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#1 | |
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Join Date: Jun 2009
Posts: 1,740
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![]() Quote:
As Marco suggests, did you try to file a corner of the black spot on the hilt for ensuring that it is original and not dyed? Best regards Jean |
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#2 |
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Join Date: Jun 2009
Posts: 1,275
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Thank you for the response, Alan.
Jean, I would never file a corner of this hilt, sorry ![]() Last edited by Gustav; 24th April 2010 at 01:38 PM. |
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#3 |
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Join Date: May 2006
Posts: 7,013
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Gustav, if you're certain its timoho, fair enough, end of story, but you can test without filing corners. If I wanted to test it, I'd go up inside the hole with a small very sharp knife, it is quite easy to gauge the hardness of the pale and dark wood in this way.
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#4 |
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Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,193
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Hello Alan,
I every time have problems to differentiate between kayu Trembola and kayu Kemuning (like to see ![]() Regards, Detlef |
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#5 |
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Join Date: May 2006
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I'm sorry Sajen, but I can't do this.
I have never seen any wrongkos that the people in the circles I move in identify as kemuning. Yes, kemuning is a well known wood, and I hear kemuning mentioned here continually, but I have not ever held a wrongko in my hands that anybody I know identified as kemuning. Trembalu , on the other hand is well known, prized, and met with fairly frequently in older pieces. The wrongko in this thread looks exactly like what we know as trembalu, but there is a range of colour in trembalu, sometimes it can be quite a bit darker and redder than this. As we know, colour rendition in any photos can be extremely unreliable. |
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#6 |
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Join Date: Aug 2007
Location: Germany, Dortmund
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So this wrongko is also from trembalu?
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#7 |
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Join Date: Aug 2007
Location: Germany, Dortmund
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I have just searched for kemuning in old threads and looked to some books and there is said that sampirs from Bugis/Sumatera/Malay keris are often made from kemunig. And I think that for example this sampir from a other thread is worked from kemuning. I show it side by side with the wrongko from #16 to show the affinity from the grain of this both.
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#8 |
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Join Date: May 2006
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The Jawa wrongko looks like trembalu to me.
I do not know the local and correct name for the wood in the Malay wrongko. I have seen this degree of chatoyancy in many other woods, both SE Asian woods and European woods. You can find a chatoyant grain such as we see here in any number of common cabinet timbers, walnut for instance. In SE Asian timbers I've seen similar grain in scented sandalwood. I'm afraid that from a picture of a piece of polished wood I simply cannot tell what the wood might be most of the time. I'm just not that good. EDIT I probably should add that kemuning is certainly known in Jawa, but we know it as material for jejeran; it is ideal for this purpose because it has a tight, close, fine grain.Its a yellowish wood and needs to be stained after it has been carved. In these wrongkos with highly chatoyant grain, I don't see anything that I would recognise as kemuning. Last edited by A. G. Maisey; 25th April 2010 at 05:06 AM. |
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