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			 Vikingsword Staff 
			
			
			
				
			
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			Something occurred to me while pondering these keyed tang replacements . 
		
		
		
		
		
		
		
	Let me propose a scenario (always fun   ):Captured weapons in the field; some may have been confiscated but some may also have been destroyed on the spot . How do you make the kris unusable ? Break the tang . A small unit in the field could not afford to be weighed down with every confiscated weapon on a patrol or after a skirmish . Just musing ..........  
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		#2 | 
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			I'm a beginner at this but I study very hard (which means I try to read everything you guys say about moro swords in this forum).  I find the discussion on how old kris blade metal should look like, rather interesting.  I was in the National Museum (Philippines) last week to look at the weapons display -- items from the 1904 St. Louis Exposition.  Half of the kris swords on display have very shiny, no-pattern and polished-looking blades (new looking).  The other half have darker gray blades with grainy patterns.  All of them are pre-1904.
		 
		
		
		
		
		
		
		
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		#3 | 
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			 Vikingsword Staff 
			
			
			
				
			
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			I know that the collection of Col. Harold Bandholtz was shown at the 1904 exposition .  
		
		
		
		
		
		
		
	Is this a different one ? Have any of these blades etc. of this collection been repatriated to the Philippine Peoples in the past ? I have a pair of the spears from that collection and they have a dark finish that shows the watering of the steel slightly .  | 
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			 Quote: 
	
 as far as polished and new looking blades, i wouldn't doubt that at all; here are some examples that was brought over by an american officer in 1900, and was literally frozen in time since once it got here, it was stored (pics taken by me): ![]() oh, and wassup fellas?  | 
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		#5 | 
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			Yes, that's exactly how many of the blades in the exhibit looked like -- polished blades like stainless steel.  I guess they must been polished to make them look nice for the exposition and then kept all these years.  That's why they look that way. 
		
		
		
		
		
		
		
	I also collect ivory santos and we know that 100 year-old ivory kept inside a glass virina can look new and without the yellowing we call patina. I guess for 100 year-old kris pommels, the same thing can be expected. Meaning they can look new if kept/stored all these years.  | 
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			 Quote: 
	
 not necessary polished, but rather it looked like that to begin with. reason i said that is because the same krises i posted above, there were pictures taken of the same swords by the original collector before it left the philippines, and it looked exactly the same, without any hint of being etched. here are some other ones. notice how shiny the one third from the top is: ![]() wow, i would live to see that collection! i only saw the same five or six that was displayed in the old museum. nacho, if you can take some pics and post it here, it would be most appreciated. i did try to take pics of the ones in the old museum but i wasn't allowed, lol..  | 
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		#7 | |
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			 Quote: 
	
 It's the most extensive local exhibit I've seen, unfortunately, almost all the moro weapons have had an over-enthusiastic cleaning. On some all patina has been removed in the quest to reveal bright metal. And all that have been cleaned bear evidence of having been cleaned with (gasp) a course grit belt grinder/sander. They could all have done with a bit more tlc than they recieved. I'm sure quite a few of them lost a touch of grace from their profiles from the less than delicate cleaning. A couple are also displayed with their handles on backwards and many are now missing asang-asang and handle crests, surely stripped from the swords long ago for the precious metals and ivory. A couple of the budjak spears appear to have once been "painted" silver as well. Thankfully there are only traces of the paint left now. It would be nice if the museum was open to some tips on how to better care and display their collection. Some ren wax should have been all that was done to the pieces. The visayan swords are in much better shape (and are of a good cross section of the vast variety) and there are a couple of unusual pieces there. Certainly worth the trip. But yes, to answer your question, I am certain all but a couple of blades in the moro collection there would display a piled or laminated blade construction from non-homogenous steels given a proper cleaning and etch.  | 
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		#8 | 
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			The exhibit of the 1904 specimens at the Phil National Museum has been taking some time to open. For some reason, prep work has been quite show. I learned about it a year ago and thereafter visited in Oct 2007 to chekout the on-and-off prep work. Noticed some errors in the display (e.g. inverted Tinggian shield, etc.) and humbly pointed it out to the staff who were glad to correct them.  Indeed, the exhibit would be something worth visiting. By the way, I've been given the opportunity by the museum curator to photograph and document the weapons in the museum inventory and hope to be able to share (publish) these for everyone in the future. Meanwhile, I've been preparing to complete an appropriate photo studio/equipment set-up for this purpose  
		
		
		
		
		
		
		
	 
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		#9 | 
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			I forgot to mention ... 
		
