Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > European Armoury
FAQ Calendar Today's Posts Search

 
 
Thread Tools Search this Thread Display Modes
Prev Previous Post   Next Post Next
Old 27th November 2008, 06:20 PM   #6
Jim McDougall
Arms Historian
 
Jim McDougall's Avatar
 
Join Date: Dec 2004
Location: Route 66
Posts: 10,459
Default

That's always been my main aim, anyway.

Michael[/QUOTE]



OK Michael! ..was that a crossbow joke ! Just kidding

Really nice posting, and thank you for explaining the detail, what incredible dimension it adds to appreciating and understanding these fantastic works. I always think it is so interesting to see the weaponry we study in contemporary context, and in a sense is very much like a time machine.

In researching arms and armour its fascinating experiencing them in such context, much as A.V.B.Norman did in using artwork in establishing time periods for hilts, and I have seen the concept used widely in many references. Sometimes it is good to proceed with caution though, as Rembrandt for example, often used then modern weapons in Biblical and earlier historical contexts.

It is interesting also to see the work of Hans Holbein, which brings to mind the relief work on the daggers depicting his "Dance of Death" works, if I am correct (offhand cannot recall which of the two Holbeins did this work).

All the best,
Jim
Jim McDougall is offline   Reply With Quote
 


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 07:14 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2025, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.