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[QUOTE=fernando]
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Salaams fernando ~ Thank you for your informed and well placed post on the idiosyncracies of this weapon which has for so long been shrouded in mystique but now with forum research now has a beam of light focussed upon it as never before. Your main point, however, is puzzling since unless we discover who and what the influence was upon the hilt how can we unravel the sliding, slithering misinformation that appears to surround this conundrum?...Trying to be objective and to observe the clearly obvious historical evidence is surely the essence of this forum... unless we simply bow down to the "balloney" that has been promulgated for the last few centuries. Not only is there confusion caused by the origins of the Hilt... and presumably the blade, but clouded by 3 loads of invaders and a serious period of belly dancer polluted weapons probably cast elsewhere (though I have no evidence of the casting locations yet) and though this is an obvious sideshow (no pun intended) the belly dancing issue did occur. The ensuing poor quality of such dancing implements cannot have helped. Perhaps I have shoved in front of people too much detail... but since there was almost none before that must be a good thing... My main questions are narrowed on the question of Portuguese design influence versus purebred Sri Lankan origin: the latter which I suspect to be true. On the other hand as you point to a possible Portuguese hilt influence that can be viewed and weighed up. The timeline has to be observed ... That is where historical records need looking at and as has been shown by Prasanna Weerakkody there is vital documentary within the regions Poetry~ Neither are directly concerned with swords but nor can we ignore what could be important information. I further urge that it is for the very reason the failure to understand the Kastane is becaause of its face value only... whilst the real proper research has fallen by the wayside. I have shown good cause for the Makara arguement (discussion) and for a ballpark timeline for the Kastane. I have also illustrated the historical though splintered Kingdoms under whose auspices expert craft-workshops operated and who would have been very capable makers of the Kastane. The evidence of the Popham and the Japan delegation present in the Sendai museum has been taken into account. I cannot see where I may have missed the importance of the sword and having also placed several photographs ....? Here is an extract made compact enough so people can readily observe the details ...of the Portuguese build up which is important to understand because they didn't suddenly seize partial control all at once in the early 17th C. Moreover this window into the important history shows the Moorish element and gives a flavour of the moment when it was all happening.. "Quote" At the onset of the European period in Sri Lanka in the sixteenth century, there were three native centers of political power: the two Sinhalese kingdoms of Kotte and Kandy and the Tamil kingdom at Jaffna. Kotte was the principal seat of Sinhalese power, and it claimed a largely imaginary overlordship not only over Kandy but also over the entire island. None of the three kingdoms, however, had the strength to assert itself over the other two and reunify the island. In 1505 Don Lourenço de Almeida, son of the Portuguese viceroy in India, was sailing off the southwestern coast of Sri Lanka looking for Moorish ships to attack when stormy weather forced his fleet to dock at Galle. Word of these strangers who "eat hunks of white stone and drink blood (presumably wine). . . and have guns with a noise louder than thunder. . ." spread quickly and reached King Parakramabahu VIII of Kotte (1484-1508), who offered gifts of cinnamon and elephants to the Portuguese to take back to their home port at Cochin on the Malabar Coast of southwestern India. The king also gave the Portuguese permission to build a residence in Colombo for trade purposes. Within a short time, however, Portuguese militaristic and monopolistic intentions became apparent. Their heavily fortified "trading post" at Colombo and open hostility toward the island's Muslim traders aroused Sinhalese suspicions. Following the decline of the Chola as a maritime power in the twelfth century, Muslim trading communities in South Asia claimed a major share of commerce in the Indian Ocean and developed extensive east-west, as well as Indo-Sri Lankan, commercial trade routes. As the Portuguese expanded into the region, this flourishing Muslim trade became an irresistible target for European interlopers. The sixteenth-century Roman Catholic Church was intolerant of Islam and encouraged the Portuguese to take over the profitable shipping trade monopolized by the Moors. In addition, the Portuguese would later have another strong motive for hostility toward the Moors because the latter played an important role in the Kandyan economy, one that enabled the kingdom successfully to resist the Portuguese. "Unquote" Regards, Ibrahiim al Balooshi. Last edited by fernando; 9th October 2012 at 08:18 PM. Reason: font correction |
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FERNANDO'S EXAMPLE DOES INDEED SHOW A DOLPHIN DESIGN WHICH WAS POPULAR IN ROME AND WAS PRESENT ON A CORNICE OF THE TEMPLE OF NEPTUNE IN ANCIENT ROME. THIS DOLPHIN WAS A POPULAR DESIGN IN ROME ESPECIALLY IN THE LATE 17 TO THE EARLY 18 TH. CENTURYS HERE IS A PICTURE OF A TABLE 18TH. CENTURY GEORGE 2 DOLPHIN SLAB TABLE.
