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#1 |
Member
Join Date: Feb 2005
Posts: 133
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That is a very nice piece. A word of warning about reetching. Traditional etchants can and do initiate corrosion, which is why it is unacceptable in the museum world. I have, however, developed a museum acceptable method that is noninterventive (conservator term). However, the pattern will not be as visable as traditional etching, but the reflectiveness of the blade is better and the substance used is often used for the conservation of archaeological iron. What ever you decide to do, be careful.
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#2 |
Member
Join Date: Dec 2004
Location: Europe
Posts: 2,718
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Hello Ann, and thanks for your warning comments - they are well placed, as one have to be/should be very careful when eatching anew - only a pity for us Europeans that you live in the States
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#3 |
Deceased
Join Date: Dec 2004
Location: USA, DEEP SOUTH, GEORGIA, Y'all hear?
Posts: 121
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JENS
This is off subject but needs to be answered if at all possible. First I must take exception to you comment about Ann being in the USA. ![]() I personally think it is great that she is here. However, I do think she needs to be in the South rather way up North ![]() also Ann You said that you have a process for wootz steel, do you take on "work" for this process of yours? I have some wootz daggers that needs some help and would like to commission you to do it. Sorry for the interruption of this thread, but could not let JENS get away with his remark. I also must give credit to JENS for his great find on the Katar, it sure looks like the same Katar that you found in the book. Gene |
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#4 |
Member
Join Date: Dec 2004
Location: Santa Barbara, California
Posts: 301
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Dear Jens; thank you so much for finding that photo of the katar in your book; it does seem like the same thing, except for the inscription at the top. The similarity is amazing! excellent detective work!
Dr Feuerbach- thank you for the caution. I will probably leave this piece as it is, since the wootz pattern is visible in some places, and it's in very good condition otherwise. I would be delighted to know about your etching process, if it's not a trade secret. If it is, I would be willing to trade for some of my secret recipes for curries! |
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#5 |
Member
Join Date: Dec 2004
Location: Europe
Posts: 2,718
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Gene, I thought that you might not stand such a provoaction
![]() Montino, you are most welcome. To make a find like this makes me almost as much pleasure than it makes you ![]() Jens |
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#6 |
Member
Join Date: Dec 2004
Location: Europe
Posts: 2,718
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Some may have wondered where the places mentioned are, besides being in India.
Rajputana is roughly coextensive with the modern state of Rajasthan, Boondi/Boondee is now called Bundi and Kotha is called Kota. Try the link below, and you will find Bundi and Kota in the lower right corner of Rajasthan. http://www.mapsofindia.com/maps/raja...travel-map.htm it is always interesting to know from where the weapon comes, and in the book Th.H. Hendley tells us, from where the katar in his book – Damascening on Steel or Iron, as Practised in India, comes, from this information, we also know that the katar shown in the book was made before 1892 – the year the book was published. I will add the picture once more as I have lightened it, to make it easier to compare. Jens |
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#7 |
(deceased)
Join Date: Dec 2004
Location: East Coast USA
Posts: 3,191
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