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#1 |
Member
Join Date: Dec 2004
Location: VISAYAS and MINDANAO
Posts: 169
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WOW!!! That is one BEAUTIFUL dha!
Andrew, congratulations on that dha and good call by having Battara do restoration work on it. Jose is truly an artisan in all respects. |
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#2 |
Member
Join Date: Nov 2004
Location: USA
Posts: 1,725
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Thanks, Zel.
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#3 |
Member
Join Date: Mar 2005
Location: Macau
Posts: 294
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Beautiful blade and beautiful restoration work by José.
Congratulations Andrew ![]() Antonio |
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#4 |
Member
Join Date: Dec 2004
Location: Virginia
Posts: 520
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Wow that looks great Andrew. Now we need to find someone to translate the story. I have been told they are often Buddist parables
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#5 | |
Member
Join Date: Nov 2004
Location: USA
Posts: 1,725
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I'm dying to have these swords translated! I have also read (can't recall where, specifically) that the "stories" are Buddhist. The panels at the forte may be much more interesting. I'll post pix of the knife you sold me for comparison, as the story that appears there is different than any I've personally seen. It actually depicts a forge. |
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#6 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
Posts: 4,397
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Excellent dha Andrew and, as usual, Battara has done a great job with the repairs/restoration work. I'll be interested to hear the translation of the "story."
The silver inlay work on the blade is very crisp on this example, a feature that I think is a guide to the level of skill of the silver smith and the overall quality of the sword. Ian. |
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#7 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,280
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Thank you so much for your comments.
![]() ![]() Andrew asked me to darken the background of the blade to bring out the silver. I tried a blackening solution, but that worked for a while until it began to later rust out the background metal. So I turned to something completely different - permanent India ink. No rust there. ![]() Ah the scabbard.......This was fun.......the bands were darkened brass and very rough on the surface. Interspaced between each band, as Andrew stated, were bands of brass wire held in place by pitch. I took all of that off and, per Andrew, replaced them with silver wire. I then reshaped the large brass bands, cleaned them and polished them (again per Andrew) and made a silver top and bottom chape. The original top chape had a tin flat plate that was uneven and warped. I just soft soldered a new silver plate to the top chape band (because I made it fit too well). In the middle of all of this Andrew sent me a dha dagger that was the "little Bro" of the dha sword and I did the same type of stuff to it to match. I did, however, have to pull off the upside down ivory handle and reattach it. All of this took a while and I was a little rushed because I wanted to get this all to Andrew for Timonium (and get some money to bring to the show ![]() ![]() ![]() ![]() |
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#8 | |
Member
Join Date: Dec 2004
Posts: 987
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The stories are scenes from Buddhist Jattaka (stories of the life of Gautama Buddha, and I think of his previous lives as well), as well as stories from Burmese folklore (like the swordsmith one). I am pursuing leads for translation in Burma. Slowly, unfortunately. |
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#9 |
Member
Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,854
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I remember seeing this in March. Gorgeous piece, and beautifully restored!!
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#10 | |
Member
Join Date: Nov 2004
Location: USA
Posts: 1,725
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![]() I hope when Jose has some time, he'll stop by this thread and provide some description of the process. |
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