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#1 |
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Join Date: Aug 2007
Location: CHRISTCHURCH NEW ZEALAND
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Hi Teodor,
A very nice and interesting Nimcha you have there. Quite early in terms of date I would think. To add some discussion points to your thread, here are some pics of other Nimcha and tribally made??? copies mounted to various blades. The typical D guard so called Zanzibar Nimcha is shown together with tribal copies also using the D ring guard. Stu |
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#2 |
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Join Date: Dec 2004
Location: Bay Area
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Thank you Stu, I find the connections between the Zanzibari nimchas (Zanzibari used here to refer to all nimchas from Southern Arabia and the Eastern coastline of Africa) and the Maghrebi ones fascinating. The D-ring feature is found on nimchas from both areas, but it is rarely found on Maghrebi examples and only on really early ones. At the same time, it is prevalent on Zanzibari nimchas. This seems to suggest that the form made it over to the Arab Sea and Indian Ocean quite early (assuming West to East distribution).
Here are some hilts in my collection, which we can use to make some observations. To the left of my new Algerian nimcha are two Moroccan ones - a typical one to the far left and an interesting variation with the two inner quillons perpendicular instead of parallel to the blade. Note also that the outside quillon which is curved towards the blade does not end with the typical Moroccan style ball, but is much flatter, like the quillon on Zanzibari nimchas. It is tempting to categorize this type of guard as a transitional one between D-ring guards and guards without a D-ring. It is rarer than the usual Moroccan nimcha guard, and in the few instances I have seen such guards they tend to be mounted on older blades (mine is on a mid 18th century English hanger with a fox mark, the one in Claude's book has an older blade as well). It appears therefore that this type of guard is slightly earlier than the more widespread later form with quillons all parallel to the blade, probably dating back to the late 18th, early 19th century, which would support the hypothesis that this is indeed a transitional type. To the right are two typical Zanzibari nimcha guards - the one right next to the Algerian nimcha has a steel plate with cut out decorations inside the D-ring, while the next one does not. It is possible that the plate was added to strengthen the D-ring, which as you can see on the other nimcha has been broken. The Zanzibari nimcha next to the Algerian one is also the higher quality example of the two, with a slightly larger hilt and more decoration, so the plate might have been something reserved for better quality examples. The next sword to the right is another Zanzibari nimcha, but with a simpler, brass guard and no D-ring. Finally on the far right is a saif from Southern Yemen. It lacks the nimcha guard with its knuckleguard, replaced with a crossguard instead(and a chain from the quillon to the pommel which is missing on mine), but the grip and pommel are undoubtedly of the same form as on nimchas, except that the pommel is tilted at a 90 degree angle to the hilt, more so than on Zanzibari nimcha pommels which are tilted at a smaller angle. This is of course only a partial snapshot of the many variations that exist on nimcha hilts, so hopefully other members would share some of their nimchas here, along with their own thoughts. Teodor |
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#3 |
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Join Date: Jun 2013
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Your new nimcha is amazing Teodor!
Last edited by Kubur; 15th January 2021 at 10:54 PM. |
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#4 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,308
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On your new nimcha, is that patina or enamel in the hilt recesses?
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#5 | ||
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Location: Bay Area
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#6 |
Arms Historian
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This is an outstanding topic and thread Teodor, and absolutely wonderful grouping of these swords! Congratulations on the beautiful new example you have added and I very much agree with your comments.
While I of course have nothing but the highest regard for Mr. Buttin, like all of the long venerated arms writers, they were far from infallible. The 14th-15th c. suggestion for #991 is remarkably unlikely and exceeds optimism. As far as I have understood this distinctive guard system evolved most likely in Italy in the late 15th century as Tony North described in his " A Late 15th Century Italian Sword" (Connoisseur, Dec. 1975, fig.3). The assimilation into the Ceylonese sphere with the similar system in the 'kastane' appears to have arisen sometime about a century later, but from again similar hilt designs in South India, Deccan of 15th c. ("Arts of the Muslim Knight", B. Mohamed, 2008, p.206, #197). It does seem the quillon system was circulating through trade networks in 15th into 16th c. but its character in my opinion reflects Italian sword design innovations as the rapier styles were evolving. In Mohamed (op. cit. #40; #41 and #60) all show these 'peaked' type hilts of these sa'if commonly termed 'nimcha' . #40 has the D-ring and is attributed to N. Africa 16th-17th c. The blade has a 'cog'wheel' mark known of German smiths of 16th c. and the hilt designs are Ottoman form of 16th c. #60 is of the Deccan in India with the peak and same hilt styling but with characteristic Indian quillon terminals and langet, said to be 17th c. \ #41 is of Algeria, Oran c. 1700. The same type sword was captured at the Battle of Oran n 1732. One of these had the toughra of Mustafa II (1695-1703) on the blade. The same hilt and quillon system seems too have prevailed mostly in the Maghreb from 17th c. into 18th, but as always, tradition keeps forms around much longer than collectively recognized. It seems that the 'peak' had basically diminished by the18th c. It seems that Stone regarded these as Algerian, while collectors have always deemed the 'nimcha' as Moroccan. It does seem that the instances of English merchants wearing nimcha in the early to mid years of 17th c. come from diplomatic trade relations with Morocco. In the past there have been numbers of attempts to classify nimcha regionally by hilt features and quillon character, but I am not sure this can be reliably done. The 'D ring' guard for example has long been regarded as a Zanzibar form, but here Buttin refers to them only as Arab, collectively grouped with the other forms of variation. With the example posted here in the opening of the thread, that blade looks distinctly Italian, and those markings reflect characteristics of Italian lettered marks in parallel, and quite possibly 17th c. The unusual raised section on the blade back nearest hilt seems like Italian blades I have seen. Attached is a Hafsid sovereign of Tunis wearing a nimcha c. 1573. While we cannot rely on accuracy necessarily, the peak seems absent but by the notations on the example from N. Africa (Mohamed, op. cit. #40) from Oran Algeria of late16th c. the design did exist there. |
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#7 |
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Jim, thank you for your thorough comments. I have the Furusiyya Foundation book and it is a great reference. It shows a nimcha with a hilt, covered by turtle shell and silver (#41), and then mentions the 4 similar swords captured in 1732 and now in the Real Armeria. This info is again repeated in the recent Met book to which Kwiatek contributed translations. However, I have reasons to believe these turtle shell hilts appeared a century or so earlier, because a fine example now in the Rijksmuseum was captured by Michiel de Ruyter in 1655:
https://www.rijksmuseum.nl/en/collection/NG-NM-10412 In the Malta Armory, among the many nimchas there is one with a D-ring, but it is there nonetheless. These swords were trophies of the knights of St. John, captured in naval battles in the Mediterranean, in a period from the 16th to the late 18th centuries (the order seized to exist after that courtesy of Napoleon). So there are most certainly Maghrebi nimchas with this feature. The lovely example in the Hofburg (also shown in Claude's great book) also has a D-ring and since it is probably connected to the Habsburgs, it likely came from the Mediterranean too (and it is decorated in an Ottoman style). When it comes to guard and quillon style, I wonder if the approach of trying to differentiate on a purely regional basis is flawed as some variations may be chronological in character. Regards, Teodor |
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#8 | |
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