interesting. Where I suggest a potential area of research which you may be better placed to identify is in the Martial Arts pre Portuguese weaponry style of swords used. The fact is that we are unable to identify an early enough Kastane (Kasthane) which would prove beyond doubt its earlier position. The 16/17th century is too late....because; In 1505 Don Lourenço de Almeida, son of the Portuguese viceroy in India, was sailing off the southwestern coast of Sri Lanka looking for Moorish ships to attack when stormy weather forced his fleet to dock at Galle. The rest as we say is history. ![]() Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 17th December 2012 at 03:40 PM. |
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#4 |
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Location: Mother North
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Prasanna, I just have to give you my compliments for the Kandyan chief! One of the best faces you've done IMO and those eyes are just so intense that he almost scares me through the screen.
![]() ...btw. if Sinhala chicks are as hot today as they are in your paintings, I hope to get an invitation from you sometime. ![]() Sorry to interrupt guys, I'll go back to my seat now and keep learning. Please keep the discussion going! All the best, - Thor |
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#5 | |
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Thank you for the hard work and insight on the linguistic angles. Regards, Ibrahiim al Balooshi. |
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#6 |
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Location: Sri Lanka
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Thanks Thor for Complement, About the girls; sadly they don’t dress the same way now…
![]() Balooshi, I have run the concept of Kasthana origin being the word Asthana with a few Sri Lankan historians and linguists and there is agreement to the high probability of the root of the word. The design origin of Kasthana is also indigenous; and very likely pre-dated Portuguese arrival; though some elements of the Kasthana in its final form may have had possible Portuguese influence. I am still working on this- need more work… ![]() |
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#7 | |
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My earlier suggestion of the link in Martial Arts weaponry may be another source. Regards, Ibrahiim al Balooshi. |
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#8 |
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Salaams all ~ Note to Forum...
This thread was very interesting and a huge amount of detail was logged for Forum library ~ Meanwhile, it stalled as threads so often do with the promise that we would get back to it soon... I have seen various Kastane and some extremely nice items though with written detail tending to muddle the two terminologies of Lion Hilt with Makara. Auction houses in particular are reluctant to come down on one side of the fence as they percieve that potential clients could be put off with one of the descriptions so they put both ![]() I hope that by resurecting this thread we can get a little closer to the truth. Regards, Ibrahiim al Balooshi. |
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