NO DOUBT THERE WAS INFLUENCE FROM ANCIENT TIMES UP TO AND INCLUDING THE PRESENCE OF EUROPEAN NATIONS PERIOD OF INFLUENCE. FERNANDOS EXAMPLE IS LIKELY SUCH AN EXAMPLE FROM AROUND 17TH TO 18 CENTURY. THE ORIGINAL FORMS AND INFLUENCE WOULD HAVE LIKELY BEEN FROM HINDU AND BUDHIST INFLUENCE. CEYLON WAS A SEAFARING CIVILIZATION AND LIKELY ENCOUNTERED AND TRADED WITH ALL OTHER SEAFARING GROUPS IN THE REGION SO OTHER INFLUENCES MAY HAVE BEEN AT PLAY EARLY IN THE SWORDS EVOLUTION TO ITS PRESENT FORM. |
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#3 | |
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Regards, Ibrahiim al Balooshi. |
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[QUOTE=Ibrahiim al Balooshi]
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I truly admire your eloquence as well as your cultural luggage. But coming to the point of being objective and only caring about the object of our scope, i would point out that, either i am blocked or, a great part of your present letter was already presented in post #10... precisely a part that doesn't reveal any evidence or peripheral accounts of weapons evolution ![]() |
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#5 |
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As noted in Elgood ("Firearms of the Islamic World",1995) notes , when Ludevico di Vathema arrived in Ceylon in 1505, the year before d'Almeida, he notes the Sinhalese use of lances and swords. I am presuming that these swords were probably of the types used in Southern India in these and previous periods.
From Cordiner (1807, "Ceylon", p.115-16) "...the evolution of the decorative hilt of the curved scimitar like kastane is not without interest. From a weapon of utility the sword became a sign of rank and the heads of lions, serapendiyas and human figures increased in number. Originally the hilt consisted of a lions head, the knuckleguard and the two quillons terminating simply. " Also, "...a sword said to have belonged to Analepola Adigar with straight blade with low crested lionhead pommel"...is in Kandy Museum. In Deraniyagala (1942, p.113) "..the development of the ceremonial sword of rank soon unfitted it for fighting purposes as the elaborate crest to the lionheaded hilt comes into uncomfortable contact with the heel of the users had or wrist, while it is also significant that swords so ornamented generally appear too small for war, unlike the larger ones which have no crests. The latter swords also possess as many as four quillons. " Also noted, "...the mitta (=hilt) ...sinha munu mitta (=lion faced hilt). The quillons are noted as serapendiya. Cordiner (op.cit. p.97) states everyone in office wore a sword with hilt of silver as well as scabbard of silver and the design and workmanship indicated rank of wearer. The lowest were of wood. With these notes I am thinking that perhaps the hilt indeed represented lionheads on the Sinhalese courtly swords, as these were regally symbolic. I cannot see any evidence to suggest that lionheads would have come from European influence as these are longstanding in the subcontinent from Rajputs and Sikhs (singh=lion) . Elgood ("Hindu Arms and Ritual", p.294) notes, ".....the Hindu court used iconographic lions earlier than 17th century as architectural evidence demonstrates". I am wondering if perhaps the lionhead kastane would be of course the Sinhalese sword well recognized, and the 'variant' head forms might indeed be makara and more associated with kavara as suggested. While there is an obvious separation between the Kandy kingdom and many of the other primarily coastal regions, as well as the colonial circumstances, it seems that such interpretations could be possible. It seems virtually all examples of kastane with VOC markings and dates are invariably 18th century, during thier reorganization efforts. As far as I know, there are no British EIC marked blades, and David Harding ("Small Arms of the East India Company") indicates no swords were so marked, only firearms and bayonets. |
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Ibrahim, Still am a bit puzzled by some of the Sri Lankan History you present. I have never heard of a Karawa kingdom in My country. Karawa as far as I know was only a “cast” of Sinhalese; I would say they were a minor portion of the population and particular to the coastal districts primarily on the Western and Southern Sea boards. Except for being part of the Karawa.org web site I am not too sure if all of it can be equally upheld as true. The information that caste Karawa influenced the Sinhalese design to such an extent is very new to me, Swords or otherwise.
