Deccan tulwar

[ariel]

Originally Posted by Ren Ren

Ariel needs your help now. And it's true - he needs help.

I always appreciate constructive help. That’s the main reason I come to this site.

[ariel]

Going back to the original topic of discussion: any consructive thoughts about potential Chinese influence on the construction of the “ quillon”?

[Ren Ren]

I immediately rejected the version of the direct borrowing of Chinese design with the help of Zheng He's flotilla. This version is so weak that it is not worth wasting time even explaining the reasons for its weakness.

Even a quick review of the overland part of the Great Silk Road gave much more promising results. Although this line of contacts operated continuously for more than 2500 years, the nature and intensity of the interaction changed significantly over different periods of time.
The most interesting for me are the 14th-16th centuries, when the state of Moghulistan existed on the territory including modern Xinjiang, the southeastern part of Kazakhstan and part of Kyrgyzstan. This state had outstanding opportunities for interaction with China, Mongolia, Tibet, the states of Central Asia, Afghanistan, India, using its geographical position, the unique composition of the population and the dynastic ties of its sovereigns.

It is especially important for us that the mother of Babur, the founder of the Mughal dynasty, was the daughter of the sovereign of Moghulistan, and many relatives on the maternal side became associates of Babur. They were the descendants of the Mongols who converted to Islam and the Turkic language, but at the same time retained a significant part of the ties with Mongolia.

Very little is known about the Mongolian weapons traditions of the 14th-16th centuries. But thanks to the excellent research of Donald LaRocca, we know that the conservative traditions of Tibet have preserved much of the common heritage of the Mongols, Tibetans, Chinese and Manchus.
Therefore, I once again looked at the historical weapons of Tibet and, in order not to waste more words, I have prepared for you a small overview of the most characteristic items.

[Ren Ren]

And also some Tibetan weapon accessories

[fernando]

Beautiful .

[ariel]

Sorry, another double:-(((((

[ariel]

Ren Ren,
I am a bit flabbergasted by your comments.
First, I never claimed that Zheng He's trips were the source of Chinese swords entering India. It was simply in response to Mercenary's assertion that China had no direct contacts with India till at least 16 century. This was patently incorrect and maps of Zheng He's travels confirm it. As a matter of fact ZH died in Kozhikode ( Calicut in European sources). The categorical assertion that "This version is so weak that it is not worth wasting time even explaining the reasons for its weakness" is a bit too glib: had it not been so evasive and supercilious, I might have even been insulted. But I was not, so do not worry about it.

Then, you find fault with me using the term " Normans", even though I explicitly mentioned that several names were used in different sources, from Normans, Norsemen, Rus, Vikings, Varyags. It is not how we call them, but where they were from: Scandinavia.

After that you invoke some conclusions from maritime archeology to assert that ZH's fleet did not carry weapons as gifts. This was not supported by any references, locations, dates, sufficient number of shipwrecks examined etc.

And now you totally reject the possibility ( not even probability!) of maritime exchange between China and India. Please pay attention that I explicitly mentioned common land borders between the two as a potential point of contact. But the existence of early maritime contacts is also irrefutable. Interestingly, you yourself mention that " Moghulistan" in the 14th century had trade relations with India.

Your hypothesis that Tibetan Kirthimukha was the inspiration for some Indian quillons is intriguing. But please realize that these motives were used on the swords that Emperor Yungle ( the very same who sent ZH on his journeys !) and even his predecessors gifted to Tibetan monasteries (see book of La Rocca). Thus, it might not be impossible that some of those swords reached India very early on either by land or ( potentially!) as ZH's gifts to Indian nobility.

There is no need to digress into long descriptions of things that do not bear any relations to the topic of current discussion ( such as genealogy of Babur's mother etc). And some attention to the comments that are the targets of your critique as well as some thinking about your responses might also be beneficial.
With best wishes,
Ariel

[Mercenary]

"According to Simon Digby, the evidence given by Fakr-i-Mudabbir in Delhi in the early thirteenth century suggests "a trade in arms extending through the medieval Islamic world from Europe to China" with European blades usually being considered sharper and better than Indian ones" (с)

In real:

the author of the manuscript calls Indian swords the best of all kind of swords

Originally Posted by ariel

It was simply in response to Mercenary's assertion that China had no direct contacts with India till at least 16 century.

