Ujung Gunung pamor and Combong

[milandro]

I am aware of that and in fact I suggested the tongue in cheek “ old marketing” .

I have found a number of examples of modernly made krisses with similar forging features.

I understand that a western blacksmith would chuck the blade BUT an Indonesian empuh probably, beside not throwing away some work done, he probably thinks that the process is only partly in his hands and that he is rather the instruments of a superior being that through him creates the blade and maks it inhabited by a spirit and gives the blade its properties.

I am not trying to make this better than what it is (by the way I was very much thrilled to buy the blade) but when I visited the house (a temple really) of an old Indonesian man here in the NL with a couple of hundreds of krisses , a few were like this and he was telling me how important (to him) these things were.