Vandoo curiously my personal belief is that the original Makara was a Cetacean- Probably a Pilot whale or Sperm whale. incidentally Sri Lankan waters are also a global hot spot for Marine Mammals. (being a marine environmentalist on the side makes this very exciting to me) But delving on that is another long story entirely. The possibility of the name Kasthana being influenced by the Portuguese is real as it is a word that does not seem to have a direct meaning in Sinhala or have too many similar words to accompany it. Curiously the only other similar term that (comes to my mind) that may also shed a little light on this is the “Patisthana” spears; being of the same class as the Partisans. The similarity between the terms “Kasthana” or “Patisthana” seem obvious. The only difference being the presence of a much more ancient form of spear known in literature as the “patissa” which is most probably ancestor to the “Patisthana”. It is known that the Sinhala elite of the era was quite conversant with Portuguese and the use of the language had become wide spread and stylish as a secondary language in the Country. even today there is a rather large number of words of Portuguese origin amalgamated within the Sinhala language. |
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Great knowledge, Prasanna !
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. Last edited by fernando; 12th October 2012 at 07:12 PM. Reason: Partasana spell |
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#8 |
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What outstanding information Prasanna!!! Thank you for these clarifications with which some key adjustments can be made to some long standing questions concerning these weapons. Thank you for the information on the Portuguese root of the kastane term as well. I notice that your spelling is different than the popularly used 'kastane', with kasthane instead. As I am far from being a linguist, may I ask what is the proper way to pronounce the term?
Interesting note on the spear, and associations with the European polearms known as partisans which have multiple blade type features. Also, the term patissa is of course used in India to describe the spatulate pointed long swords typically mounted in traditional khanda form hilts. Again, these terms being cross utilized is quite interesting with the semantics and I would imagine transliteration instances at hand. |
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#9 | |
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Salaams Prasanna Weerakkody ~ Thank you for your post. (see notes below for the other variants in pronunciation and you will find Karawa listed.) For ease of look up I have placed the reference below. ( I make no apologies for hammering in the large quantity of detail so far but add that I have cautioned forumites that there is no need to plough through it all unless they want to of course ... but that it is there for reference. Please do read the notes below however for the 7 point plan goes some way to proving my theory. The Karava were a major fighting class at the time and it is easy to see that they may have some grievances if they are, as it is reported, been down graded to fishermen. What is very relevant as the story unfolded was who the Portuguese recruited to fight their battles for them. They co-opted the Karava dynasty; the fighting caste…which was split in half; allegiance being half for and half against the Portuguese invaders. Where we need to focus~ is on the time period before the Portuguese involvement in Sri Lanka i.e. before 1505 ( i.e. when Don Lourenço de Almeida, son of the Portuguese viceroy in India, was sailing off the southwestern coast of Sri Lanka looking for Moorish ships to attack when stormy weather forced his fleet to dock at Galle.) ~ although the Portuguese made their big move in the late 1600s they had been very much involved and a closer look into that time frame could be revealing. My questions are~ Are there any Kastane (Kasthane) which predate the Portuguese involvement that we may get a picture of? How did the blades morph into short and medium sizes and why? Were they banned from being worn in public? Is there any influence from Moorish, Portuguese, or from other Nations on the design of the Kastane (Kasthane)? Is there a link between the words Casao and Kasthane? It seems obscure and we have seen such puzzles come to nought before ? Regards, Ibrahiim al Balooshi. Notes; 1.See this thread #14 photo 3, for A 19th century representation of the Karava Makara Flag. 2.The image of the mythical creature Makara is extensively used in ancient Sri Lankan royal architecture.See the water spout also at #14. 