		
		
		
		
		
		
	Paolo, I am optimistic that we in the private sector can do a lot to support the Phil National Museum (PNM) , especially in the area of inventory management, preservation and storage. A parallel goal I had in mind was to provide PNM the digitial images of its weapons inventory, which the institution can use for their electronic database. This is pro-bono work. As you could imagine, there are many other areas where we can help. We can probably work with the other museum volunteers to ren wax those blades   I'll be the first one to donate 2 liters.
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			 Quote: 
	
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		#11 | 
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			I'm very glad to hear that at least half of the Bandholtz collection found its way home .   
		
		
		
		
		
		
		
	 
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		#12 | |
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			 Quote: 
	
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		#13 | 
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			There is also an on-going exhibit at the Yuchenco Museum on "SULU".  5 Moro armors, several lantakas and maybe 15 moro swords (all with ivory pommels).  The brass armor with arabic inscriptions, which is the subject of one of the threads, is on display.
		 
		
		
		
		
		
		
		
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		#14 | |
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			 Quote: 
	
   Maybe a run East is in order .    The middle kris you show pretty much throws out the pointy luks being a recent development theory .   Rick  | 
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		#15 | 
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			Rick you make a good point, though most of the pointy luk ones I have seen were later.  That is why other things must be taken into account in determining age as well which I see on this piece.  One attribute alone is not enough of course. 
		
		
		
		
		
		
		
	Nonoy I look forward to more pictures.  | 
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		#16 | 
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			Here is a pretty good slightly pointy luk, overcleaned by a previous owner.  
		
		
		
			 
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		#17 | |
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			 Quote: 
	
  
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		#18 | |
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			 Quote: 
	
  
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		#19 | |
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			 Quote: 
	
 To make an Indo keris comparison, it would appear that from examining Javanese keris that were collected in the first encounters with the Dutch that these keris were polished in a similar way to what we might know as a Balinese style. At some point this tradition changed in Jawa and the deeper etched look came into style. So, does this segment in Sulu Seas really give us any solid evidence that earlier Moros also darkened their blades?  
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		#20 | |||
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			Hello David, 
		
		
		
		
		
		
		
	Thanks for bringing this up. Quote: 
	
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   Your best bet would be to locate ethnographic collections which were acquired while the old kris tradition was still alive and where the collecting of weapons as well as other artifacts was done by scientists rather than by military officers. I doubt wether the early (pre-Span.-Am. war) US expeditions to the Philippines would qualify - maybe someone can elucidate how they were organized and carried out? Quote: 
	
 Regards, Kai  | 
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		#21 | ||
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			 Keris forum moderator 
			
			
			
				
			
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			 Quote: 
	
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   My point about Javanese keris once receiving a Balinese style polish with it's etching was only to show that traditions can change over the years. It would be nice if we could determine with some certainty if etching blades dark was indeed always the tradition.  
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		#22 | |
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			 Quote: 
	
 check out datu banquie's (sp) kris. i realize it's not close up, but it seems to be the dude's like, "check this shiny kris i got..."  
		Last edited by Spunjer; 16th July 2008 at 07:33 PM.  | 
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		#23 | |
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			 Quote: 
	
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		#24 | 
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			The exhibit is new.  It is in the groundfloor of the new Museum (the former Finance Building).  There are over a hundred swords (moro, visayan, Luzon), dozens of spears, one round moro shield, bagobo shields, hats, Igorot weapons, war drums, and many more. 
		
		
		
		
		
		
		
	When we went there last week the doors of the exhibit room were closed as they were still fixing up part of it. However, we begged an officer of the museum to let us in -- which they graciously did. They said the exhibit was open two/three months ago. But they want to fix the way they did the displays because right now visitors can reach in and touch the swords (there is glass partition but open on top) -- "and many do". There is a smaller exhibit of weapons in the old museum building. That's the one with about 5 or 6 kris/barongs.  | 
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		#25 | |
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			 Quote: 
	
   This is probably why you see so many shiny blades there in the museum. Also, once captured, the vets did not know to keep the blades in etched condition (if they werent polished),  | 
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		#26 | |
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			 Quote: 
	
         Do they have dayak items as well  
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