![]() |
|
![]() |
#1 |
Member
Join Date: May 2006
Posts: 7,054
|
![]()
Impressive.
|
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,284
|
![]()
Simply beautiful!
|
![]() |
![]() |
![]() |
#3 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,349
|
![]()
Heavens above !!!
How is the gold attached to the ivory ? Is it a sheet covering the carving that is then formed and crimped ? |
![]() |
![]() |
![]() |
#4 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,315
|
![]()
Impressive work.
|
![]() |
![]() |
![]() |
#5 |
Member
Join Date: Dec 2004
Location: Singapore
Posts: 1,180
|
![]()
Great hilt!
![]() I love the natural flow of the figure! And the gold work is very nicely done too. Selut looks very solid. ![]() Was this based on the example in the Invincible Keris? |
![]() |
![]() |
![]() |
#6 | |
Member
Join Date: Aug 2006
Location: Italy
Posts: 928
|
![]() Quote:
![]() ![]() |
|
![]() |
![]() |
![]() |
#7 |
Member
Join Date: May 2006
Posts: 7,054
|
![]()
In old examples of this type of work that I have seen the gold was held in place with jabung.
In newer examples a super-glue type adhesive was used, Alteco is a favourite. |
![]() |
![]() |
![]() |
|
|