3.This flag is one of the main flags still used by the Karavas at their ceremonies. 4.The Mukkara Hatana, an ola leaf manuscript now in the British Museum states that King Parakramabahu IV granted it to the Karavas. 5.Parakrama Bahu IV, came to the throne in A.D. 1325/6. About 2 centuries before Portuguese involvement in the Indian Ocean. 6.Karava (pronounced Karaava) also Karawa, Karawe, Karave, Kaurava, Kshatriya, Khatriya, Kuru, Kuru Kula, Kurukulam, Kurukulum, Kurukulather or Kurukulathar is the traditional military (warrior / Kshatriya / royal ) race, of Sri Lanka. 7.The Karavas were one of the interconnected ruling dynasties of the Indian region. Royal succession in Sri Lanka passed on to Karava rulers during the Polonnaruwa period. Karava king Gajabahu was one of the greatest, and the Kandy Perehera and other annual pageants of Sri Lanka that end with the water cutting ceremony were initially pageants in honour of king Gajabahu's victories. The many kingdoms of Sri Lanka were thereafter ruled by Karava Kings and sub-kings until the last three kingdoms passed over from Karava royal families to Europeans; Kotte and Jaffna in the 16th century to the Portuguese and Kandy in the 19th century to the British. Last edited by Ibrahiim al Balooshi; 11th October 2012 at 06:16 PM. |
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#10 | |
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Do you recognize some, Prasanna ? abano, aia, alfinete, almoço, ama, armário, atalaia banco, baioneta, balde, bandeja, bastão, batata, bêbado, biscoito, bola, borra, botão, braçal, burro, caldeirão, calças, câmara, camisa, candelabro, capitão, carreta, casamento, chão, chinela, citação, contrato, copo, cozinha, cunha, curral, dado, dedal, diamante, doce, dona, escola, espírito, forro, garfo, gasto, gelosia, globo, janela, lança, lençol, lanterna, lenço, lestes, linguiça, lotaria, meia, mesa, mostra, numero, padre, pão, passaporte, pato, pedreiro, pena, pepino, palangana, picão, pintura, pipa, pistola, púcaro, renda, ripa, roda, rosa, saco, saia, sala, salada, sapato, sarampo, saúde (brinde), semana, sino, soldado, tacho, tenda, tinta, toalha, tombo' tranca. trigo, vidro, vinagre, etc. But i don't find in all these words the path for the term Kasthana. This is a tough riddle; i have just read that another specialist in Sinhalese languages, Reverend Charles Carter, pretends that the term is Portuguese ![]() Has he already been mentioned here ? http://archives.dailynews.lk/2012/06/28/fea02.asp |
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Whats in a word...? Kastane ~Katana
See http://www.lk.emb-japan.go.jp/eg/con...iodesNewE.html Whilst the Edo period in Japan heralded some interesting political visits to Sri Lanka it is with a broad brush that I apply some potential to this word puzzle... and I suspect that like other similar puzzles like Kattara, Qudderah, Katta etc etc this one may rest forever surrounded in the usual mists of time .. From http://en.wikipedia.org/wiki/Katana~ Quote" Etymology and loanwords. "Katana" is the term now used to describe nihontō that are 2 shaku (606 mm / 23.9 in) and longer, also known as "dai" or "daito" among Western sword enthusiasts although daito is a generic name for any long sword. Pronounced [katana], the kun'yomi (Japanese reading) of the kanji 刀, originally meaning dao (sword) or knife/saber in Chinese, the word has been adopted as a loanword by the Portuguese language. In Portuguese the designation (spelled catana) means "large knife" or machete. As Japanese does not have separate plural and singular forms, both "katanas" and "katana" are considered acceptable forms in English".Unquote. Whilst there are some links in the Buddhist nature Bothavista and a few similar letters in each alphabet Sri Lankan / Japanese and a similar word order... it is far from clear if there was any involvement in a word link though one website actually plainly points to the word Kastana as having evolved from the Japanese word Katana but without proof. see http://karava.org/other/mudaliyars at para 3 under Mudalyars...I therefor have the Japanese obtained Portuguese word as purely co-incidental. Last edited by Ibrahiim al Balooshi; 5th April 2014 at 07:11 PM. |
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See spear weilding soldier below who appears to be Javanese ...Quote."One of seven paintings by William Daniell, originally painted for Thomas Stamford Raffles, History of Java. Similar images are in the 1817 edition of the book". Unquote. see www.britishmuseum.org
