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#1 | |
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#2 |
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I have only one word for you:
"300" |
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#3 | |
Keris forum moderator
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My only hope, since i have no real knowledge of the weapons of the time, would be that they might have got the arms and armor right, but somehow i have my doubts. ![]() |
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#4 | |
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#5 | |
Keris forum moderator
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#6 |
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Perhaps, an opinion from the American pre-eminent military historian, Victor Davis Hanson, could be of help.
http://washingtontimes.com/commentar...5421-8261r.htm |
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#7 |
Keris forum moderator
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From the above mentioned article:
True, 2,500 years ago, almost every society in the ancient Mediterranean world had slaves. And all relegated women to a relatively inferior position. Sparta turned the entire region of Messenia into a dependent serf state. But in the Greek polis alone, there were elected governments, ranging from the constitutional oligarchy at Sparta to much broader-based voting in states like Athens and Thespiae. Most importantly, only in Greece was there a constant tradition of unfettered expression and self-criticism. Aristophanes, Sophocles and Plato questioned the subordinate position of women. Alcidamas lamented the notion of slavery. And yet is is my understanding that at that time Persia had already banned slavery and gave far more rights to their women than the Greeks or any other Western culture did at the time, much to the distain of the Greeks. Pederasty was also the norm in ancient Greece. I didn't see any of that depicted in the film though. ![]() Hey, it's a comic book. I wouldn't argue with anyone about many of the more detail oriented inaccuracies in the film. Exact numbers are unimportant here. 300, 600, 1500, who cares. And yes, the story line was basically taken from the writings of the greeks themselves. Of course the Greeks would depict their attackers as being lesser beings then themselves. This is the way of all war, to depict ones enemy as less than human. But i also see using that skewed Greek viewpoint as dangerous propaganda for our modern times. But politics and accuracy aside, this film still sucked! BTW, i didn't find the line, "Then we shall fight in the shade." in reference to the Persian arrows blotting out the sun to be among the corny ones as the author suggests. Rather it was probably the best line in the whole film. ![]() |
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#8 | |
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Join Date: Jun 2006
Location: Arabia
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#9 | |
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The classical Olympic games were held as a celebration of the art of war, and the athletes competed in the games as they would on the battle field -- in the nude. That's one of the reasons why women were banned from attending. |
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#10 |
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The 300 spartans were Hoplites, heavily armed infantry.
"Hoplites wore tunics under other armor that included breastplates, helmets, and greaves. They carried spears and swords to use in their close style of fighting. Spartan hoplites also wore a short red cloak and long hair." http://ancienthistory.about.com/od/g.../g/Hoplite.htm Without the shields or armour the greeks would never have survived the initial onslought of arrows. Not widely known is the fact that the 300 spartans were aided by 1000 Thespians (no not actors ![]() The Greek armour/shield and military skill with the spear easily kept the 'Immortals' back as they were lightly armoured and had 'wicker' shields. The spartans were true warriors....their 7-8 year old sons would be taken away from their families and trained in millitary schools, severe injury and death during training was not uncommon. One test on the young boys was to be publicly flogged until they uttered a sound.....the last boy to cry out was the winner ![]() ![]() |
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#11 | |
Keris forum moderator
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The warriors of "300" look like comic-book heroes because they are based on Frank Miller's drawings that emphasized bare torsos, futuristic swords and staged fight scenes. In other words, director Zack Snyder tells the story not in a realistic fashion -- like the mostly failed attempts to recapture the ancient world in recent films such as "Troy" or "Alexander" -- but in the surreal manner of a comic book or video game. The Greeks themselves often embraced such impressionistic adaptation. Ancient vase painters sometimes did not portray soldiers accurately in their bulky armor. Instead, they used "heroic nudity" to show the contours of the human body. In other words, this nudity wasn't a true representation of Greek warriors in battle, but artistic license meant to show the beauty of "heroic nudity". Likewise, nudity in sports was an extention of that artistic sense into the actual world. And then, the ancient Greeks also found the male body attractive for completely different reasons outside of it's prowess on the battle or sports field. ![]() ![]() |
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#12 | |
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#13 | |
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![]() The sword and dagger duels were fairly OK, though, given the circumstances. The final battle... well, let's not go into that. ![]() |
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#14 |
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The only superb Perez Reverte's book was " The Club Dumas" and it was mangled cinematographically into something beyond awful.
"Flanders Panel" was good. " The Fencing Master" was very good. But the Alatriste series.... very disappointing. Did not see the movies; are they "straight on DVD" releases? |
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#15 |
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Just saw a trailer for this Hindi epic http://www.jodhaaakbar.com/ a big period production about Akbar. Seems to have loads of tulwar action, fights between Rajputs and Mughals, along with the ubiquitous love story.
