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Old 27th May 2012, 09:21 AM   #1
tunggulametung
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Default wong Jawa wis ilang jawane

The title means Javanese who has lost his Javanese identity. These days, perhaps less than 10% of the household own a keris but 90% plus own one or more mobile phone (you can get an okay quality keris at the price of throw away phone). The reality is that life in Java has been more and more Westernized or Arabized-whatever that means.

To my knowledge, these days in Java (also true to Sumatra & Bali), keris worn by the bridegroom are mostly rented/supplied by the bridal shop as part of the attire/make up package. So it really depends on the bridal shop, some provide better keris than the other-true there are many bridal shops who supplied KLO just like what Alan said, but no cardboard to my knowledge (what year is that Alan?), mostly just simple thin metal. Even if someone own a keris, it is not always the one he worn at the wedding ceremony. Not to mention that in Java there are less and less traditional wedding ceremony being replaced with somewhat more Islamic attire where keris is no longer present (these are often more affordable as far as the budget goes). Same to the wedding entertainment where traditional shows like wayang which had been widely replaced by more modern entertainment like orgen tunggal or dangdut (often with DJ!).

I completely agree with Alan regarding the buyer of better quality keris which mostly are collectors but I have different observation regarding pusaka concept which is in general nearly no longer existent in Java, but the concept of family keris as pusaka is alive in Bali especially in the extended family level (not every household own a keris).

Attached is a wedding photo of RI president's son not so long ago (Java-Palembang intermarriage). He obviously came from a family who should be able to afford the best available keris in the market but it looks like a KLO to me (I hope I'm wrong). There's another notable three days wedding ceremony last year (Hamengkubuwono's daughter, Lampung-Java intermarriage) which may represent the royal family or ningrat wedding where proper keris is usually being worn. It is interesting to note that in one of the ceremony where RI 1 present, all keris except Hamengkubuwono's and the bridegroom's are being tied down as part of the presidential protocol.
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Old 27th May 2012, 11:38 AM   #2
A. G. Maisey
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The year of the cardboard keris would have been somewhere in the early 1990's, place was outside Karangpandan Jawa Tengah.

The community I live in when I'm in Jawa is a semi-rural perumnas outside Palur. Still plenty of traditional weddings there, that keep everybody within earshot awake for a week. But as with trad weddings in the western world, modern entertainment has to a large extent replaced the entertainment that amused our grandparents. We don't see Viennese waltz at modern western weddings too often these days, and we don't see a lot of wayang at Jawa weddings.

Any culture must change if it is to stay alive.

Its true that not a lot of people in Jawa own keris any longer, its also true that superficial appearances have changed. You don't see nearly as many people in traditional dress any longer --- men hardly ever except for formal occasions, and women usually only older generation on a day to day basis. But the people still hold the same values as their parents and grandparents, and still behave in the same way. Only the superficialities have changed.

In respect of the pusaka concept. It is a simple fact of life that not all people in any community will subscribe to tradition.

Another fact of life is that not everybody can afford to subscribe to tradition.

When we come to the pusaka concept, we are at the most traditional level really only talking about the elites in society. It is something that is not relevant to people at the lower end of the social scale.

That some of the people to whom the concept can apply should wish to continue the tradition is to me, evidence that traditional culture in Jawa is not dead, only the outward appearances have changed.

Weddings can cost one hell of a lot of money. I know of weddings involving my own relatives that went on for a week and involved over 6000 guests. For one of these weddings they hired a major hotel in Surabaya --- I think it was Surabaya Hilton --- to accommodate the guests. And that was only one of the weddings. Then they had another one in Sydney for all the people in Oz who were unable to attend in Surabaya. This girl's sister was not to outdone. For her they booked all available accommodation in Selecta.

At the other end of the scale there was the son of my housekeeper:- registry office, two days in Tawamanggu, and back to work on Monday.

People act in accordance with their means. If a lot of people prefer to own a mobile phone rather than a keris, its because a mobile phone is more relevant in today's society. But this does not change the fact that they are still Javanese, and still behave like Javanese.