They were also often used as mercenaries in Sri Lanka..Interestingly working for example for the Dutch then agreeing to work for the English when they assumed control... as did Swiss and French mercenaries. ![]() Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 13th April 2014 at 10:01 AM. |
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#13 | |
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Salaams Jim, I missed that post entirely ! Your references as always are excellent. I am at complete logaheads with the details for reasons outlined in my previous posts in that the very essence of the Kastane is its Makara hilt.. The authors are wrong in my opinion and have been spun a line or have reached the wrong conclusions. To anyone who thinks I can describe that in less shocking terms believe me I have tried but words fail me... The hilt of the Kastane is from the ancient Makara head not the lion. Further more the modern flag illustrates an English Heraldic Lion not a lion from India or Sri Lanka where the only lion architecture are fitted around urinals. Makara on the other hand adorn all sorts of traditional artifacts including the door archways of temples, battle flags, axe weapons, and water spouts and of course Kastane hilts. The Makara, in Sri Lanka is an ancient historical mythical figure ~ the Lion is not. The written word is the most difficult to correct ... Authors of the past are difficult or impossible to correct~ I believe they are completely wrong about this description but frankly as it effects the questions we have does it matter...I wish it didn't but I'm afraid it does. Trying to get into the time frame of 15/16th century Sri Lanka and to view the construct of a sword hilt which is part of the psche of the Sri Lankans is important... to see if this was a Sri Lankan or invader design or both, when the question hangs over the proceedings; Is it a Lion or Makara hilt? Perhaps the solution is to look at both possibilities ~ maybe the result will be similar? I knew this would run into a brick wall as the idiosyncracies of caste in Sri Lanka have forced the issue and facts have been played with and history has been rewritten but we ought to continue unabated...without emotion and get to the truth. The Makara,for me, is the inspiration behind the Kastane hilt and we are back to the question of when did it appear and who designed it? Regards, Ibrahiim al Balooshi. |
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Hi Ibrahiim.
Thank you for the kind words. It is great to continue working on the history of these fascinating hilts, which have always been held to represent the sinha or lion on the pommel, while the other zoomorphics on quillon and knuckleguard terminals typically are makara. I have always thought that this was because these other creatures, makara in particular, were effectively subordinate in the pantheons and dieties theologically and mythologically. With this being the case, I think the lion had been regally held in Sinhala from early times, and with the early invaders from the subcontinent. Visually, as we know from the constant efforts of ethnologists and archaeologists and all students of worldwide cultures, it is often difficult to identify some of the extremely stylized and interpreted zoological and mythological creatures in material culture. There are of course many examples, but here we focus on most of these pommels, which have a curiously represented ruff around the neck, and while somewhat water creature looking, still I think are lions. The early examples may reveal more once we find examples or more data, but for now I still think lion for the most part. I still wonder if variants could have makara though. All the best, Jim |
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Fernando- thanks for the Portuguese term for Patisthana =Partisana the similarity is striking it is practically the same word. also the use of the term “Lansa” in Sinhala texts for Lance/s establishes the trend well. The spears are never called Lansa in times before the Portuguese; so this is also attributed to the Portuguese. This would provide a strong context to having a Portuguese influence in the name Kasthana; though The origin and design of the sword need to be established outside of the source of its name. I am trying to find references to another term as there was a prince named “Asthana” a similar term. will update on this as it may modify our understanding of the word in question.
