8th January 2007, 06:50 PM | #1 |
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Satanic dagger, Age & country of Origin?
Picked this up before Christmas.
It has a Bronze cast handle of women,goat,dagger & pan. {tormented faces with skullcaps on ends of crossgaurd, & cast scabbard of cathedral, crosses, alter candals etc. It is just under 14 inches long. Both sides of scabbard are identical. I have a few questians about it. Greatfull for any help. 1, Country of Origin? {I understand France & Germany are the commonest?} 2, Age of handle & scabbard? 3, origin, age & type of blade, a collector friend suggested its been cut & reshaped from the center section of 16th centry a Swiss Baslard blade or similar? It would also be nice to see other exampls of these... Both the blade & the reworking of it & the scabbard all seem very high quality. The blade locks by friction in the scabbard in the last mm of movement. The scabbard is lined with what I think is solidified blue velvet. Hopefully at least some of the questians about it even if not all can be answered here? All veiws & thoughts welcome. Thanks. Spiral |
8th January 2007, 06:50 PM | #2 |
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I actuly found this the hardest knife to photo I ever have had.... |
8th January 2007, 07:19 PM | #3 |
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This may be the first non-contemporary Arthame I have ever seen. It is a very interesting piece. I notice there seems to be an upside down cross on the scabbard ( whick would make sense), perhaps an upsidedown church steeple and as you said candles, are there other symbols that I missed or cannot be seen in these pictures. The faces are interesting but on woodcarvings on furniture at least some cherubs from tudor times had tormeted or monstrous faces
could the item in the figures left hand represent a caldron ? |
8th January 2007, 07:33 PM | #4 |
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The symbolism is terrific.
The animal seeks the knife stuck in her belt. She is surely going to make a sacrifice; something to catch the blood in her left hand ? |
8th January 2007, 08:05 PM | #5 |
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Thanks Guys, it seems an outstanding piece to me.
Rhysmichael the scabbard is a 3 door church or cathedral with as you say altar candals & 3 crucifixes all of which is upside down when the dagger is hilt up. I rather wonder if it was modeled on an actual church to a degree? There a lots of small crosses alsoon the shuttered windows. I understand that as Rick says that a pan would be used to capture the blood of the sacrafice One of the faces when stuided under a lens is also covered in boils. I presume the skull caps represent Catholic clergy? & they are beneath the ground the woman {Lilith perhaps?} stands on. Seems hard to find much info on these daggers & I am sure thier may be symbolism involved that I am missing. I wonder about the necklace for instance? Spiral |
8th January 2007, 08:07 PM | #6 | |
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An atheme would not have upside-down or rightside-up cross. Christian symbols are not part of Wicca. Probably not Pagan either. Most likely something else. Maybe satanist or some anti-christian cult. Cauldrons have three legs and are more spherical. Blade does look like a reshaped sword blade. Particularly the way the fullers go up into the handle. I like it. |
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8th January 2007, 08:14 PM | #7 |
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Beautiful dagger. The scabbard does seem to be a representation of a church. I see nothing that would ID the woman as Lilith. I would assume she is more likely a high priestess. I would also stop short of referring to this as a "satanic" dagger, though it is most like to be for pagan purposes. Just because it may not be from a Judeo-Christian tradition doesn't necessarily make it "satanic".
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8th January 2007, 08:45 PM | #8 |
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Bill I am sure the scabbard & handle were crafted & chased by the same hand at the same time.
I would also say the blade was older than the scabbard & handle were then made for it for its new life for a well to do satanist. From what i have read it was usual to use older blades. I totaly agree Athame is not the term i would use. Thankyou David! I say Satanic because that is who would use upside down churches & crucifixes, and perhaps the tormented clergy also featured? My understanding of Pagan woudnt include that. I agree it may not be Lillith & your supposition that its a high priestess could be correct. It would be usefull if someone had more expierience of these daggers & old satanic symbolism. Spiral |
8th January 2007, 09:50 PM | #9 |
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I agree with David and it seems to be obvious that scabbard is a representation of a church.
