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#1 | |
Member
Join Date: Oct 2007
Posts: 2,818
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Thanks Dom ![]() ![]() I had never heard of 'coquet'. You are correct in what you say though. With regards to beautiful materials and dressing 'coquet', <<or 'dandy' as later Englishmen referred to the practice of dressing handsome>>, the end result of any dress was always a matter of pockets and how deep and full they were as you note. I guess my point with the scabbard is, not that it has been dressed in the material it has, but the form of having a stone mounted finial is to my eye so far not pointed to in any reference work I have and I can not recall seeing another mounted so....where many types of silver and coral scabbards are seen and to a large degree they follow a standard 'pattern', none I can find show a larger simple finial as such ![]() Anyone have a good reference to such a simple mounting? Gav |
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,286
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Hi Gav,
Not sure I've ever seen a precious stone mounted in the tip of a scabbard, but it certainly seems logically done, as evidenced by the appearance here. It seems to me that the use of coral in Ottoman weapons was prevalent in those of thier regions in North Africa, and this would include of course Egypt and brings in the note on the coquettish Mamluks. I keep thinking of the heavily coral studded pistols and swords attributed to North Africa and the littoral towards the Maghreb. I hope somebody can find another example that might tell us more. All the best, Jim |
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#3 |
Member
Join Date: Jan 2006
Posts: 936
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The coral or precious stone tip mounting is not common but not unusual.
Most common it is coral for Ottoman pieces. Here's very nicely-done coral mounting. My interpretation: it signifies fire coming out of the dragon's mouth... and, as Dom correctly noticed, gem stones just look good:-) |
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#4 |
Member
Join Date: Oct 2007
Posts: 2,818
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Jim, Alex, thank you for the input.
Alex, great image, thanks for sharing. Is it in a known reference for from someone's collection? I'd love to see the whole thing in context. I'd love to see others in context if they are known as it does seem very unusual given that it appears to me to be known in about 1 in every 200 Yataghan. It would be interesting to know if it is a regional aspect given the accuracy of origins noted in a number of works I cited above. I too feel it represents fire. The piece you present Alex shows to be within the beasts mouth, but the one I show seems to be more floral and earthy rather than a beasts mouth??? Any more out there, I know there are some keen Yataghan collectors here. Gav |
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