Jim- The design of the original “patissa” weapon is not well known except in text references and it is described as a Spear and sometimes as a throwing weapon. Its relation to the Indian “patissa” need to be established. In Sinhala pronunciation the “h” has emphasis hence my spelling it as Kasthana. (Kas-Tha-na). Ibrahiim- Your points on use of Lion, Makara, figures of Palaces and Royal doorways in urinal stones is out of context. These urinal stones were used by the Buddhist priest hood with the idea that the worldly acquisitions, riches and are considered as worthless and ephemeral in the path to achieving Enlightenment. It does not reduce its value in a mundane context. I tend to think that most of your sources originate from the website Karawa.org It is not a reliable source of reference and I hope you would use other sources. And please stop making hasty and unfounded (and erroneous ) remarks and judgments on the Sri Lankan culture and people. Just read the “Mukkara hatana” (The Battle with the Mukkara people- essentially a minor “Hatan Kavya” text circa 1412 -1640AD.) and all your answers are there. It in essence speaks of the Sinhala King Parakramabahu VI summoning of the Karawa Mercenaries from South India to aid in the wars with the Mukkaru enemies in the Puttalam area. An army of 7740 soldiers arrive with 41 officers and service men, the manuscript goes on to describing the war, the provision of gifts including the flags and settlement of the Mercenaries in the coastal districts between Puttalam and Negombo a stretch of coastline North of Colombo. the Arrival of Portuguese, the joining of the Karawa with the Portuguese as Lascarins, the eventual defection of Karawa as they are impressed by the Bravery of the Sinhala King Raja Singhe I and the assistance provided to the King in facilitating the landing of Dutch forces against the Portuguese. All the names of the Karawa leaders who are supposed to have arrived are South Indian and NOT Sinhala including the names marked on the Swords presented by the King. Beyond this the vague assumptions of the link to Kuru (directly in Sri Lanka) or Kshathriya is difficult to sustain in the least. The Primary fighting men in the Sinhala Kingdom came from the Govigama and its precedent castes as they were the larger population as well as being less likely to be converted and support the enemy. But saying that the Caste system or values are far less strict or prejudicial in the Buddhist Sinhala context than the Hindu system. Makara is a common and ancient motif in Sinhala art- and despite being present in the Karawa Banner its use and significance is far wider than that and is in no way restricted to Karawa. All I hope to establish is that 1. Karawa was not of sufficient prominence in the armies of the period to influence the design of the Kasthana which was far widely used. 2. The Use of Makara as a symbol is not limited to Karawa. hence the Karawa clan argument does not arise in the search for Kasthana origin. Also look at my earlier post for evidence from still living traditions of fighting arts who describe the Kasthana hilt as a Lion head. Though I have shared this elsewhere in the forum I shall also include a Kasthana Sword gifted to a chief of the Mukkara clan by King Keerthi Sri Rajasinghe at a place close to Puttalam. This was also presented with three flags of honor: Hanuman Flag, Peacock Flag and the Lion Flag. (Similar to the Karawa being presented with the Ravana Flag, Ira handa (Sun and Moon) Flag[which incidentally is the Hathara Korale Flag-not clear what its relevance is to Karawa] and the Makara Flag. as said in the Mukkara hatana). Karawa was not special in receiving similar honors. As far as I know there were no restrictions in carrying arms in public till time of British repression of Sinhalese in the 19th century. ![]() |
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#16 |
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Sorry missed the attachments...
