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#1 |
Member
Join Date: Dec 2014
Location: Black Forest, Germany
Posts: 1,240
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It is true, the name "Eisenhauer" exists in Germany, but also in the USA (Eisenhower). But this word on blades made in Germany is not the name of the manufacturer, but a quality feature. Blades with the Eisenhauer signature can penetrate iron nails without damaging the cutting edge, i.e. there are no notches in the cutting edge after the test.At least this is what I have read on this topic.
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#2 |
Member
Join Date: Sep 2017
Location: Tyneside. North-East England
Posts: 715
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Hi Jim. When it comes to un-resolved markings on blades you are my first port of call and I bow to your encyclopedic knowledge on the subject.
However, I am often bewildered by your detailed responses, so please forgive my questioning your response regarding Christian symbology... I am actually still bewildered - but I haven't had my coffee yet, so I will try again later. ![]() |
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#3 |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
Posts: 953
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Alan Williams hypothesized that the ULFBERH+T swords may have been made from Asian crucible steel on the basis of high carbon content and microstructure. The popular press then ran with a corruption of that theory - that ULFBERH+T swords were the best - luxury goods of their time - and the other variations were knockoffs.
However, far from being the Viking Super Sword, the +ULFBERH+T inlaid swords were likely from a particular workshop that used higher carbon steel and corrupted the earlier existing +ULFBERHT+ inscription and there may be a metallurgical reason so many are found broken. For me, Ingo Petri pretty much shot down the Viking super sword concept in 2015 at the Solingen Sword: Form and Thought conference. Here is a more recent paper by him explaining his reasoning: https://www.academia.edu/68589269/VL...nd_manufacture. (The formatting is better if you download the pdf from there.) |
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#4 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,616
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My apologies Keith, my poorly framed comments indeed are worded in a bewildering way. Actually, while of course being well aware of 'Viking' swords, my 'knowledge' on them is pretty much at kindergarten level. I have for many years wanted to learn more on the subject, but quite honestly it is formidable to say the least. So wanting to have a go at it finally, I have been 'cramming' as it were for weeks to at least get some idea of the kinds of questions I should try to focus on, and what resulted was what you well describe as bewildering dialogue. I am still studying, going through many sources, but there has been so much debate and consternation on the subject matter, it is hard to establish any well defined resolution., What I was trying to say is that the 'cross' seems to have been a mark which indeed had ecclesiastic use with the 'names' and invocations found on these blades of 9th-10th centuries. Since these blades were virtually all made in Frankish regions (now Germany and Bavaria) it seems well established they traveled into Scandinavian regions through trade and of course many were used by Vikings of these varying regions. If any of these 'Viking age' swords were made outside the Frankish domain I have certainly not yet come across that exception. What I was saying is that while Scandinavian regions, particularly Vikings, were not Christianized in these times, the cross appearing on blades, as well as other Christian symbology such as invocations such as IN NOMINE DOMINI , DIC= DOMINUS IESUS CHRISTUS; NED=MOMEN ETERNUM DEI..... would not preclude Viking use. These markings rather than seen as religiously oriented would have been seen as markings of high quality.......or further, indicators of ',magic' much in the sense of the futharks of runic alphabets. I hope this makes any more sense, its getting clearer to me ![]() |
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#5 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,616
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Lee, thank you for coming in! and I have been going through your amazing book trying to get a better grasp on this esoterica, and it gets more fascinating every run I have at it!
As we have discussed and you well note, while the theory of the use of the Eastern crucible steel being used for the remarkable blades of the ULFBERHT genre being the source for their strength and soundness...the truth may be closer to home. It appears that perhaps the Franks realized that the small furnaces used in smelting the bloomery steel used could not produce the heat and time required to absorb adequate carbon. By adding a second step the carbon content was increased. Obviously this simplification reveals my limited grasp of metallurgy, but what I have read notes that most of the Frankish blades we are discussing have remarkable carbon content, far higher than contemporary blades elsewhere. The note on the variation in placement of the + in the ULFBERHT inlay on many blades does suggest a different shop, using the renowned name much in the manner of the centuries later ANDREA FERARA mystique, among others. The instances of ME FECIT occurring with other names occurring such as INGELRII does lean toward makers or shops as opposed to suggestions of invocations, which in some degree might have had some bearing. |
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#6 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,616
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Thank you Udo, I completely missed the mark in my comment on Eisenhauer. I should have been more clear, and noted it was a word for iron cutter, and not a makers name as often assumed. Pretty impressive quality, and understandably so. |
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