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#1 |
Member
Join Date: Apr 2007
Location: Nothern Mexico
Posts: 458
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As for the traslations, this is my free version:
For the first image LOOPS AND RINGS RAPIER Toledan End of the 16th Century Hilt: Loops and rings, chiselled with great mastery, with a truncated cone pommel resting over a rounded base, and then over a ferrule. Cylindrical hilt, deeply grooved in a spiral, straight guard quillons and polygonal block. The loops are made with three wires, the central one continues as a knuckleguard. The posterior part of the loops are united with the rings, which extends to the end of the recasso. A very armonic and well made work. Blade: Wide, diamond profile with a fuller in the first third. Double edged. And the next: LOOPS AND RINGS RAPIER Iohannes de la Horta Middle 16th Century Hilt: Loops and ring, italian style, and a little asymmetric in itīs development. Note the presence of only one quillon curved toward the point of the sword, only one wire directed to form the knuckleguard and a big loop which goes from the recasso to the cross in a subtle curvature. There are three loops over the recasso joining at the cross where the knuckleguard begins. Very pointed block. Pommel almost cylindrical, but rounded in itīs superior portion. Faceted hilt completely covered with brided wire among two ferules in the form of a "turk head" knot. All the elements are chiselled and damasquinated. Blade: Lenticular, double edged and fullered in the first third. Inscription: Stamped on the recasso with an "A", from Iohannes de la Horta swordmaker. Gonzalo |
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#2 | |
Member
Join Date: Oct 2008
Location: Manila, Phils.
Posts: 1,042
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![]() Quote:
Thanks a million, Gonzalo ![]() |
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