Flags and Kasthana presented to the Mukkara clan |
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#17 | |
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Salaams Prasanna Weerakkody Thank you for posting the information which throws more light on the history of Sri Lanka especially the detail of the name "asthana" Your last point is interesting since I believe their was a restriction on carrying arms. Nontheless your points are well received though regarding Quote "And please stop making hasty and unfounded (and erroneous ) remarks and judgments on the Sri Lankan culture and people'. Unquote I will make every effort to report the facts which you may or may not agree with but still ...report them I will. This is a free speaking forum. Naturally as always I shall be the first to identify if I have made a mistake for which to date I can safely say I have not. Here are the twenty reasons which to me indicate that the Makara design was adopted as the Hilt style and since the Makara is also illustrated by all the Kastane Hilts seen so far on this thread and disgorging deities...which lions don't do~ 1. Typically Makara are displayed disgorging other beasts (usually Nagas) e.g. On corner of a lintel on one of the towers surrounding the central pyramid at Bakong, Roluos, Cambodia. 2. Its symbolic representation in the form of a Makara head at the corner of temple roofs is as water element which also functions as a "rainwater spout or gargoyle". It is also seen as water spouts at the source of a springs. The artistic carving in stone is in the form of identical pair of Makaras flanked by two nagas (snake gods) along with a crown of Garuda, which is called the Kirthimukha face. 3. Such depictions are also seen at the entrance of wooden doorways as the top arch and also as a Torana behind Buddha’s images. 4. The Newa art of Nepal uses this depiction extensively. In Newar architecture, its depiction is; "as guardian of gateways, the Makara image appears on the curved prongs of the vast crossed-vajra that encompasses the four gateways of the two-dimensional mandala. Of the three dimensional-mandala this crossed-vajra supports the whole structure of the mandala palace symbolizing the immovable stability of the vajra-ground on which it stands." 5. Makaras are also a characteristic motif of the religious Khmer architecture of the Angkor region of Cambodia which was the capital of the Khmer Empire. 6.They are usually part of the decorative carving on a lintel, tympanum, or wall. 7. Makaras are usually depicted with another symbolic animals, such as a lion, naga or serpent, emerging from its gaping open mouth. 8. Makara are a central design motif in the beautiful lintels of the Roluos group of temples: Preah Ko, Bakong, and Lolei. 9. At Banteay Srei, carvings of Makaras disgorging other monsters were installed on many of the buildings' corners. 10. Makara is seen disgorging a lion-like creature on corner of a lintel on one of the towers) surrounding the central pyramid at Bakong, Roluos, Cambodia. 11. Its symbolic representation in the form of a Makara head at the corner of temple roofs is as water element which also functions as a "rainwater spout or gargoyle". It is also seen as water spouts at the source of a spring. The artistic carving in stone is in the form of identical pair of Makaras flanked by two Nagas (snake gods) along with a crown of Garuda, which is called the kirthimukha face. 12. Such depictions are also seen at the entrance of wooden doorways as the top arch and also as a Torana behind Buddha’s images. 13. Makara (Sanskrit: मकर) is a sea-creature in Hindu mythology. It is generally depicted as half terrestrial animal (in the frontal part in animal forms of elephant or crocodile or stag, or deer) and in hind part as aquatic animal, in the tail part, as a fish tail or also as seal. Sometimes, even a peacock tail is depicted. 14. It is the Vahana (vehicle) of the Ganga - the goddess of river Ganges (Ganga) and the sea god Varuna. 15.It is also the insignia of the love god Kamadeva. Kamadeva is also known as Makaradhvaja (on whose flag a Makara is depicted) . 16.The Makara is the astrological sign of Capricorn, one of the twelve symbols of the Zodiac. 17. It is often portrayed protecting entryways to Hindu and Buddhist temples. 18. It is symbolized in ornaments are also in popular use as wedding gifts for bridal decoration. 19.The Hindu Preserver-god Vishnu is also shown wearing makara-shaped earrings called Makarakundalas. 20.The Sun God Surya and the Mother Goddess Chandi are also sometimes described as being adorned with Makarakundalas. Finally I offer the fact that Makara were used to decorate other weapons including the two spiked axe in an earlier post. In conclusion since the Kastane Hilt is almost always shown as a mythical monster disgorging other deities onto the hilt, knuckleguard and guard/quillon forms I offer the following " The Kastane hilt is steeped in history and takes its obvious monster format from the mythical Makara beast/ Deity of Sri Lankan ancient history, tradition and culture mirroring architectural and other examples outlined from 1 to 20 above." Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 13th October 2012 at 02:55 PM. |
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