But I DON'T AGREE with an upside down theory which is just a wishful thinking here, I suppose, and the result you would like to see it upside down. First: if the scabbard represents a church why the upside down crosses, or - I'm not familiar with stanic symbolism - but do they ever picture churches upsidedown Second, and most important, the image with hilt downside is the proper side! Take a look at the most of the European swords, and blades inscriptions, including crosses (i.e. Hungarian ones) - with your theory every one of them would be satanic, upside down! Regards! |
8th January 2007, 10:00 PM | #10 |
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I am not at all sure this is "satanic" if you look very closely you will see that the crosses are not upside down. look at the arches and read from there and you will see the crosses are in the correct position. The lady has a tambourine in her hand and I think the goat has a far more philosophical meaning, as in scape goat? very hard to be sure. I cannot see any symbolism that is not of an ordinary Christian sect/brotherhood nature. Nice castings.
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8th January 2007, 10:04 PM | #11 |
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Agreed. The crosses are upside down because the church is, This is the natural position since the steeple shape follows the scabbard. I reject terms like "satanist" because they are very loaded and inaccurate. Satanism is a modern phenomenon, like the Church of Satan or the Temple of Set. Frankly i find it hard to take these guys too seriously. In the old days anything non-Christian was considered to be of satan, but i think you would be hard pressed to find any actual satanic cults that were organized to the level that they would create such a work as this dagger for their uses. I have quite a bit of experience with old pagan symbols, but would not consider them to be "satanic" in nature...even the ones that feature horned gods and inverted pentagrams. This does appear to be a ritual dagger of some sort and i would image it might be late 19th to early 20th century.
The term athame really doesn'y come into any serious usage until the neo-pagan wicca movement of the 1950s, thougfh many have attempted to present some sort of old etymology. As for tormented figures, you can find such things in many old churches along with images of the green man and othet pagan signs. The church used to love to show torment to scare it's paritioners into being good. Go figure... |
8th January 2007, 10:25 PM | #12 |
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I agree with Wolviex totally. This is a normal cathedral with its crosses. It has nothing to do with satanic. What is it?
It looked familiar till Have you ever read/seen the The Hunchback of Notre Dame???? Esmeralda, was a beautiful gypsy woman and she had a goat, Djali, I think. So she plays with her tambourine to tease us Victor Hugo wrote the story in 1831 and it was best seller soon after that. So why not a fantasy knife of mid 19th century? |
8th January 2007, 10:33 PM | #13 |
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Ding !
Could be we have a winner. |
8th January 2007, 11:30 PM | #14 |
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Yannis, I too think you are 'bang on' with your suggestion. The sheath seems to have many similarities to architectural features of Notre Dame.
Is the knife / dagger in her waist band relavent to the story ? |
8th January 2007, 11:47 PM | #15 |
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Without going into more detail at this point, I am under the impression that artistic scabbard symbolism is intended to be 'viewed' with point upward, and as noted the cross is properly upright.
This is a fascinating knife and I don't believe any sinister connotations are employed in the motif, but it will be interesting to see what develops with further research. The architectural similarities do associate with Notre Dame in the sense that they seem 'Gothic' , which is of course the style, and think Yannis may be right on target. It does seem that daggers, from the time of the distinctive artistic examples that carried the work of Hans Holstein whose painting 'The Dance of Death' is found on early daggers (thus colloquially termed 'Holbein' daggers) may have inspired other 'artistic' theme type items. Best regards, Jim |
9th January 2007, 12:40 AM | #16 |
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Thanks for your opinions!