I'm looking forward to it. |
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#16 |
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I guess this is the first movie of the "marital bliss" for the leading couple.
Must be visually impressive; I just hope neither of them starts belting a song and a dance in the middle of a fighting sequence. I guess that is what Indian audience demands, but if Bollywood wants to go international, they will have to get rid of this annoyance. Can you imagine Clint Eastwood and Richard Burton taking a break from slaughtering the Nazis in the middle of "Where Eagles Landed" and doing a love duet? |
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#17 |
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Check out the trailer on the website. I heard choruses in the background but those were probably just the trailer's score. I got the impression that the movie was pretty serious.
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#18 |
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Hope you are right: I'll be the first one to Netflick it!
Say whatever you want, but, quoting Roger Ebers, Aishwariya Rai is not only the most beautiful woman in the world, but the second most beautiful as well. Last edited by ariel; 29th January 2008 at 01:40 AM. |
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#19 | |
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Location: B.C. Canada
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![]() Jeff |
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#20 | |
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Basically it's one big love story, with lots of time spent in character development. Big dance and song sequences, although to be fair they're integrated in court festivities, not just popping out of the blue, and the tunes are energetic and catchy. Pretty movie with a nice picture of Mughal and Rajput culture and art, and yes, a very beautiful Rai. Bad movie for weapons and battles. |
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#21 |
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Join Date: Jun 2007
Location: Malaysia
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The Queen Of Langkasuka (2008)
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#22 |
Keris forum moderator
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Here's a trailer
![]() http://www.youtube.com/watch?v=-ujKr-Y0Wz8 Says at the end that there will be a "worldwide release" so i hope that there will be an English subtitled version. Looks interesting and fun. ![]() |
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#23 | |
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Looks Malay. |
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#24 | |
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One thing that came to mind immediately when I saw the trailer for this was how there were a lot of malay/indonesian Keris daggers in the beginning of the trailer, and at the end we see stuntman-turned-leading actor Dan Chupong wielding a Moro or Bruneian-type kris sword. was that just me or was he just holding a big keris as opposed to a kris? Here is a pic featuring Dan Chupong in the centre, holding the weapon in question with his outstretched arm: ![]() Last edited by ThePepperSkull; 4th September 2009 at 09:05 AM. |
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#26 |
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I'd also highly recommend "Hero", an epic Chinese story.
The cinematography is superb, the sword fights are excellent, and the story that is full of twists and turns is very engaging. |
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#27 | |
Keris forum moderator
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I absolute LOVE this film, own it and have watched it many times. ![]() Also mentioned before (but if you like Hero), by the same director Zhang Yimou, see House of Flying Daggers. I like this one even better. ![]() |
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#28 |
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having been reading the kampilan thread ala bill marsh with interest, i happened to see Hollywood's 'thief of Baghdad' with Sabu, over the weekend.
there is a point where he opens a bottle, gets the traditional genie & three wishes, he then gets flown to the top of the tallest peak in the top of the world to steal the 'all-seeing eye' from a temple idol. after arrival, he liberates a sword from a long dead skeleton, all covered in cob-webs ('conan' plagiarism?) as he cleaned off the web, it becomes obvious it's a kampilan, complete with traditional hilt wound in rattan, sinuous metal staple on one side, crocodile beak blade, etc. he then climbs the idol, and a giant spiders web with the kampilan between his teeth, kills the giant spider & unfortunately drops the sword never to be seen again.... there of course were the more common shamshir and daggers throughout. not bad for a sixty-odd year old movie. |
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#29 | |
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Being a Filipino that is struck with kampilan-philia, I need to see that movie! ![]() Also, the kampilan's appearance in that movie was mentioned earlier -- ruelThanks again Kronckew ![]() Last edited by migueldiaz; 1st November 2008 at 03:37 AM. |
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#30 |
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i shall assume they got the date wrong then and they referred to the sabu version, as the sabu version was apparently 1940. , ruel's 1949 date of their post (and tom's spelling of thief) threw me off - there have been a number of versions
![]() while sabu carried the kampilan upside down for a while (edge up), when he was actually using it, cutting at the spider, and later when he cut it's suspension thread, he held it correctly, striking with the edge, not the back of the blade, i looked carefully ![]() ![]() ![]() the kampilan in the movie was similar to the above, which is edge down, and the angled fork of the grip up when held, tho some kampilans in modern repos have the angled fork also down, as below. ![]() (images from google image search) Last edited by kronckew; 1st November 2008 at 12:19 AM. |
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