Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > European Armoury
FAQ Calendar Today's Posts Search

Reply
 
Thread Tools Search this Thread Display Modes
Old 26th November 2012, 02:34 PM   #1
cornelistromp
Member
 
cornelistromp's Avatar
 
Join Date: Mar 2009
Posts: 1,060
Default

in addition of post# 8, an image of Federico Visconti after a painting by Bernardino Baldi, Rijksmuseum Amsterdam.(RM#82048)

the arms of the Visconti in combination with the cross.

best,
Attached Images
  
cornelistromp is offline   Reply With Quote
Old 26th November 2012, 03:36 PM   #2
dana_w
Member
 
dana_w's Avatar
 
Join Date: Nov 2012
Location: Southeast Florida, USA
Posts: 436
Default

Thank you for the images cornelistromp.
dana_w is offline   Reply With Quote
Old 23rd December 2012, 08:04 AM   #3
Matt Easton
Member
 
Matt Easton's Avatar
 
Join Date: Mar 2007
Location: Surrey, Great Britain.
Posts: 53
Default

A very interesting sword. At first sight I also thought it was a later processional weapon, but I think that given the balance of evidence and some of the details of the design, it may very well be an honest 17thC weapon. Perhaps with a later replacement grip (this is not uncommon - most 17th century weapons in museums have replacement grips!).

I have to throw in a bit of correction as to people's views of these weapons - these were guards' weapons at this time and in fact the use of the greatsword was still very widespread in Italian, Spanish and Portugese fencing schools right up until the end of the 17th century - the 'spadone' (Italian greatsword) is covered by Alfieri's teachings in the 1640's for example, and various 'montante' (Spanish greatsword) texts have come to light in recent years. The Iberian treatises make it very clear that the primary purpose of these swords was so that one guard could defend a bridge, street or doorway from a number of opponents, presumably whilst support was called or his prince made a speedy exit! Whilst they were apparently opposed to pikes on the battlefield in some cases, this does not seem to have been their primary purpose.

The next point I want to make is about the projecting spikes on the ricasso - these were NOT primarily to allow halfswording. You can halfsword with any sword and it is shown in numerous earlier treatises dealing with longswords, messers and even rapiers. What these projections were for was to give added protection to the hands when binding against an opponent's blade - the extra length and force of two-handed sword blades puts the hands at terrible risk (Henry VIII's officials noted that no gauntlets could properly protect from them) and so these projections are forged on the blade to help prevent the opponent's blade sliding down and taking a chunk out of your hand. There are many examples of greatswords with these projections near the hilt, not least those swords shown in Marozzo's treatise of 1536:



Anyway, I hope this is helpful and thanks for sharing the photos of that sword. It's a very interesting piece.
Matt Easton is offline   Reply With Quote
Old 23rd December 2012, 11:51 AM   #4
fernando
(deceased)
 
fernando's Avatar
 
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
Default

Thank you so much for the corrections, Matt.
My experience of reading about 'montantes', a term also used by Portuguese, comes from reading chronicles of the discoveries period, where this type of sword was used in Asia to clear the path in battle, handled by well trained nobility who mainly fought in front of their horde.
I have tried to give my mentioning ... a bit like the half sword styling, if i may say so. a figurative sense ... but i see that it was an unfortunate approach. On the other hand, i was perfectly convinced that the spikes were to propect the user's hand when (?) holding the sword by the ricasso. I stand corrected; will have to adjust my perspective on this one.
fernando is offline   Reply With Quote
Old 23rd December 2012, 12:14 PM   #5
Matt Easton
Member
 
Matt Easton's Avatar
 
Join Date: Mar 2007
Location: Surrey, Great Britain.
Posts: 53
Default

Thanks Fernando - I should add that in fact Marozzo does show halfswording with the ricasso being gripped (so it was done), but I think that this was not the primary purpose of these projections, because they seem to have developed from the flarred ricasso found on 15th century fencing longswords and in quite a lot of 16th-17th century examples it is not really practical to hold the ricasso because of the guard rings being in the way (or the spikes being too close to the hilt, as here).
Regards,
Matt
Matt Easton is offline   Reply With Quote
Old 23rd December 2012, 04:06 PM   #6
dana_w
Member
 
dana_w's Avatar
 
Join Date: Nov 2012
Location: Southeast Florida, USA
Posts: 436
Default

Hi Matt,

Thanks for joining the discussion, and for your well informed comments.

I read an essay that you wrote on the Rondel Dagger earlier this year. It was very helpful.

Dana
dana_w is offline   Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 01:11 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2025, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.