"wolviex quote" Second, and most important, the image with hilt downside is the proper side! Take a look at the most of the European swords, and blades inscriptions, including crosses (i.e. Hungarian ones) - with your theory every one of them would be satanic, upside down!" Fascinating! I though the referance was which way things were on the scabbard , Ive always seen motifs the opposite way to those on the blade Jim Can you elucidate why you think the scabbard should be studyed point up? i was thinking of the knife the forumites here would describe as "fantasy" in that it has an exotic cast handle, in the wallace collection that was a gift from Napolean III to the 4th Marques of of Hereford. As its the nearest knife Ive seen to this design. mmmm. Normal church representation & a happy maiden or a fantasy knife? Intriuging opinions from such a learned bunch! Any one got any facts to add? Perhaps some of you would be kind enough to show example of other such Christian brotherhood fantasy pieces? & of course examples of real Satanic daggers or do such things not exist? It would be nice to find an expert on such things. Spiral |
9th January 2007, 02:35 AM | #17 | |||
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The cross on the blade may fit with what you say in your second point but are crosses on the scabbard upside down ? And if so did they seem to come from a steeple as these do ? I find what Jim says very interesting as I never thought sheaths were looked at tip up and that is something new I have learned. I do agree that we all see what we expect or want to see sometimes so I may be doing that here Quote:
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I completly agree with you that all that is pagan is not satanic. And this may indeed be a dagger for some other use. Either way the symbolism on it facinates me and makes me want to know more. When I use the term "satanic" I use it in the historical context of above. Lastly as to the "caldron" I do not believe older caldrons fit the image we think of today. And the caldron is a very old symbol. Here is a link to a picture from a shipwreck dating to 200 BC in the Mediterranean, the picture is identified as a cooking caldron among amphora http://www.seaword.org/images/caldron.jpg and a reproduction of a medieval "caldron" http://www.by-the-sword.com/acatalog/images/cd-1301.jpg Of course it could just as well be a tambourine as mentioned above One thing we all agree on is the workmanship and attention to detail is excellent Last edited by RhysMichael; 9th January 2007 at 03:58 AM. |
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9th January 2007, 03:58 AM | #18 | |
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The use of a dagger as an item in ritual magick really came into vogue in 19thC lodge magick, where a specific magickal weapon is assigned to each of the 4 elements of fire, water, air and earth, the dagger/sword belonging to the element of air. The Golden Dawn magicians created a magickal philosophy, based on Christianity, Qabalistic thought, Rosicrusian writings from the 17thC and Eastern philosophies. Gerald Gardner (once a member of the G.D. and a student of Crowley), known as the father of modern Wicca (and interestingly the author of The Kris and other Malay Weapons) continued the elemental importance of the dagger when he invented modern Wicca, changing it's attribution to fire instead of air. In all probability his experiences with the keris in Indonesia was important in forming his theories on the athame's importance in the Wiccan religion. I have serious doubts that the dagger had the same kind of intellectual importance in early (pre-Golden Dawn) Western magickal societies. The dagger probably had a more practical purpose, to be used in animal sacrifice. Probably a special dagger was used, but because i don't think it was assigned the same intellectual importance the latter occultists gave it i wonder if anything as specifically designed as the dagger presented here would have been created back in the day for such a purpose. So if there are such things as "satanic" daggers i doubt they are much more than a century old. |
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9th January 2007, 04:08 AM | #19 | |
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9th January 2007, 04:11 AM | #20 |
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Thanks for the information on the term Arthame. I was mistaken to use that term then.
It is true the writings of the 1800's are said tell vitually nothing of the ritual of the black mass and are totally from the perpective of the church. And yes many of the confessions during this time should be considered suspect or fabrications, I personally however see satanism as a natural course that rebellion to the church could take and the more restrictive the church the more appealing satanism would be to some people. My comment on the monstrous and tormented faces on cherubs above are also in line with your comment "The church used to love to show torment to scare it's paritioners into being good." There is a tudor home near here that was brought over from england and reassembled here. It has historical furniture and some of the beds have such features right where you would have to look at them as you sleep. An interesting subject Thanks |
9th January 2007, 04:25 AM | #21 |
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Then again, the tormented faces could refer to gargoyles of Notre Dame or to the Hunchback himself.
I dug these images up. sorry they are so small. |
9th January 2007, 04:57 AM | #22 |
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Thanks David, Rhysmichael interesting points.
