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Originally Posted by Raden Usman Djogja
...the borderline between nem-neman and sepuh may be vary. to people who favor majapahit will consider keris made afterwards as nem-neman. to people who favor mataram will consider mataram kerises as tangguh sepuh.
to me, if and only if, the date of keris made is younger than my birthday will be considered as nem-neman. it relates to my dream. instead of as part of history, I want to watch keris as a part of art which is still being developped by society. Whenever keris becomes a part of history, so does javanese.
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Many thing always debatable in this keris world. Here yes, and There no. It is no wonder. Like Yogyakarta and Surakarta for instant, in the neighbouring city but "opposing each other" in the past, often found contradictory. In Wayang play, Arjuna played by women dancer in Solo, but by men in Yogya. Modern kerises developped very quick and advanced in Solo, but very very slow in Yogya. And in many cultural aspects, you'll see contradictories between Yogya and Solo. It is quite dikotomic. Although only 64 km apart...
Ganjawulung