Omani Sayf/Saif

[Edster]

Well said Jim and informative as well. I think the flexible/bendy blades may have resulted from almost random consequences of the blade making process, i.e. the coming together of good steel, adequate quenching and proper tempering. It is difficult to get all three processes to coming together even most of the time given the simple facilities available to say the smiths in Kassala. I noted an experienced blade maker apparently air quenching a blade and then tempering it in water in a channel iron tray. Certainly not the way it's done on Forged in Fire.

In the "presentation of self" part I wanted to consider the sword as an Object rather than the Subject. As collectors and students of weapons we see the sword as the Subject made & used within an ethnographic context. But in its original context it is a cultural Object. The blade (imported or locally made) is a product that made by a Person, decorated & accessorized by other Persons, selected and used & worn by another Person and perhaps held dear by Others mainly within the initial cultural context. In several forum commentators, including your analysis, we get into the cultural context and this is the frontier of a more complete understanding.

Best,
Ed