I just found this online passage which may be of intrest? The first satanic cult which possibly existed was operated by Catherine La Voisin at the Court of the French monarch Louis XIV. Although some historians are skeptical, the documents of the inquiry by Nicholas de la Reynie, the Police Chief of the king -- who was not a particularly religious man but a rather cold and stubborn policeman -- published by the 19th century historian François Ravaisson-Mollien, make a persuasive case for the celebration of "Black Masses" (the term was coined by La Voisin herself) at the Court of Louis XIV. "Black Masses" were described as rituals mocking the Roman Catholic Mass, in which Catholic hosts were desecrated through sex rituals and children were occasionally sacrificed to the Devil in order to obtain power and love for the wealthy customers of La Voisin [2]. La Reynie's police effectively destroyed the cult, but the emerging press made the incident infamous for decades in Europe and copycat imitations surfaced during the 18th century and during the French Revolution. These episodes were connected by pious Catholic authors to the Revolution itself, which they believed had been masterminded by anti-Catholic Satanists. The "gargoyle heads" as called under a lens are clearly not Gargoyles , but human faces one dejected & unhappy the other covered in boils, both wear Jewish or I would say more likely bishops skull caps. I understand French & German satanist knives are well recorded from at least in the 3rd quarter of the 19th century. But certanly many are later. Intresting images David, scenes of goat sacrifice with dagger & pan from "the devil rides out" seem more in keeping with such a clearly potentialy lethal design of blade. Spiral |
9th January 2007, 05:34 AM | #23 |
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[QUOTE=spiralI understand French & German satanist knives are well recorded from at least in the 3rd quarter of the 19th century. But certanly many are later.l[/QUOTE]
Spiral, why "certainly"? I am not sure what you are basing this assuption on. Have you seen or do you have any links to photos of "satanic" blades that pre-date the late 19thC. I am well aware of the stories of Catherine La Voisin, but much of her legend is just that and beyond any definable fact. She apparently claimed to have sacrificed 2500 children, but there was hardly a rash of missing children in her area during her run in France. The 'black mass" is not necessarily a satanic thing, it is just a rebelious anti-Christian thing. It doesn't necessarily require the belief in Satan as one's god nor the evil doings such as child sacrifice that the stories of satanism would have one believe were common practice for these cults. As i stated earlier "satanic" is a loaded term that is probably best left behind. This could still be meant as a ritual weapon i am leaning more towards the Hunchback attribution. |
9th January 2007, 05:45 AM | #24 |
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Hi Spiral, cool knife.
I think the "Huntchback of Notre-Dame" link is quite strong. The church is a stylized depiction of Notre-Dame itself if you compare with David's picture and others: Three portals on the first level, one rose window in the central bay flanked by twin towers each with a two-lancet window within a blind arch on the second. The third level features a ballustrade in the central bay and two thin rectangular windows in each adjacent tower. These towers once had peaked roofs if I recall correctly and the tall roof in the middle is actually the spire above the crossing the church as it would be seen from the front. And the figure is the spitting image of Esmeralda, down to the locket with her baby shoe. The figures on the ends of the guard could be the huntchback himself and Dom Frolo, the priest who covetted Esmeralda. I guess a real romantic put the dagger together. Emanuel |
9th January 2007, 05:48 AM | #25 |
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Yikes, I had no idea there was such knowledge on the 'black arts' here!!
