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#1 |
Member
Join Date: Aug 2006
Location: Belgium
Posts: 171
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Some different light used to make the picture.
Thanks all for the respons, intresting so far ![]() |
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#2 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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Hmmm, nice pictures Congo' .
Now they look like bucklers possibly; I still think those are banners to each side . ![]() |
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#3 |
Member
Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,086
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It is possible the blade is of Portuguese origin. Portugal had very early dealings in Africa and I could see this piece being a holdover from those early adventures.
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#4 | |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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![]() It would seem that it is of too high a quality to be a trade object . |
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#5 | |
Member
Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,086
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It would be really, really nice if this blade could talk. Who knows how a very early rapier blade ended up in an old weapons collection in the Congo. If we agree the "etchings" are much later than the blade, perhaps the blade had already been converted into a walking cane which was not uncommon in the 18th and 19th century and found it's way to Africa via missionary or other routes and therefore was not mounted up in Africa but elsewhere and left behind by a 19th century visitor. |
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#6 | |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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If this were a sword cane ; at 37" inches it would be one helluva draw to get it out . ![]() Were I the owner I'd send it to Craig for a proper hilting; then again I'm not the owner . ![]() I think it's beautiful yet still I wonder; did they halfsword with a rapier ? The rapier appeared not too long after halfswording was an accepted technique . I wonder was there an overlapping of styles at some point . |
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#7 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,190
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I agree with the observations expessed suggesting this is quite likely Portuguese and probably end of the 17th century blade. As Rick mentioned, the Portuguese had trade dealings and stations into these regions from many years earlier, and blades often followed these routes. In the book "Homens Espades e' Tomates" (a curious title but excellent book in Portuguese) by the prominant collector Rainer Daehnhardt, Lisbon, 1973, on p.31 a Portuguese cuphilt c.1640-1668 is shown. While the blade is undulating it appears the full length of the blade.
Apparantly these undulating, flamboyant blades had a degree of popularity in Spain (an 18th c. cuphilt, Spanish w.German blade, undulation full length, shown in "European and American Arms" Claude Blair, fig. 136). This fashion carried into European smallswords (Nuemann, 206S, "Swords and Blades of the American Revolution") where an example has again, full length undulation, and it notes "primarily for decoration" which suggests no particular practical advantage intended with the undulations. Such feature was even carried to English officers broadsword c.1775 (Neumann #148S). The apparant age, fullering, piercings seem to indicate the 17th c. period quite plausible on this blade, with the undulations intended to apply more to Christian symbolism than to practical purpose. In Masonic lore the wavy or serpentine blade recalls the flaming sword guarding the gates of paradise ("Material Culture of the American Freemasons" John Hamilton, 1994, p.149) and though described for American application, possibly the symbolism may extend to the well established military orders in Portugal. Just some references and observations to support what you guys have already well figured out!!! ![]() All the best, Jim |
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#8 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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On the other hand, If this is indeed a rapier blade, is actually a short one. Typical ( slim ) rapiers were much of an urban weapon, the owner allways trying to have a longer specimen, to enable him to prick an opponent, while keeping him out of reach. In 1539 the Royal regulation limited these blades to five palms ( 1,10 mts.= 43" ) but in general these rules were not so followed, and several "ilegal" rapiers appeared with seven palms, and exceptionaly with nine palms ( or spans.) Even an ingineous system was developed, in which a five palms blade was indeed a two part set, with an extendable two palms length emerging from the hollow ricasso. These were called growing rapiers. Even King Dom Joćo IV (1640) was found to have one in his armoury inventory. The above said is mostly a quotation from the book already mentioned in this thread by Jim. It would be great to figure out who is the figure opposite from Diana ( being Diana ). Looks like having a quiver on the back, and brandishing a sickle weapon on his right hand ... another god ? Pagan ? There should be some relation between these and the tryumphal figures on the ricasso? So far and within my limitations i don't see that this blade is rather Portuguese and not Toledan, or so else. ... Eventualy a customized piece,to be used by a public official or some kind of big shot? One can see Rick's logic in the non waved lower half matching well into the halfswording style , like the spare hand grabing the blade ricasso to strenghten the stabbing. This would surely mean this is an operational weapon. The wood handle fixation looks quite tight and well configured, maybe not a domestic job. I wonder what the missing pommel knob looked like. Wouldn't there be blades, even efective blades, deliberatly made for concealed weapons ? If in that period a Court official or some other big shot would officiously carry a stick or a baton with a concealed blade, couldn't sometimes the blade be directly made for the purpose ? kind regards fernando Last edited by fernando; 17th August 2006 at 07:42 PM. |
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