In real:

Originally Posted by Mercenary

There was no direct influence of Chinese culture to Indian one in the 16th century, only indirectly through Iran and Central Asia. If something of Chinese appeared in the Deccan, it first had to appeared in Iran.

And how much we were told about the scientific discourse and the rules of academic activity.

[Interested Party]

Originally Posted by Ren Ren

Very little is known about the Mongolian weapons traditions of the 14th-16th centuries. But thanks to the excellent research of Donald LaRocca, we know that the conservative traditions of Tibet have preserved much of the common heritage of the Mongols, Tibetans, Chinese and Manchus.
Therefore, I once again looked at the historical weapons of Tibet and, in order not to waste more words, I have prepared for you a small overview of the most characteristic items.

Interesting discussion gentlemen. I find cross cultural influence and exchange of technology, ideas, and genes to be one of the most fascinating subjects ever.

Ren Ren, the Tibetan swords you show seem to have a Kala on them? Would you say that is a Tibetan addition that fits conveniently into the space or is it an implied motif on the Chinese and Indian examples also? I.e. time and death devouring all. The visors of the Mongolian helmets state this as well or just share a silhouette? Seeing that pattern repeat was a very good catch.

Mercenary, Where is the example in post #41 from?

[Mercenary]

Originally Posted by Interested Party

Mercenary, Where is the example in post #41 from?

The State Hermitage Museum (Petersburg, Russia)
Iran, XV-XVI, when Chinese motifs were popular in the art of the Timurid state and the early Safavids. At a later time, the heads of dragons and birds were removed.

inscription: "From the desire to have a sun-like dagger, every bone in my body side became a dagger".

[Interested Party]

Originally Posted by Mercenary

The State Hermitage Museum (Petersburg, Russia)
Iran, XV-XVI, when Chinese motifs were popular in the art of the Timurid state and the early Safavids. At a later time, the heads of dragons and birds were removed.

inscription: "From the desire to have a sun-like dagger, every bone in my body side became a dagger".

Thank you. I am glad to see my eyes didn't lie. It looked like Chinese motifs on an Iranian or Caucasian blade. decorated with Turkish style turquoises, and eared (or is that an optical illusion?). For some reason it made me think of the sword of Charlemagne". To which other than hybridization this dagger has nothing to do with. I then picked up Rivkin's "History of the Eastern Sword" and skimmed a few a few chapters covering the concept of transmission of styles across Asia and Europe. Which does seem related to our current topic, but I did not find an appropriate quote.

So, do you think it was made for Shiites and then owned by Sunnis who removed the animals heads?

[ariel]

Don’t we exaggerate the anti-iconic customs of Shia and Sunni?

Both Turkish Sultans and Persian Shahs invited European artists to have their portrais painted , Iranians had their khanjars with ivory handles carved with human figures, Sunni Mughals had books with rich collections of miniatures showing multiple personalities, Deccani Sultans had the same , Shia Tipu Sultan had a life-size statue of a tiger devouring a Brit… etc.
And I am not talking miniatures depicting copulating couples in great detail ( talk about modesty):-)

Moreover, any comparison between religious anti-iconic fervor of Sunni vs. Shia doesn’t seem to hold water.

Anti-iconism was and still is very strong only in the Salafi and Wahhabi communities. But streets of Karachi and Teheran are covered in gigantic portraits of their political and religious leaders ( never been in either, thank G-d, just saw Internet photos)

[Ren Ren]

Originally Posted by Interested Party

Ren Ren, the Tibetan swords you show seem to have a Kala on them? Would you say that is a Tibetan addition that fits conveniently into the space or is it an implied motif on the Chinese and Indian examples also? I.e. time and death devouring all.

Donald LaRocca uses the Tibetan name "tsi pa ta" in his book, which is exactly the same as the Sanskrit "kirttimukha". I do not know if the kirttimukha mask is used in the decoration of Indian weapons. China has its own symbol - the mask of Tao Tie 饕餮 (you can translate it as "Terrible Glutton"). This is a very ancient symbol, it has been known since at least 1300 BC. Later, it partially united with the kirttimukha symbol, which brought Buddhism from India.

Originally Posted by Interested Party

The visors of the Mongolian helmets state this as well or just share a silhouette? Seeing that pattern repeat was a very good catch.

I suppose that if you wish, you can find parallels between the silhouette of the visor of the Mongolian helmets and Buddhist religious objects, such as the headdresses of monks and priests. But this is hardly connected directly with the symbol tsi pa ta/kirttimukha.