Scary stuff!! Actually we have had discussions on these esoteric knives termed 'athame' about seven years ago, and discussions got pretty interesting. The term athame is thought to possibly derive from 'attame' (Fr.=to cut or pierce) and it is noted that 'athe' (Gk.=Godless), however there is no agreed upon etymological reference as far as I know. Interestingly the variant term 'arthame' seems to derive from the term used to refer to the knife in a 1930's horror movie "The Master of Crabs" ! (I'm still choking on dust from dragging out these old notes from those discussions years ago! Apparantly the concept of the athame is ceremonial, and supposedly its use is much like that of the Tibetan phurbu in ethereal sense. It is theoretically an extension of self and used to direct the flow of energy or will, to invoke or banish. It is used to guide energy from self to the circle etc. and so on in the complexities of these wiccan ceremonies. Naturally in earlier times there is likely some sacrificial use implicated, but those situations are avoided in most explanatory information. As mentioned, I had noted that I had thought these decorated scabbards were to be viewed point up, but must admit that although I had seen some reference somewhere with comments to that effect concerning looking at the sword, I honestly cannot relocate that item. Actually, I simply considered the structure of the church and obviously the doors had to be shown at the wider part of the scabbard, while the peak of the church would narrow toward the tip or point. It would seem silly to think that the doors would be seen upside down, on the roof ?(reminds me of the kids game with interlocked fingers about the church and steeple, of course I always got it wrong and my people were on the roof!! Also, in discussions of the sword, the blade is often termed the 'root' of the blade, thus at the hand, and grows upward. In edged weapon esoterica, the Indian katar is often decorated with the 'kundalini' flame, which originates at the root of the blade, and burns upward, thus the blade would be viewed point upward. I believe these were the basis of my comment. In finally looking at the Holbein daggers I mentioned, the decoration is shown in linear, that is viewed sideways ,so it would seem there is no set manner in viewing a scabbard as I had suggested. I apologize for my assumption and for the unsupported statement. Returning to the dagger, it seems that about mid 16th century, decorative sheath designs began to become popular, most notably the Holbein examples I have mentioned. Apparantly Hans Holbein (the younger) published his book "The Dance of Death" in Lyons c.1523, and created scabbards with macabre theme based on his drawings. Later other examples took scenes from Roman and Swiss history as well as Old Testament themes. It would seem that this decorative theme motif on daggers and sheaths extended through Europe, and this example, though certainly much later of course, is carrying out its theme from literary sources in the same manner. Best regards, Jim |
9th January 2007, 05:56 AM | #26 |
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Jim, David and RhysMichael, fantastic posts! You got me reading all about Wiccans now
I wonder how much of the witch craze of the 16th-17th centuries was based on actual witch/satanic convents and how much on poor old women who knew a great deal of botany and medicine. Regards, Emanuel |
9th January 2007, 09:03 AM | #27 |
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I'm not going to claim that we should always look at the scabbard point up, and the blade example was just an example. What we have here is just, let's call it, 'artistic programme' which is intended to be viewed point up. In other case it wouldn't make any sense and, as Jim pointed it out, because you couldn't make a church with doors at narrower point. If someone would like to make any "occultic" upside-down crosses he wouldn't make a case with a church what is a lot of work.
The artistic programme might be different. We can see horizontal ones just like in Holbeins daggers and aswell there are horizontal inscriptions on the blade. Some of scabbards decoration are made point down and are making a whole composition with a handle. So there is no rule but logicality. In my museum there is similiar in style dagger when you can see Otello with knife killing Desdemona, and it's pure romantic, 19th c. creation and yours looks just like that. It would be interesting to find out more iconographic sources for this lady. |
9th January 2007, 10:45 AM | #28 | |
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David, In Archaological, calander & historical terms "later" means more recently, not older. Spiral |
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9th January 2007, 10:51 AM | #29 | |
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For instance Some one spent many hours chasing a particilar tile or shingle shape on the roof of this scabbards, which obviously doesnt match Notre Damn. When one looks for Similarities in Churches they are easy to find, to be objective one needs to look for the differences as well. Spiral |
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9th January 2007, 11:21 AM | #30 | |
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Thankyou Jim, intresting stuff! Thankyou for taking the time. Although the blade is liklely to be originaly from The Holbien period, i am sure the scabbord & handle are later. The closet things I can find {as mentioned} in exotic cast handle pieces, is in the wallace collection that was a gift from Napolean III to the 4th Marques in 1860. & the of course the 1871 Satanic knife brokered by Bernard Levine some years ago for $10,000. Which shows the satanic motifs on the scabbard the right way up when the figural handle is upright. {which after all seems the logical way to study a figural piece.} But the signs of Liberty upside down. Both of which are clearly veiwed handle upright. For Wolviex & others who clearly havent seen such similar things heres 2 other examples. Another spiecimien, From Liongate Arms & armour. http://www.antiqueswords.com/mw57.htm & a "later" example. {Which means more recently for those who were unaware. } Spiral |
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