Last edited by A. G. Maisey; 27th May 2012 at 11:56 AM.
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Old 27th May 2012, 05:57 PM   #3
tunggulametung
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Very true, that someone can act in accordance with their means and I'm agree that culture is a dynamic entity (but to what extent before we can't recognize it anymore?) In a society when you get frowned because you own a keris and get frowned by not having a cell phone? What next, should in another decade or two we see a smart phone representing a bridegroom when he cannot attend the wedding? Okay maybe it's not going to happen or that I'm a bit too far with my analogy, but believe me that keris culture in the society is not as alive as it look on the superficial level, I'm sorry, I really hope that I'm wrong.

Anyway, good keris (old or new)? I believe that everybody here who has been long enough collecting/studying keris knows what good keris are, maybe we can't put it in words, we don't have to, but there's something beyond words that exist, good keris. Lastly as a keris enthusiast I do hope to see more good taste keris kamardikan in the future, be it inspired by the classic or contemporary formulated.
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Old 27th May 2012, 11:58 PM   #4
A. G. Maisey
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Tunggalametung, you very probably move in slightly different circles to the ones I move in. I have not at any time experienced any level of disapproval from the people I know in Jawa because of my involvement with keris. True, I'm not an Indonesian, but I am certainly sufficiently well established in my own areas of the society that I do get honest reactions from people, a courtesy that is very often not offered to a bule.

Sure, in much of Indonesia, not just Jawa, there is a movement towards a life style that varies from tradition, but this is not universally true.

As for "good keris". Well, on a personal basis every keris that a keris fancier buys is a good keris for that person, or he would not have bought it, but appraised on an objective basis, it may not be so. There have been a great many words spent on this subject, and I feel that there is still not a definitive answer.
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Old 29th May 2012, 11:55 PM   #5
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We've been talking a lot about quality, I thought it was about time we had a look at what I mean by quality.

This keris was made in Solo about 20 years ago. It is, I believe, the first keris made in modern times using meteoritic pamor
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Old 30th May 2012, 03:21 AM   #6
Battara
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What a beautiful and impressive piece, thanks Alan for posting this.
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Old 30th May 2012, 10:28 AM   #7
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Quote:
Originally Posted by A. G. Maisey
We've been talking a lot about quality, I thought it was about time we had a look at what I mean by quality.

This keris was made in Solo about 20 years ago. It is, I believe, the first keris made in modern times using meteoritic pamor
Hello Alan,
Excellent kris indeed, can you tell us who was the maker?
Regarding meteoritic iron, I assume that the materials is now imported from abroad and when did the use of local meteoritic pamor disappear? (I mean except in the kratons).
Unless the subject was already raised in another thread, how do you identify meteoritic pamor? Besides the look and touch feeling, some Indonesians claim that they can feel a sort of electric wave by passing the hand just above the blade, what do you think about it? I tried it with a match but am not sure about the results although I am an amateur dowser.....

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Old 30th May 2012, 11:12 AM   #8
A. G. Maisey
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Jean, I gave very careful consideration to the question of naming the maker, and I have decided that it is in the best interests of all that I do not. This man was for a while possibly the best pandai keris of conventional dhapur in the modern era, however, he has become somewhat disinterested in his work in recent years, and to avoid any annoyance to him, or backlash to myself, it is probably best to leave him unnamed.

However I can name the person who made the pamor material. It was me. That's how I can be certain that it is meteoritic pamor:- I made the block of meteoritic material that went into it.

In fact there is no absolutely guaranteed way to identify meteoritic material. In my opinion it probably has a slightly prickly feel, but who is to say that some other material does not have a similar feel?

We all know that the use of meteoritic material in Central Jawa was tied to the Prambanan meteorite. I seem to recall that Pak Djeno (Alm.) made a blade using meteoritic material, probably from the Prambanan meteorite, so it hasn't really stopped, its just a long time between drinks. Maybe it slowed down during the PBX era.It is probable that Jayasukadgo still made some meteoritic blades.

As far as I am aware, no meteoritic blades were ever made in Jawa Tengah except for people who were connected to either Surakarta or Jogjakarta karaton, and who had access to the karaton empus. All this business about meteorite has been gone over many, many times. Bronson is the best source.
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