![]() |
|
![]() |
#1 | |
Member
Join Date: Oct 2007
Posts: 2,818
|
![]() Quote:
My understanding of Koftgari application is somewhat different from carving in to the steel but rather an application of precious metals to a roughened surface as seen here done by one of our members; http://www.vikingsword.com/vb/showth...light=koftgari Bidri work involves the carving/chiseling of surfaces as does Zar Buland. My understanding is the Bidri applications are finished flush with the surface of the object and the Zar Buland is raised well above the surface. Lofty, Rick....but it is the topic of hilts in this thread, I don't want to cloud it with other aspects ![]() Gav |
|
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Nov 2011
Location: Brooklyn, NY USA
Posts: 227
|
![]()
Gav,
Thank you for correcting me. You are right. There are a few different ways of applying gold or silver inlay. I got a little mixed up in trying to convey a point that inlay was probably done by a different "smith" from the one who made hilts. Even now in India coftgari artists are are a kind of specialized jewelers. They don't make swords but they decorate them working with precious metals rather than forging steel. Then again, this craft was also done on other metal items, such as high quality tablewear, etc., which stands as additional evidence of whoever applied coftgari/bidiri in teh past centuries did not work on weapons exclusively. |
![]() |
![]() |
![]() |
#3 |
Member
Join Date: Mar 2011
Posts: 7
|
![]()
Great Post, thanks for sharing , was a good read and learning curve for me
|
![]() |
![]() |
![]() |
|
|